Larkin oliver w (103 resultados)

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Book is in Very Good condition. Cover is clean with no marks or stains. Binding is tight, edges are square, corners are sharp. Pages are clean with no writing or highlighting. Pictures are in Very Good condition. Book appears to be unread. A Great Copy! An Awesome Buy! *SHIPPING MAYBE ADJUSTED FOR THS TITLE*. None.…

Hardcover. Condición: Acceptable. no dust jacket. This hardcover copy of "Art and Life in America" shows signs of wear, particularly on the cover, which has scuffs and marks. The spine is intact, and the binding remains firm. There is no dust jacket, and the pages are clean with no inscriptions or markings. Overall, the book is in fair condition, suitable for reading or collection.…

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Due to age and/or environmental conditions, the pages of this book have darkened. Mylar protector included. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.…

Soft cover. Condición: Very Good. 245 pages, clean text.

paperback. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. 4th.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 8vo, 215 pgs., pages clean and tight. Bound in blue cloth clean and tight. Wrapped in a very good dust jacket. A little sunning on upper back panel, otherwise a nice copy.

Trade Paperback. Condición: Used - Good.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Closed tear in dust jacket, which is price-clipped, otherwise book and dust jacket in very good condition.

Softcover, 246 pages, very good condition, no internal marks, with color and b/w reproductions.

Cloth. Condición: Very Good -. No Jacket. (1960), 559pp, illus., white cloth, revised ed., slight soiling & shelfwear to cover, top corners lightly bumped, a bit of darkening to spine, owner's name to fep, no dj, contents clean.

Hardcover. Condición: Very Good. Very good hardcover. No DJ. Text is clean and unmarked. Covers show minor shelf wear. Bindings tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day.

hardcover. Condición: Good. stated first edition Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st. Cloth, viii, 215 pages, illustrations, portraits; 21 cm. Firm binding, clean inside copy. Dust spotting/top edge. Age toning. Stated First Edition. Dust jacket price-clipped on front flap. *** A monograph of the American painter Samuel F. B. Morse (1791-1872). perhaps best known as the inventor of the telegraph and the eponymously-named Morse Code. Size: 8vo.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Poor. First Edition, 1st Printing. A very good copy in a poor dust jacket. Front board has a couple white spots and the corners are bumped, spine slightly leaned. Jacket intact but significantly torn and with some tape repairs. (loc: 36).

Hardcover. Condición: Good. Hardover, xvii and 559 pp., 30 4/c plates, hundreds of b/w illus. and text throughout.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. 245 pages, with index, list of illustrations (100 b&w, 8 color plates). Written after the author's retirement as Professor of Art at Smith College, the book combines biography with discussion of Daumier's works, both cartoons and his scupture and paintings, in the context of 19th century French history. Super 8vo (7-1/2" x 9-3/8"), brown cloth with gilt lettering on spine, 1/2" tear to cloth along top edge of front board, scant shelf wear, touch of dust soil to top edge, faint tan stain and foxing to end papers, very faint foxing to fore-edge, in unclipped DJ with chips and tears (up to 1/2") and dust soil along top edges, lighter wear at bottom, crease to back flap. Pages unmarked.…

Condición: Muy bueno. : Este libro explora la vida y obra de Honoré Daumier, un influyente artista francés del siglo XIX conocido por sus litografías satíricas y caricaturas de la sociedad parisina. A través de un análisis profundo, el autor Oliver W. Larkin examina el contexto histórico y cultural en el que Daumier desarrolló su arte, destacando su aguda crítica social y su habilidad para capturar la esencia de la vida cotidiana. El libro ofrece una visión completa de la trayectoria artística de Daumier, desde sus primeras obras hasta sus creaciones más emblemáticas, revelando su impacto duradero en el mundo del arte. EAN: 9782605001767 Tipo: Libros Categoría: Arte y Cultura Título: Daumier Autor: Oliver W. Larkin Idioma: en.…

Condición: Good. 1968. First Published. 245 pages. Paperback book with pictorial cover. Contains colour illustrations. Well bound and clean pages, with mild tanning to text block edges. Cracking to front hinge. Boards have moderate shelf wear, with rubbing and marking. Light bumping to corners and crushing to spine ends. Book has noticeable forward lean. Book is slightly curled.…

Hardcover. Condición: Good. Estado de la sobrecubierta: Poor. Small penned date and small business label on front free endpapers, in edgeworn/tape-repaired/price-clipped dust jacket (in protector) ; Beige cloth hardcover, Color and B&W illustrations, indices, bibliography. History of art in America; 4to; xviii + 559 pages. …

