malone kirby (28 resultados)

Soft cover. Condición: Very Good. 1st Edition. Mild Shelfwear And Edgewear, Otherwise An Unmarked, Clean, And Solid Copy.

Condición: Very Good. Signed Copy . Inscribed by author on half title page. (Art, Paintings, Pictorial Works).

Condición: Good. 1949. No Edition Remarks. 382 pages. No dust jacket. This is an ex-Library book. Brown cloth. Black and white photographic frontispiece. Expected library inserts, stamps and inscriptions. Binding remains firm. Pages are lightly tanned throughout. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Wear marks overall.

Paperback. Condición: Fine. Inscribed and SIGNED by artist. Exhibition catalog illustrated in color. 68 pages.

Sewn Card Wrappers. Condición: Very Good. First Edition. (40pp.) 200 copies. Inscribed for poet & publisher Ian Robinson in the month & year of publication. Rosemary Malone covers very slightly handled. Signed by Author(s). Book.

PAPERBACK. Condición: Good. First. Phantom House / Pod Books (Baltimore, MD). PAPERBACK. 1977. 9780905351056 :Faintly soiled foreedge. Mildly rubbed/soiled wraps. Binding is tight and pages are clean and unmarked. Includes two page typed poem "Spaghetti" by Joe Cardarelli, dated "september 1979" and inscribed: "For Jonathan & Tom / from Joe". From the personal collection of poet/publisher/photographer, Jonathan Williams (1929-2008) at Skywinding Farm, Scaly Mountain, North Carolina. Phantom Pod includes work by Joe Cardarelli, Anselm Hollo, and Kirby Malone. 52pp. . Good. First.

Paperback. Condición: Very Good. First Edition. Signed by Kirby Malone at the front and inscribed to poet Gerrit Lansing. First edition, first printing. Number 5 from a limited edition of 200 copies. Text is unmarked; pages are bright, though the page edges are age toned. Sewn binding is sturdy. Covers show some light edgewear and are a little age toned around the edges. There are a series of small light stains scattered on the covers and the lower corner of the back cover is creased. Inscribed by Author.

Sewn Card Wrappers. Condición: Very Good. First Edition. (40pp.) 200 copies. Inscribed for Bob Cobbing in the month & year of publication. Cobbing is listed amongst those who made the publication possible. Rosemary Malone covers very slightly handled. Signed by Author(s). Book.

Condición: Good. Good condition. English and French edition. (Death in Art, Paintings, Exhibition Catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Spring green & color illustrated wraps. 69 pp. Numerous color plates. Issued in conjunction with a series of 2000-2002 exhibitions of work by Lebanese-born American artist Chawky Frenn (b. 1961). With essays and reactions by Kirby Malone, Kimberly B. Koller-James, Robbin Zella, John D. O'Hern, Dorothy Joiner, and Patrick Bruneteaux (whose essay is also in French); as well as an artist statement. Chock full of views of the artist's images of heads and skulls in various situations and environments. One of 2500 copies. This copy is SIGNED BY THE ARTIST on an opening page. VG- (Ex-gallery with spine label and few interior marks; includes additional paperwork about the artist; SIGNED BY THE ARTIST on an opening page.).

First edition. Softcover. Number 455 of only 600 copies. The highlight of this issue is Charles Bukowski's poem "Practice," along with contributions by William Wantling, Kirby Congdon, d.a. levy, and others. A clean near fine copy in stapled wrappers with some minor wear. illustrated by A. Sypher. Uncommon.

Soft cover. Condición: Very Good Plus. First Edition. One of 200 numbered copies. 16mo. Stitched wrappers. Unpaginated (44pp.). A 'daybook, dreambook, book of hours'. Very Good Plus, with a tiny nick to spine head. This copy has been signed by the author ('Kirby') and inscribed at some length to Allen and Elaine (Fisher) in the month of publication. Allen Fisher, who has made some brief pencil annotations, is acknowledged on the title page, as are Iain Sinclair, Bill Griffiths, and Bob Cobbing. Signed by Author(s).

Soft cover. Condición: Very Good. First Edition. One of 200 numbered copies. 16mo. Stitched wrappers. Unpaginated (44pp.). A 'daybook, dreambook, book of hours'. Faded around the spine (not affecting the design), otherwise Very Good indeed. This copy has been signed by the author and inscribed to Iain (Sinclair) and family in the month of publication. Sinclair is acknowledged on the title page, as are Allen Fisher, Bill Griffiths, and Bob Cobbing. Signed by Author(s).

Soft cover. Condición: Very Good. First Edition. One of 200 numbered copies. 16mo. Stitched wrappers. Unpaginated (44pp.). A 'daybook, dreambook, book of hours'. Very Good, with a tiny nick to the head edge of the upper wrapper, and slight fading around the spine (not affecting the design). This copy has been signed by the author and inscribed to Paul (Buck) and Glenda (George) in the month of publication. Signed by Author(s).

Soft cover. Condición: Fine. 1st edition. Near Fine. 8vo, 34pp, stapled wrappers. The scarce first issue of this late seventies literary magazine edited by poet Simon Pettet. Nice copy, light wear, original UK price sticker to back cover. Not Signed.

