Lauder adam (44 resultados)

Condición: like_new. Appears unused. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.

softcover. Condición: very good. Good to Very good condition. Minor wear. Binding tight, pages clean. Pictures available upon request. . nd.

Softcover. Condición: Fine. STiff crisp unmarked book, about new.; 10.70 X 8.90 X 0.70 inches; 220 pages.

1st edn. 8vo. Original gilt lettered black cloth (Fine), dustwrapper (Fine). Pp. x + 289, illus with coloured plates and b&w photos (no insciptions).

Paperback. Condición: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. 8vo. pp: x, 289. Original publisher's black boards with gilt lettering at spine in original publisher's colour illustrated dust jacket. Illustrated in black and white and colour.ISBN: 9780228010869 Clean and unread copy in bright dust jacket. As new.

Hardcover. Condición: Brand New. 228 pages. 11.38x9.00x1.12 inches. In Stock.

2017. (4to paperback) Very good plus. 171pp. Notes, color photographs and illustrations, contributors. "McLuhan and the arts is a well-trodden theme yet surprisingly still fertile ground for original scholarship and research-creation. Milestones include excavations by Richard Cavell and Elena Lamberti of the aesthetic sources of McLuhan's media analyses in the literature and visual arts of his time as well as his influence on a range of contemporary artistic projects, from happenings to installation art" - from the text. Book about Marshall McLuhan. Contributors include Kenneth R. Allan, Adina Balint, Judy Berland, May Chew, Gary Genosko, Jessica Jacobson-Konefall, Alexander Kuskis, Elena Lamberti, Tom McGlynn, Mohammad Salemy, Daina Warren. (Ideas, Contemporary Art, Essays, Literary Theory, Periodicals, Visual Arts).…

Hardcover. Condición: Brand New. 289 pages. 9.00x6.00x0.75 inches. In Stock.

Hardcover. Condición: Brand New. 228 pages. 11.38x9.00x1.12 inches. In Stock.

Hardcover. Condición: Brand New. 228 pages. 11.38x9.00x1.12 inches. In Stock.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Like new; text clean and tight; like new dust jacket; Mcgill-Queen's/Beaverbrook Canadian Foundation Studies In Art History; 8vo 8" - 9" tall; 392 pages.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information. Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information as something embodied, sensorial, and social. Art historian Adam Lauder recontextualizes this qualitative philosophy of information in relation to quantitative discourses and methodologies, which these creative figures make visible - sometimes inadvertently or satirically - through artworks that operate at the interface between art and business. While exploring how utopian information ontologies struggled to account for markers of identity and difference, including Indigeneity, gender, and sexual diversity, this book also highlights instances when information art was able to carve out spaces of agency and resistance. Offering an essential reassessment of the legacies of the Toronto School of Communication, Out of School broadens the network of practitioners connected to the school to include visual artists active both within and beyond Canada. In doing so, it proposes that artists made significant contributions to theory in their own right.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In English.

Condición: New. In English.

Condición: New. 2023. Hardcover. . . . . .

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information. Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information as something embodied, sensorial, and social. Art historian Adam Lauder recontextualizes this qualitative philosophy of information in relation to quantitative discourses and methodologies, which these creative figures make visible - sometimes inadvertently or satirically - through artworks that operate at the interface between art and business. While exploring how utopian information ontologies struggled to account for markers of identity and difference, including Indigeneity, gender, and sexual diversity, this book also highlights instances when information art was able to carve out spaces of agency and resistance. Offering an essential reassessment of the legacies of the Toronto School of Communication, Out of School broadens the network of practitioners connected to the school to include visual artists active both within and beyond Canada. In doing so, it proposes that artists made significant contributions to theory in their own right.…

Hardback. Condición: New. Variable Conditions recovers and explores early Canadian encounters between computational media and contemporary art in the late twentieth century, charting a network of developments linking meteorology, computation, and the arts that arose long before the age of cloud computing. Essays uncover the material conditions that shaped the emergence of computational arts in Canada, from projects executed by mainframe to digital paintings and analog synthesizer performances. A surprising number of institutional circumstances granted access to early computer hardware - government nuclear and hydroelectric infrastructure, agencies as diverse as the National Film Board and the National Research Council, and a myriad of university settings across the country - and creative conditions varied from benign administrative neglect to the artistic exploration of randomness or a distinct emphasis on thematizing transformation as a motor for graphic visualization and auditory exploration. Interviews featuring leading artists give first-hand insight into artistic practices and the historical moment in which they occurred. The book provides valuable new perspectives on computer art pioneers such as Leslie Mezei, Robert Adrian X, Suzanne Duquet, Roger Vilder, and Vera Frenkel, as well as new contexts for understanding Michael Snow and IAIN BAXTERand. Not limiting their explorations to art generated using computers, contributors outline the integration of computational techniques and concepts into artistic methods across disciplines and trace computation's emergence as a matter of interest and concern for a range of contemporary cultural producers. Combining historical analyses with theoretical approaches to computation and its entanglement with contemporary cultural discourses and social movements, Variable Conditions excavates the origins of computational arts and, in the process, sketches a new landscape of interdisciplinary creation and surprising connections between scientific and artistic institutions.…