paul sharits (32 resultados)

Soft cover. Condición: Fine. 1st Edition. This is a clean, unmarked copy with minimal shelf wear.

Soft cover. Condición: Good. 1st Edition. Film Culture: 1978. Octavo. Soft cover. First edition. Rubbing and toning to the wraps. Internal contents clean and unmarked.

Softcover, small book, 40 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound, 56 pages; very good condition; light rubbing to covers; no internal marks.

22 pp.; 19 x 19 cm.; staple bound; black-and-white; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 18 - November 3, 1985. Curated and with a preface by Connie Fitzsimons. Artists include Judith Barry, Barry Gerson, Doug Hall, Perry Hoberman, Nan Hoover, Thierry Kuntzel, Bill Lundberg, and Paul Sharits. Includes exhibition checklist and artist biographies. Very Good / Fine. Covers and contents clean and unmarked.

soft cover. Condición: fine. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - La Terreur par Kent Jones - Archéologie du cinéma et mémoire du siècle (1) par Jean-Luc Godard et Youssef Ishaghpour - La fiction de mémoire par Jacques Rancière - Le monde d'hier (et d'aujourd'hui) par Bernard Bénoliel - Le ciel et la farine par Jean-Pierre Rehm - L'écran de fumée par Lesley Stern - Mots par page par Paul Sharits - Treize raisons de pratiquer l'oeuvre de Paul Sharits par Nicole Brenez - Journal télévisé par Sylvie Pierre - Porcherie par Pier Paolo Pasolini - Pier Paolo Dieu et Diable par Glauber Rocha - La terre et le ciel de Pasolini par Stefania Parigi - Message par Manoel de Oliveira.

Soft cover. Condición: Near Fine. 1st Edition. First Edition, 1969. 48 pages. Side stapled wrappers, measuring 8.5 x 11 inches. Near Fine. A clean bright copy. Includes P. Adams Sitney's essay on Structural Film. Also includes an interview with Bruce Baillie / Notes on Film by Paul Sharits / The Tibetan Film of the Dead by Ken Kelman / "Mehr Licht" by Robert Creeley / Eastman House Journal by Kirk Bond / Notes on George Landow by P. Adams Sitney among other contributions.

Condición: Fine. Harry Ruhé, 25 Fluxus Stories, Idea Books / Tuja Books, Amsterdam, 1999. 160 x 120mm. 88pp. book. Text in English. Illustrated in black and white and colour throughout. 25 Fluxus stories about artists including Eric Andersen, Bernard Aubertin, George Brecht, Stanley Brouwn, Carla, Philip Corner, Ken Friedman, Walter Germans, Sigurdur Gudmundsson, Al Hansen, Piero Heliczer, Jan Hoet, Gerhard Jaschke, George Maciunas, Rob Malasch, Charlotte Moorman, Anton Pieck, Willem de Ridder, Dieter Roth, Wim T. Schippers, Paul Sharits and Simon Vinkenoog. Condition: Fine.

Poster on newsprint, measuring 17 x 22 inches; very good condition; except multiple small holes to left edge; and two small tears to center fold line; machine folded 4 times into 8 sections; a mailed copy with address and postal marks on rear. Will be mailed folded.

Softcover staple bound, 30 pages, very good condition, light rubbing to covers; no internal marks.

Soft cover. Condición: Near Fine. 1st Edition. London: Koenig Books Ltd, 2016. Softcover, [616]pp., 12 x 8.5 inches. Near Fine. Minor bumping to corners. American avant-garde filmmaker Paul Sharits (1943 93); a protagonist of the Structural Film movement, alongside Michael Snow, Tony Conrad and others, was internationally acclaimed for his installations of endless film loops, multiple projections and experimental soundtracks. This volume spans his oeuvre, from his early structural films of the 1960s and 70s, and his unique film spaces and graphic works, to the little-known paintings, through a large-format image section and essays by theorists, artists and Sharits contemporaries. Including previously unpublished works and new research, completed with an illustrated catalogue raisonné of Sharits work between 1965 and 1992. Bilingual, English language.

