Lukasz ronduda (38 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condición: Used - Like New.

paperback. Condición: Good. Bruise/tear to cover.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Soft cover. Condición: Very Good. Book is in very good condition. 224pp with colour and b/w photographs.

Softcover, 304 pages; in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Fair. Unbekannte Unterschrift / Widmung; Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveranderung. Czym jest Oswiecenie? pytal Immanuel Kant w slynnym tekscie z 1784 roku. Ponad dwiescie lat pozniej autorzy i autorki tekstow zawartych w ksiazce powracaja do tego pytania, ale stawiaja je inaczej: jako konkretna, polityczna kwestie dotyczaca ksztaltu i perspektyw istnienia swiata, w ktorym zyjemy. Zewszad slychac dzis pesymistyczny refren: kres oswieceniowej tradycji glosza mysliciele przynalezacy do rozmaitych tradycji intelektualnych i utozsamiani z roznymi opcjami politycznymi. Do glosu dochodza ponownie religijne fundamentalizmy, rosnie nieufnosc wobec nauki. W kontrze do tego sposobu myslenia ksiazka pokazuje Oswiecenie jako epoke, ktora caly czas trwa: nie jako fantom, lecz jako zywa rama definiujaca ksztalt naszej terazniejszosci, jako polityka krytycznego myslenia. Dziedzictwo oswieceniowe to nie balast, trup, ktorego nalezy reanimowac lub dobic, lecz raczej cos jeszcze niezrealizowanego, ciagle niedopelnionego cos, co dopiero nadchodzi. Integralna czescia ksiazki jest esej wizualny. Prace pochodza z kolekcji Gabinetu Rycin BUW pierwszej kolekcji grafiki w Polsce, zalozonej przez krola Stanislawa Augusta. Prace historyczne uzupelnione sa artystycznymi komentarzami wspolczesnych artystow, ktore powstaly specjalnie na potrzeby wystawy w Muzeum Sztuki Nowoczesnej w Warszawie w 2018 roku i ksiazki.…

Hardcover without dustjacket as issued, 576 pages; in English; fair condition, spine very slanted; bumps to corners of covers; no internal marks. As is; reference copy. Foreign shipping may be extra.

Hardcover. Condición: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condición: New. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover, small book, 40 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound, 52 pages, in English and Polish; good condition; sticker taped around bottom of spine; no internal marks.

8°. 22 x 15 cm. Orig.-Karton. Bd. 1: 220 S., 2 Bll. mit zahlreichen Abbildungen; Bd. 2: 94 S., 1 Bl. Englische Ausgabe mit beiliegender deutscher Übersetzung (sehr gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 850.

Erste Auflage. 22 x 15 cm. 220 S., 2 Blatt. OKarton. Einbandkanten mit kleinen Bereibungen. Sonst sehr gutes Exemplar. Erschienen anlässlich der Ausstellungen Warschau 9. Dezember 2006 bis 28. Februar 2007, Stuttgart 8. Juni bis 8. Juli 2007 und Bilbao 21. Dezember 2007 bis 24. Februar 2008. Durchgehend mit Abbildungen versehen. Text in englischer Sprache. …

Condición: fine. Relié très bon état .Contenu propre . 2007. PHOTOS SUR DEMANDE.

Softcover; unpaginated; in English, German and Polish; very good condition; clean and crisp; no internal marks. DVD in rear pocket. (Blank gray spine; small book) Foreign shipping may be extra.

Softcover, 224 pages; in English and Polish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 25 x 30,5 cm, Hardcover, cloth binding, 576 pages, 791 color & 1017 b/w illustrations - This monograph, stemming from a long-term research project on the KwieKulik Archive, documents Zofia Kulik and Przemyslaw Kwiek's collective works from 1971 to 1987, illuminating the radically unique position of the artists in the history of neo-avant-garde in Central Europe. The book covers and documents more than 200 events, and includes a "KwieKulik Glossary," the collection of concepts introduced and applied by the artists. The essays in the book are featuring excerpts from texts devoted to KwieKulik in the course of the last decades.…

Cloth. Condición: Fine Condition. No Jacket, As Issued. 80 pages. Oblong format hardcover, bound in printed paper covered boards and issued without a dustjacket. Texts in German and English, including an interview with the artist. Illustrated. Crisp, tight, sharp and clean condition. Published on the occasion of the exhibition held from October 15-November 26, 2006.…

Softcover. Condición: Neu.

Paperback. Condición: New.

Paperback. Condición: Very good in wraps. First Edition. 25 x 30cm 380pp very good paperback, top corners very slightly bumped. English text, colour plus black and white reproductions showing the largely performative works. A heavy book, may need extra postage.

Softcover. Condición: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> This book is a result of research I did in the years 2000-2008. In that time I had an opportunity to meet a number of people who influenced the final shape of Polish Art of the 70s both through conversation and by giving me access to invaluable documents. I wish to thank them for their assistance. I am particularly grateful to Zofia Kulik, Przemyslaw Kwiek and J?zef Robakowski for arousing my interest in the art of the 1970 when I was still a student at the Art History Department at L?dz University. Many thanks to Pawel Freisler and Marek Konieczny who agreed to talk to me about their "secrets" despite their critical attitude to the institutionalization of art in the 1960's and 1970's by such "administrators" as myself. For extremely inspiring conversations and encouragement I am grateful also to other protagonists of this book: Zbigniew Warpechowski, Ewa Partum, Natalia LL. Andrzej Lachowicz, Gerard Kwiatkowski, Grzegorz Kowalski, Wiktor Gutt, Jan Stanislaw Wojciechowski, Pawel Kwiek, Ryszard Wasko, Henryk Gajewsk.…