Lisa gotto (88 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. 1.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Brand New. 140 pages. German language. 8.19x0.39x5.75 inches. In Stock.

Condición: New.

Paperback. Condición: new. Paperback. We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences. A compelling exploration of the transformational potential of digital image culture in the age of social networks and mobile media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with disputing boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: Sehr gut. 268 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 420.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with disputing boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium. Race relations in U.S. cinema not only concern visual representation of the Other but also an interrogation of boundaries that pertain to the medium itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2022. Paperback. . . . . .

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2021. Paperback. . . . . .

Condición: New.

Taschenbuch. Condición: Neu. Neuware -Seit fünfzig Jahren gehört Dominik Graf zu den prägenden Stimmen des deutschen Kinos und Fernsehens. Als Regisseur, Autor, Essayist und Chronist hat er Genres neu gedacht, Sehgewohnheiten erschüttert und dem deutschen Polizeifilm ebenso wie dem Historien- und Essayfilm eine neue Radikalität verliehen. In diesem ausführlichen Gespräch blickt Graf auf sein Werk, seine ästhetischen Entscheidungen und die Bedingungen des Filmemachens in Deutschland zurück. Es geht um Autorschaft und künstlerische Komplizenschaft, um Klang, Körper, Räume und Rhythmen, um das Verhältnis von Kino und Fernsehen, von West- und Ostdeutschland, von Erinnerung und Gegenwart. Entstanden ist ein vielschichtiges Porträt eines eigensinnigen Filmemachers und zugleich eine persönliche Mediengeschichte der Bundesrepublik. 140 pp. Deutsch.…

Condición: Sehr gut. 250 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 393.

Condición: New.

Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condición: Neu. Neuware -Seit fünfzig Jahren gehört Dominik Graf zu den prägenden Stimmen des deutschen Kinos und Fernsehens. Als Regisseur, Autor, Essayist und Chronist hat er Genres neu gedacht, Sehgewohnheiten erschüttert und dem deutschen Polizeifilm ebenso wie dem Historien- und Essayfilm eine neue Radikalität verliehen. In diesem ausführlichen Gespräch blickt Graf auf sein Werk, seine ästhetischen Entscheidungen und die Bedingungen des Filmemachens in Deutschland zurück. Es geht um Autorschaft und künstlerische Komplizenschaft, um Klang, Körper, Räume und Rhythmen, um das Verhältnis von Kino und Fernsehen, von West- und Ostdeutschland, von Erinnerung und Gegenwart. Entstanden ist ein vielschichtiges Porträt eines eigensinnigen Filmemachers und zugleich eine persönliche Mediengeschichte der Bundesrepublik.…