Paperback. Condición: As New.

Encuadernación de tapa dura. Condición: Nuevo. Estado de la sobrecubierta: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

Condición: VG. Very Good condition 8vo softcover, 150 pages. This copy contains the four-sided (& folded once) 3-color insert reproducing Sharit's notes that most copies lack.

8vo softcover in POOR condition due to mouse attack. Top edge including front and rear covers and about a dozen pages chewed by one or more of them. [Cheap, thus.] Cover also a bit stained brown in places. This copy is SIGNED by Sharits and inscribed to the previous owner on the first page, the "Postscript as Preface". "For ------- ' Light. Paul". Additional images on request. In our opinion the mouse loses -- the book is still readable.

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture souple. Condición: Très bon. Edition originale. Paris 2002. 1 Volume/1. -- Comme neuf -- Broché agrafes. 22 x 16,8 cm ( 80 gr ). -------- 35 pages . ****************** ref 277. ref 200.

Paperback. Condición: Very Good. Very Good condition in wraps, 336 pages, some spotting to spine, minor edge-wear and some age-toning to pages, else flawless. Black and white images throughout. Also contains Joanna Kiernan on Valie Export; Cary Lovelace on Carolee Schneemann and an interview with Annette Michelson by Giuliana Bruno. Increasingly scarce; wonderful issue(s), from the library of artist-filmmaker Joan Jonas.

Condición: Very Good/Very Good+. Paul Sharits, Paul Sharits, Galerie Waalkens, Finsterwolde, 1977. 99 x 209mm. Printed in black on cream stock. Produced for the occasion of Paul Sharits' solo exhibition at Galerie Waalkens, Hoofdweg 39, Finsterwolde, 14 August 2 September 1977. Images are of Sharits' Unrolling Event (1966) at 'A', Amsterdam, 9 July 1977. Condition: Light fold to left side, some toning, no tears or writing. Overall Very Good/Very Good+.

Brosch. 8°, 151 S., einige Tafeln, 1 lose Beilage. Einband etw. unsauber, sonst tadellos. EA. (= Film Culture, Nr. 65/66, 1978). 14 Beiträge, darunter 9 Texte von Paul Sharits, dazu eine «Biofilmography». Beiliegend das «Insert» «'Hi' hay yeh folks [. . .]» (1 beidseitig zweifarbig bedrucktes, 2-mal gefaltetes Bl. mit 5 S. Text).

1 Blatt. Sehr gutes Exemplar. Farbsiebdruck auf Karton, Rot, Blau, Schwarz. 21,1 x 29,9 cm auf leichtem Karton. Unten rechts handschriftlich betitel "1971", signiert. Eins von 50 nummerierten Exemplaren, datiert 1986, zusätzlich als "A.P." beteichnet. Paul Sharits, geboren am 7. 2. 1943 in Denver, Colorado, gestorben am 8. 7. 1993 in Buffalo, New York, wurde als Visueller Künstler bekannt. Neben zahlreichen Filmen ab 1966 enstanden Zeichnungen und Gemälde sowie in geringem Maße auch Druckgrafik. Er starb offenbar an den langzeitigen Folgen einer Schußverletzung, die er sich in den späten 80er Jahren in einer Bar zugezogen hatte, 1993 zurückgezogen in Buffalo.

1 Blatt. Sehr gutes Exemplar. Farbsiebdruck auf Karton, Rot, Blau, Schwarz. 21,1 x 29,9 cm auf leichtem Karton. Unten rechts handschriftlich betitel "1971", signiert. Eins von 100 nummerierten Exemplaren, datiert 1986. Paul Sharits, geboren am 7. 2. 1943 in Denver, Colorado, gestorben am 8. 7. 1993 in Buffalo, New York, wurde als Visueller Künstler bekannt. Neben zahlreichen Filmen ab 1966 enstanden Zeichnungen und Gemälde sowie in geringem Maße auch Druckgrafik. Er starb offenbar an den langzeitigen Folgen einer Schußverletzung, die er sich in den späten 80er Jahren in einer Bar zugezogen hatte, 1993 zurückgezogen in Buffalo.

