M j schretlen (48 resultados)

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. Binding firm, very light soiling to boards. Interior clean and unmarked. No dust jacket as issued. Oversize/Overweight: additional postage may apply.

Hardcover. Condición: Very Good. No Jacket. Reprint. Large quarto in beige-colored cloth binding. B&W illustrations. Condition: some minor soiling to binding; else very good. Pages: ix, 80, [vi].

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condición: Near Fine. reprint edition; previous owner's small stamp on front endpaper. With 80 plates, several with multiple images, and 13 plates in the appendix. 86pp 2.73lb 12.3x9.3x0.9in.

Condición: New.

Hardcover. Condición: Very Good. No Jacket. 68 text pages before plate section of 80 plates. A reprint of the 1925 original. Foreword by M. J. Friedlaender. Light tan cloth exterior w/title in green on spine. Interior is unmarked, tight and clean.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Very good. - Quarto, bound in tan buckram. The binding is a bit soiled. 72 pp. of text and 84 pages of b&W illustrations. Very good. Reprint of the original 1925 edition.

Condición: New.

Cloth. Condición: VG/No Dustjacket. New York, NY: Hacker Art Books. VG/No Dustjacket. 1969. . Cloth. 1969 reprint of 1925 first edition . 4to., viii, 71, 80 pp. . Illustrated (ilustrador).

Hardcover. Condición: Very Good+. Second Printing. Hardcover. Reprint of 1926 edition. Cloth boards, lightly soiled, else fine; green text to spine. No dust jacket. Book is firm in binding, interior is on heavy paper; small stain on edge of text block. Catalogue of plates, 80 numbered plate pages, 4 more in appendix. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 65 pages.…

Softcover. Condición: VG+. Tan/white illus. wraps with red lettering. French flaps. 64 pp. with bw illus. throughout. Laid in is a map of The Netherlands, showing the locations of the associations' dealers with the names and street addresses of the dealers listed on reverse, arranged by city. A catalogue of several pieces sold in the first 5 years of the fair, listed with the buyers' names (often musuems) and a brief essay by Schretlen about the history of the fair. Published to entice patrons to attend future fairs.…

A'dam, z.j. (Palet-serie). 60 pp.

Hardcover. Condición: Good. Estado de la sobrecubierta: Poor. viii p., 1 l., 71 p., 2 l. 84 plates. Beveled cloth-covered boards sharp, light wear to corners and to head and foot of backstrip; text clean, mild to moderate foxing to about half the plates, binding cracked but holding between plates 18 and 19. Remains of dust wrapper (upper panel, upper and lower flap-folds) laid in at rear. Additional postage will be required for shipment outside the United States. 2140 grams.…

Taschenbuch. Condición: Neu. Neuware - 'Dutch and Flemish Woodcuts of the Fifteenth Century' is an authoritative study of the development and artistry of woodblock printing in the Low Countries during the late Middle Ages and early Renaissance. Author M. J. Schretlen presents a comprehensive survey of the origins and evolution of this vital graphic medium, tracing its progression from early, simple designs to the complex and sophisticated illustrations that defined the era's printed books. The work explores the critical relationship between woodcuts and the rise of the printing press, detailing the distinct stylistic characteristics that separate Dutch and Flemish traditions.Through careful analysis of religious iconography and secular subject matter, the text reveals the technical skill and creative vision of the period's craftsmen. The book serves as a vital resource for scholars of art history and printmaking, documenting the transition of visual art from exclusive manuscripts to a more widely accessible form. By examining the outputs of various workshops and the works of both identified and anonymous masters, the volume provides deep insight into the cultural, spiritual, and aesthetic values of the fifteenth century. This work is a cornerstone for anyone seeking to understand the historical significance and enduring legacy of Northern European graphic arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Palet Serie 60 p., 48 b/w ills., bibliogr. (Or. wrpprs, some browning).

Condición: Fine. 64 pp., paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Condición: very good. Foreword by M.J. Friedlaender. 80 black & white plates. Tall 4to, tan cloth. New York: Hacker Art Books, 1969. Reprint edition.

Buch. Condición: Neu. Neuware - 'Dutch and Flemish Woodcuts of the Fifteenth Century' is an authoritative study of the development and artistry of woodblock printing in the Low Countries during the late Middle Ages and early Renaissance. Author M. J. Schretlen presents a comprehensive survey of the origins and evolution of this vital graphic medium, tracing its progression from early, simple designs to the complex and sophisticated illustrations that defined the era's printed books. The work explores the critical relationship between woodcuts and the rise of the printing press, detailing the distinct stylistic characteristics that separate Dutch and Flemish traditions.Through careful analysis of religious iconography and secular subject matter, the text reveals the technical skill and creative vision of the period's craftsmen. The book serves as a vital resource for scholars of art history and printmaking, documenting the transition of visual art from exclusive manuscripts to a more widely accessible form. By examining the outputs of various workshops and the works of both identified and anonymous masters, the volume provides deep insight into the cultural, spiritual, and aesthetic values of the fifteenth century. This work is a cornerstone for anyone seeking to understand the historical significance and enduring legacy of Northern European graphic arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Foreword by M.J. Friedlander. 4to. Tan cloth with green spine lettering. ix, 71pp, (3pp), 80pp, (6pp). Near fine. Superb and tight facsimile reprint of the 1925 first edition, a slim but definitive study.

Gr.-8°, Leinen. Condición: Gut. 59 S. + XL Tafeln Niederländische Originalausgabe, Leineneinband leicht lichtrandig und schwach fleckig, innen sauber und gut erhalten Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Niederländisch Gewicht in Gramm: 401. …

Amsterdam, Menno Hertzberger, 1939. gr. 4to. Paperbound. 50 p. with 110 items. With 20 full page plates.

Reprint of 1925 ed. 4to. viii, 71pp, ill. G+, some foxing to linen covers.

4to, pp. viii, [2], 71, [1]; 84 leaves of plates; full tan cloth; fine.

31 x 23.5 cm. Cloth hardcover, x, 72, (2) pages and 84 plates with illustrations. Text in English. Very good, no dust jacket. See picture. This book explores the development and artistry of woodcut prints in the Netherlands and Flanders during the 15th century. It includes analysis and imagery of rare works. 1220g.…

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. 71 Pp + 81 Plates + Appendix With Further Plates At End. Original Brown Cloth, Beveled Edges, Spine Gilt. A Large, Well-Made Book With Just Traces Of Use, Near Fine, Gilt Bright, No Foxing, No Marks.