Lefferts peter m (32 resultados)

Hardcover. Condición: Like New. Clean copy. May have remainder mark.

Hardcover. Condición: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condición: Near Fine with no dust jacket. This is two books in one. Robertus de Handlo Regule (The Rules) and Johannes Hanboys Summa (The Summa), with a new critical text and translation on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum by Peter M. Lefferts. This is part of The Greek and Latin Music Theory Series. 403 pages small letter R on bottom edge of pages, or small red line on bottom edge; 6 1/4 x 9 1/4 ".…

Hardcover. Condición: Good. Studies in Musicology; Ex-Library; 94; 8vo 8" - 9" tall; 371 pages.

Hardcover. Condición: Good. No Jacket. 1986 hardcover published without jacket/ex-library with usual markings/clean & unmarked text. 371 p.

Condición: Fine. 1st edition. Cloth, F. x+403pp, index, small ink 'R' stamped to the base of the text block, otherwise a fine copy. Greek & Latin Music Theory volume VII. Translations of two important treatise on the notation of mensural music in the 14th century. The Regule was written in 1326 and adopts a popular version of the teachings of Franco of Cologne. The Summa of 1375 follows on from the earlier work. 775 grams.…

Hardcover. light olive boards w/ blue illustration & black printing. book xvi, 372 pgs. From a college library. Opening pages have an errant pencil mark and a few instances of pencil marginalia/notations but, remaining text appears clean. Remains a nice copy. VG (ex-library w/ ID to lower spine, internal stamps, usual markings, etc. edge-wear to covers; spine ends creased.). …

Hardcover. Condición: Good. No Jacket. ***1986 hardcover published without jacket/slight bumping on the cover/clean & unmarked text. 371 p.

Hardcover. Condición: Very Good. No Jacket. Cover is in excellent condition, save for minimal corner bumping. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.

Condición: as new. With an introduction, annotations, and indices verborum and nominum et rerum by Peter M. Lefferts. Lincoln : University of Nebraska Press, 1991. Hardcover. x, 403 pp. : ill. ; 24 cm. (Greek and Latin music theory, 7). - The Regule of Robertus de Handlo and The Summa of Johannes Hanboys are important treatises by Englishmen on the notation of mensural music in the fourteenth century. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. The Summa , written around 1375, takes Handlo as a point of departure and incorporates an abbreviated redaction of the Regule , along with citations of other later English authorities, into an exhaustively systematic survey of ars nova forms and rests. Condition : as new copy. ISBN 9780803279346. Keywords : MUSIC.…

hardcover. Condición: Very Good. New hardback that arrived with a bump to upper spine so we are listing it as used.

Hardcover. Garland Publishing. lxiv, 882 pp. Garland Encyclopedia of the Middle Ages / Garland Reference Library of the Humanities. Volume 0003/ Volume 0907. LCC: 9735523 Very good condition; touches of foxing on edges of papers.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Hardback. Condición: New. The exciting discovery of new music from the Middle Ages sheds new light on knowledge of the medieval motet.From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources.In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England. Discovery of this source brings to the fore a massive seven-section motet on St Margaret, hitherto known only through highly fragmentary snippets of two of its four voices, as well as a unicum with extraordinary features addressed to the Virgin Mary and St Nicholas. When coupled with the remaining motets, one on the Ascension and the other on the Virgin Mary, the Dorset motets expand our understanding of how the English developed their own approaches to the genre, forging styles and techniques quite independently of the continental norms against which earlier scholarship has judged (and sometimes demeaned) them.This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.…

Condición: New.

Paperback. Condición: Brand New. 948 pages. 10.98x8.50x2.01 inches. In Stock.

Hardcover. Condición: Brand New. 418 pages. 6.75x9.50x0.98 inches. In Stock.

Condición: New.

Hardcover. Condición: Brand New. 296 pages. 9.50x6.25x1.00 inches. In Stock.

Hardback. Condición: New. The exciting discovery of new music from the Middle Ages sheds new light on knowledge of the medieval motet.From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources.In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England. Discovery of this source brings to the fore a massive seven-section motet on St Margaret, hitherto known only through highly fragmentary snippets of two of its four voices, as well as a unicum with extraordinary features addressed to the Virgin Mary and St Nicholas. When coupled with the remaining motets, one on the Ascension and the other on the Virgin Mary, the Dorset motets expand our understanding of how the English developed their own approaches to the genre, forging styles and techniques quite independently of the continental norms against which earlier scholarship has judged (and sometimes demeaned) them.This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.…

Condición: New. Satisfaction Guaranteed or your money back.