Louise hamby (25 resultados)

Paperback. Condición: Very Good +. None as issued. Excellent paperback copy. Clean, solid copy with unmarked text. Cover has mild surface, edge and corner wear. Binding is tight and square; no creases to spine or cover. We are unable to ship oversize books and multi-volume sets internationally.

Soft cover. Condición: Very Good. Softcover, 36 pgs. Essays, color illus. Catalog for exhibition held July 18, 2019 - April 5, 2020. Very light wear, sun toning to bottom edge of front cover.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Good. Used items may contain, highlighting, writing, and other previous signs of use. Used items may not contain CD's. access codes and other accompanying items when applicable.

Condición: New.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Cover. Condición: Near Fine. First edition. 96 pp, illustrated throughout in full colour, map, catalogue, palette. Pictorial card covers. Near new. 'Art on a string introduces the aesthetic and symbolic power of necklaces and other threaded objects made by Australian Aboriginal artists from the Central desert and Arnhem land.' The book was produced to accompany the exhibition held at Object galleries, 13 October - 2 December 2001. Size: 4to.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Good. Estado de la sobrecubierta: No Jacket as Issued. Exhibition Publication. Light general wear to covers. Spine not creased. Internally very clean. 96pp Size: 220mm x 275mm. Book.

paperback. Condición: Very Good. Very mild shelfwear. I note every flaw I find, so buy with confidence.

paperback in very good condition; 596 pages, b/w photos and illusts.

kart. Condición: Gut. 96 Seiten Very good copy, cover with small signs of wear. - HE ART ON A STRING PROJECT IS AN EXCITING AND IMPORTANT ONE FOR OBJECT-AUSTRALIAN CENTRE FOR CRAFT and Design. This publication and the travelling exhibition of the same name break new ground in the research and promotion of contemporary Aboriginal art, craft and design practice. The threaded and beaded objects, which have been so beautifully photographed for this catalogue, speak elegantly and powerfully for themselves and their makers. Object's core mission is to significantly increase the visibility and viability of contemporary craft and design in Australia. We hope that the Art on a String project leads to an increased appreciation of the beauty and importance of this work and also to an improved position in the marketplace for it. I would like to congratulate the curators, Louise Hamby and Diana Young, on their tireless research and their thoughtful selection of extraordinary necklaces, bracelets, curtains and other objects made by Indigenous artists from the Central Desert and Arnhem Land. Louise and Diana's commitment, tenacity and hard work have enabled us to produce an outstanding exhibition and accompanying publication. When they approached us at the end of 1999 with the outline of this project, they had already undertaken extensive fieldwork research and had spent months developing and refining the ideas. The project seemed well suited to our aims and from early in 2000 they worked with Associate Director, Brian Parkes and other key staff from our Exhibitions and Publications programs. The result is one we are all very proud of. Art on a String has provided Object with an opportunity to work with a number of diverse and dynamic organisations throughout Australia including Aboriginal art centres in the Central Desert and in Arnhem Land and all of the galleries and museums who will be presenting the exhibition. One of the most important and rewarding relationships has been our collaboration with the Australian National University's Centre for Cross- Cultural Research, with whom we have co-published this catalogue. The CCR's assistance has been crucial and we would like to especially thank Howard Morphy and Julie Gorrell for their support. We are grateful also, for the support of Visions of Australia from whom we received a grant for the development of the exhibition and its national tour. Foreword / Steven Pozel / Contents: Director, Object-Australian Centre for Craft and Design / CONTENTS -- FOREWORD -- INTRODUCTION -- MAPS -- ART ON A STRING -- COLOUR AND RHYTHM -- MATERIALS AND COUNTRY -- MAKING OF THREADED OBJECTS -- CATALOGUE -- PALETTE. ISBN 9780957818064 Sprache: Englisch Gewicht in Gramm: 486.…

Paperback. Condición: Very Good. First Edition. A softcover, paperback book in near fine condition, dated 2001. Published to accompany the exhibition of Art on a String, Threaded Objects from the Central Desert and Arnhem Land, Object galleries 13 October - 2 December 2001 and then touring nationally.…

Hardcover. Condición: new. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Kartoniert / Broschiert. Condición: New. &Uumlber den AutorrnrnCara Pinchbeck is a member of the Kamilaroi community. She has been curator of Aboriginal and Torres Strait Islander art at the Art Gallery of New South Wales since 2007. Lindy Allen is senior curator, Anthropolog.