Soft cover. Condición: Very Good. 1st Edition. First edition. ~7" x 10" softcover book in illustrated card wraps. 336pp. with black and white illustrations. Clean, unmarked, and well bound. Expansive special issue of the longstanding Millenium Film Journal, published by the Millenium Film Workshop first under the direction of Ken Jacobs. This issue features text from an impressive array of filmmakers and critics, including Stan Brakhage, Hollis Frampton, Paul Sharits, P. Adams Sitney and others - please see photos for a full table of contents. Dampstain to lower portion of front cover, toning and rubbing across covers. Tiny chip to lower edge of front cover. Light dampstain to fore-edge of page block, very faint. Pages still quite bright, toning minimal. Binding tight. Rare in very good overall condition.

Soft cover. Condición: Very Good. 1st Edition. Ausgabe is an avant-garde literary and art magazine published by Armin Hundertmark between 1976 - 1984 in Berlin and Cologne. 5 volumes comprising issues 1-5 and published between 1976-1980. All in excellent condition with very minor wear to covers. Interiors unmarked, square and bright. Contributors include Dick Higgins, Henry Flynt, Dieter Roth, Mauricio Kagel, Alison Knowles, Boris Lurie, George Brecht, Philip Corner, Arthur Koepcke, Hermann Nitsch, Bern Porter, Paul Sharits, Takako Saito among many others. Text in German.

[51] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with shows of the work of David Cort held October 5 - 9, 1975 and Tony Conrad, Douglas Davis, Anthony McCall, Nam June Paik, Paul Sharits, and Jud Yalkut, held October 14 - 25, 1975. Curated by Jud Yalkut. Includes artists resumes. Good / Very Good. 7 cm. yellow soiling of recto. Light yellow soiling of verso and dust soiling. Rusting of staples. Light yellowing of pages. Contents clean and unmarked.

613 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig. Sprache: eng.

Paperback. Condición: As New.

1 Blatt. Sehr gutes Exemplar. Farbsiebdruck auf Karton, Rot, Blau, Schwarz. 21,1 x 29,9 cm auf leichtem Karton. Unten rechts handschriftlich betitel "1971", signiert. Eins von 50 nummerierten Exemplaren, datiert 1986. Paul Sharits, geboren am 7. 2. 1943 in Denver, Colorado, gestorben am 8. 7. 1993 in Buffalo, New York, wurde als Visueller Künstler bekannt. Neben zahlreichen Filmen ab 1966 enstanden Zeichnungen und Gemälde sowie in geringem Maße auch Druckgrafik. Er starb offenbar an den langzeitigen Folgen einer Schußverletzung, die er sich in den späten 80er Jahren in einer Bar zugezogen hatte, 1993 zurückgezogen in Buffalo.

Charlotte Moorman, elev(11)enth annual new york avant garde festival at shea stadium, N.Y. Graphic Process Co. Inc. and Kay Offset Printing Service Inc., New York, 1974. 1pp. Fold-out posted printed in kaleidoscopic colours overtop repeated aerial images of Shea stadium. 720 x 560 mm unfolded; 282 x 182mm folded. Poster of festival presented by Charlotte Moorman on 16th November, 1974. Poster includes list of donors and list of participating artists, including John Cage, Mieko Shiomi, Ay-O, Carolee Schneemann, Yoko Ono, Nam June Paik, Jean Toche, Paul Sharits, Allen Ginsberg and many others. Condition: Near Fine.

Condición: Fine. Paul Sharits, Flux Wall Poem, ReFlux Editions, New York, 2002. 120 x 93 x 10mm. Plastic box with 6 cards printed black on white. Unlimited edition no longer produced, based on the original 1966 work. The six square cards are entitled numerically, the visible card in this copy is 'Word One'. Label designed by George Maciunas. Extra shipping may be required. Condition: complete with original outer plastic packaging. Overall: fine.