Publicado por Dye Hard Press, 2000
Librería: Chapter 1, Johannesburg, GAU, Sur Africa
EUR 10,60
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Añadir al carritoSoft cover. Condición: Fine. Stapled format, 25 pages.the wraps are shelf rubbed.clean.well bound.fine copy.[S.K]. Our orders are shipped using tracked courier delivery services.
Idioma: Inglés
Publicado por LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3838309405 ISBN 13: 9783838309408
Librería: moluna, Greven, Alemania
EUR 41,05
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por LAP Lambert Academic Publishing, 2009
ISBN 10: 3838309405 ISBN 13: 9783838309408
Librería: Mispah books, Redhill, SURRE, Reino Unido
EUR 113,95
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Añadir al carritopaperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Idioma: Inglés
Publicado por LAP LAMBERT Academic Publishing Mai 2010, 2010
ISBN 10: 3838309405 ISBN 13: 9783838309408
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
EUR 49,00
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -A greater awareness of how Pinter s early experiences as a Shakespearean actor have influenced his playwriting gives us considerable insight into Pinter s playwriting strategies. Four different approaches are used to examine multifarious Shakespearean resonances in Pinter s plays. Pinter s portrayal of Iago on stage may have been a contributing influence to some of the language games in Pinter s plays. Metadramatic attributes shared by Shakespeare and his character Iago are extended to Pinter and his character Robert in Betrayal.A Jungian reading of Hamlet is juxtaposed with Pinter s political plays, Ashes to Ashes and One for the Road, to examine how manipulators in these plays attempt to obliterate individual identities and reduce individuals to pawns by foisting national and paternal identities onto characters. Hamlet s and Rebecca s resistance to such threats are examined in terms of their endeavours to unite opposites in their quests for individuation. This study sheds light on the strong antithetical structures and open-endedness in Shakespeare s and Pinter s plays. 116 pp. Englisch.
Idioma: Inglés
Publicado por LAP LAMBERT Academic Publishing Mai 2010, 2010
ISBN 10: 3838309405 ISBN 13: 9783838309408
Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemania
EUR 49,00
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -A greater awareness of how Pinter's early experiences as a Shakespearean actor have influenced his playwriting gives us considerable insight into Pinter's playwriting strategies. Four different approaches are used to examine multifarious Shakespearean resonances in Pinter's plays. Pinter's portrayal of Iago on stage may have been a contributing influence to some of the language games in Pinter's plays. Metadramatic attributes shared by Shakespeare and his character Iago are extended to Pinter and his character Robert in Betrayal.A Jungian reading of Hamlet is juxtaposed with Pinter's political plays, Ashes to Ashes and One for the Road, to examine how manipulators in these plays attempt to obliterate individual identities and reduce individuals to pawns by foisting national and paternal identities onto characters. Hamlet's and Rebecca's resistance to such threats are examined in terms of their endeavours to unite opposites in their quests for individuation. This study sheds light on the strong antithetical structures and open-endedness in Shakespeare's and Pinter's plays.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 116 pp. Englisch.
Idioma: Inglés
Publicado por LAP LAMBERT Academic Publishing, 2009
ISBN 10: 3838309405 ISBN 13: 9783838309408
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 49,00
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A greater awareness of how Pinter s early experiences as a Shakespearean actor have influenced his playwriting gives us considerable insight into Pinter s playwriting strategies. Four different approaches are used to examine multifarious Shakespearean resonances in Pinter s plays. Pinter s portrayal of Iago on stage may have been a contributing influence to some of the language games in Pinter s plays. Metadramatic attributes shared by Shakespeare and his character Iago are extended to Pinter and his character Robert in Betrayal.A Jungian reading of Hamlet is juxtaposed with Pinter s political plays, Ashes to Ashes and One for the Road, to examine how manipulators in these plays attempt to obliterate individual identities and reduce individuals to pawns by foisting national and paternal identities onto characters. Hamlet s and Rebecca s resistance to such threats are examined in terms of their endeavours to unite opposites in their quests for individuation. This study sheds light on the strong antithetical structures and open-endedness in Shakespeare s and Pinter s plays.