4to. Col.Ill.wrapps. 96pp. Profusely illustrated in colour. Fine. 1st ed.

Hardcover. Condición: Very Good. No Jacket. pp.xii+340. 31.5cm. Photographic illustrations throughout, most in colour. Colour end and preliminary pages. Map. Notes. Appendices. details of the artists. Glossary. Bibliography. Index. Illustrated boards over cloth spine. Small printed private owner's label on contents page. Small mark on fore edge of pages. A very good clean copy. NOTE: weighs 2.6kg.(The 'clever hands' of the women of Gopuwiyak, Arnhem Land, the 'bathi' (baskets/containers) of the Yolngu (Aboriginal people of N.E. Arnhem Land) and the preparation of the fibres used).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Injalak Arts and Crafts: 2008. Quarto. Hardcover with a dustjacket. 2008 reprint. Pictorial boards. Trace foxing to the top edge of the text block, else fine. Unclipped jacket has minor rubbing along top right edge of the front cover, else fine. Book and jacket are both near fine.…

Hardcover. Condición: new. Hardcover. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New.

Sydney : School of Applied and Performing Arts, The University of New South Wales, 1994. Narrow quarto (295 x 170 mm), illustrated stiff wrappers, pp. [4], iii, 56; 19 b/w photographs, 18 coloured plates, 2 maps, catalogue of works; an excellent copy.

Hardcover. Condición: Very Good. Hardcover. 4to. Published by Utber & Patullo Publishing, Richmond, VIC, Australia. 2010. Xi, 339 pgs. Illustrated with 700 illustrations, most in color. 1 color map. First Edition/First Printing. Bound in illustrated cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities (boards lightly scuffed and worn). No ownership marks present. Text is clean and free of marks. Binding tight and solid. An important study of the basketry and other non-loom fiber art of the Aboriginal Australian Yolngu people. "The most comprehensive and consummate insight yet published into the Indigenous fibre art of northeast Arnhem Land, Containers of Power investigates the complex set of relationships between fibre works and their makers. Based on the long term engagement of anthropologist Louise Hamby with the women of Gapuwiyak (Lake Evella) in Arnhem Land, this book retrieves recognition for the relatively unknown creative practice of the Gapuwiyak community. Celebrating both the women artists of this area and the bathi that are integral to all aspects of Yolngu life, 700 images illustrate the work of Gapuwiyak women past and present, highlighting their individual styles and demonstrating their cultural identity." -Publisher. EB; 8vo 8" - 9" tall.…

Paperback. Condición: new. Paperback. This volume of original essays brings together, for the first time, histories of the making and of the makers of most of the major Indigenous Australian museum collections. These collections are a principal source of information on how Aboriginal people lived in the past. Knowing the context in which any collection was created; the intellectual frameworks within which the collectors were working, their collecting practices, what they failed to collect, and what Aboriginal people withheld; is vital to understanding how any collection relates to the Aboriginal society from which it was derived.Once made, collections have had mixed fates- some have become the jewel of a museum's holdings, while others have been divided and dispersed across the world, or retained but neglected. The essays in this volume raise issues about representation, institutional policies, the periodisation of collecting, intellectual history, material culture studies, Aboriginal culture and the idea of a 'collection'. This volume of orginal essays brings together, for the first time histories of the making and the makers of most of the major indigenous Australian museum collections. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…