The second and final issue of this magazine focusing on visual and concrete poetry. With contributions by Eugene Carl, Marshall Reese, Jiri Valoch, Karel Adamus, Josef Honys, Robert Lax, Michael Gibbs, Gabor Toth, Vladan Radovanovic, Richard Kostelanetz, Charles Amirkhanian and Kirby Malone. See photo for the contents. Cover illustration by Nancy Ackerman. /// Paperback, [36] pp., 4° (21 x 28 cm), cover partly yellowed, with a few tiny stains and traces of dust, staples slightly rusty, condition: very good Book Language/s: English.

Soft cover. Condición: Very Good Plus. First Edition. 8vo. Stab-stapled wrappers. Unpaginated (16pp. printed on rectos only). A poem in thirteen sections, dedicated to Gerrit Lansing, the numbers 'considered as formations signalling gradual or radical changes in the landscape, dreamscape, &c.' Very Good Plus, slightly rubbed to the lower wrapper. This copy has been signed by the author ('Kirby') and inscribed to Allen (Fisher). Signed by Author(s).

Soft cover. Condición: Very Good. First Edition. 8vo. Stab-stapled wrappers. Unpaginated (16pp. printed on rectos only). A poem in thirteen sections, dedicated to Gerrit Lansing, the numbers 'considered as formations signalling gradual or radical changes in the landscape, dreamscape, &c.' Very Good, lightly soiled to the blank lower wrapper. This copy has been signed by the author ('Kirby') and inscribed to Iain (Sinclair). Signed by Author(s).

Soft cover. Condición: Very Good. First Edition. 8vo. Stab-stapled wrappers. Unpaginated (16pp. printed on rectos only). A poem in thirteen sections, dedicated to Gerrit Lansing, the numbers 'considered as formations signalling gradual or radical changes in the landscape, dreamscape, &c.' Very Good indeed, with just a little light wear. This copy has been signed by the author ('Kirby') and inscribed to Paul (Buck), Glenda (George), and family. Signed by Author(s).

Soft cover. Condición: Very Good. No marks. Minimal wear. Enclosed in original envelope.

Condición: Very good. - Oblong small folio [10 inches high by 14 inches wide], softcover. Pictorial white wrappers bound along the top edge with a wire ring binder. The wraps are lightly bumped with some light creasing & some very minor spotting to the rear wrap. Unnumbered leaves printed on one side only, including black-and-white plates reproducing photographs by Sue Abramson. The leaves are slightly bowed & there is foxing to the title page. Very good. Limited edition of 1,000 copies.Abramson photographs "Disappearing Art(s)", part of a series of performances by the multimedia company CoAccident, led by Kirby Malone and Marshall Reese. She writes in an introductory note: "I mainly wanted to catch the flow of their energy, not for the sake of analytical study but as a direct reading of the performance at hand. Putting aside the conventions of 35mm and documentary photography, I became part of the event itself. I used continuous time exposures while hand-cranking the film through the camera.".

Soft cover. Condición: Very Good. 1st edition. VG. 8vo, 24pp, stapled self-cover. Scarce first issue of this important venue of late-seventies experimentalism. Subscription slip laid in. Unmarked copy, a bit of outer soil and wear. Not Signed.

Paperback. Condición: Very Good. First Edition. Wraps. Small oblong 12mo. 13 by 8 cms. Illustrated paper wraps chapbook.pp 16 various sizes of paper. Experimental possibly visual poetry, illus and words. 100 copies only, there was also an edition of 40 signed. Very good indeed.

Condición: Good. - Quarto [11 inches high by 8-1/4 inches wide], softcover bound in pictorial tan wrappers designed by Nancy Ackerman. The bottom corners of the wraps are bumped & there is a crease & a tiny chip to the top edge of the rear wrap. [36 pages]. Profusely illustrated in black & white with visual and concrete poems. There are several small stains to the 2 center pages. Good. Among the contents are an essay on the work of Vladan Radovanovic by Eugene Carl; and "Gould the Variations Glenn", a piece of experimental prose by Richard Kostelanetz;,Rare.

Soft cover. Condición: Fine. 1st edition. Near Fine. 4to, ~112 pp, printed wrappers. Scarce and stout issue of this substantial late 1970s poetry and art magazine, featuring experimental work from a range of prominent contributors. Unmarked copy, light wear. Not Signed.

Stapled Wrappers. Condición: Near Fine. First Edition. 128pp. Sinclair (11pp.) Printed by Jim Pennington. Covers fractionally handled & staples just starting to rust. Book.

Condición: Very good. First Edition. Rare first issue of this Baltimore lit mag, with contributions from Chris Mason, Alec Bernstein, the performance poets CoAccident, and the editors. Wraps. Small 4to. Saddle-stapled wraps. Very good. Light toning and several creases to wraps. Interior trivially toned. Unpaginated.

Soft cover. Condición: Very Good. 1st edition. VG+. 4to, 36pp, stapled wrappers. Clean copy of the rare second (and final) issue of this important seventies review of experimental and visual work (later combined with Pod to form E Pod). Unmarked copy, light sunning at spine and a little general wear. Not Signed.