Hardcover. Condición: Very Good. No Jacket. Quatro, hardcover, VG in beige cloth boards with red lettering no dj. 559 pp., index, many illustrations, 30 in color. This book went on to win the Pulitzer Prize for history. Consists of six separate books on art from Colonial Times to the age of Roosevelt and mid-20th C. art. Book.…

Softcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good-. First Edition Thus. 8vo; 486 pages; Clean and secure in original publisher's pictorial wrappers with folded-over flaps in the French manner, plain glassine overlay, as issued. This is an excellent copy of the first French language edition of a standard monograph of American Art -- Oliver W. Larkin's 'Art and Life in America.' The most interesting thing about this is the typed letter laid in, on "United State Information Service / Paris" stationery. This is a "MEMORANDUM" Addressed to "All American Officers" [i.e., the American Foreign Service Officers posted to the U.S. Paris Embassy]. From Gwen Barrows [USIS/Paris Book and Publications Unit]. This letter, addressed familiarly to "Dear Steve" [who we have not yet identified] -- reads: "You might like to have for presentation this copy of our latest publication under the translation program, "L'Art et la vie en Amà rique" by Oliver W. Larkin. This, as you know, is the first book of its kind to be published in French, and we expect a warm response to it. If you should like additional copies for special presentation, please send us your requests. [signed, in blue ink] Gwen." This interesting memo was dated "October 24, 1952" (twelve days after the official publication date of this edition). It also happened to be eleven days before Dwight Eisenhower won the U.S. Presidential election on November 4, 1952. This election had consequences for the United States Information Service, which was soon transformed into the United States Information Agency, with an even larger budget. The newly-enlarged agency was tasked with a mission "to understand, inform and influence foreign publics in promotion of the national interest, and to broaden the dialogue between Americans and U.S. institutions, and their counterparts abroad." From the beginning, the new American President was frank about propaganda, and the secrecy which his administration made its mission more effective -- âaudiences would be more receptive to the American message if they were kept from identifying it as propaganda. Avowedly propagandistic materials from the United States might convince few, but the same viewpoints presented by the seemingly independent voices would be more persuasive.â Also in the new atmosphere of Eisenhower's Republication administration, forces on the political right became concerned that tinges of leftist thought in the American government, and sought to root out these left-leaning Americans and eliminate them from positions of authority, particularly in the State Department and the new United States Information Agency. One result of this effort was soon felt in Paris, with the arrival of two young Americans, Roy Cohn and David Schine. Cohn, at that time was Senator Joseph McCarthy's chief counsel; G. David Schine was attached by his friend Roy Cohn to McCarthy's staff as an unpaid "chief consultant." These two young men (both in their mid-twenties at the time) arrived in Paris for the official task of examining libraries of the United States Information Agency for books written by authors they deemed to be Communists or fellow travelers. The very first thing they found objectionable upon arrival in Paris was that the pair of expensive suites which the U.S. Embassy had reserved for them at the Hotel Crillon, were not adjoining. Cohn and Schine immediately withdrew to the Georges V, where they proceeded to run up a staggering bill on the Embassy's account. The results of their search for subversive elements in the USIA libraries and staff were inconclusive. I cannot imagine that the distinguished professor Oliver W. Larkin was thought by anyone, even this pair of idealogues, as a danger to American ideals and values. The original English version of Larkin's book won the 1950 Pulitzer Prize for History, the first such award for a study of the visual arts. I can find no other evidence, apart from the extraordinary typed memo inserted in this copy, that the United States Goverment provided the impetus and funding for the French edition of this honored classic study. Some of the two billion dollars spent every year by the USIA was probably expended in the aid of less worthy causes. As for Roy Cohn and G. David Schine -- their infamous European junket, and Schine's subsequent induction into the US Army (fought every step of the way by his friend Roy Cohn) became the prime cause of 1954's Army-McCarthy Hearings, which eventually led to Senator McCarthy's downfall, and Roy Cohn's dismissal from Federal Goverment employment. [Both young men can be seen depicted with their boss on the cover of 'Time' Magazine's issue of March 22, 1954]. Gwen T. Barrows, who wrote our typed memorandum, eventually became the managing editor of the Foreign Service Journal.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. 245 pages. Brown cloth covers with gold lettering to spine. Mild edge and corner wear. Illustrated DJ, price clipped. Mild foxing to free endpapers. Illustrated throughout with 8 color plates and numerous black-and-white illustrations.…

Hardcover. Condición: Very Good. No Dust Jacket. First Edition. Faint spine numbers and pocket residue to rear endpaper and discard stamp comprise the library markings. Tight unmarked book in moderately scuffed brown cloth; 108 illustrations; 7.5 x 9.5"; 245 pages.

Hardcover. Blue cloth with gilt lettering on spine, teal dust jacket with white lettering, viii, 215 pp. bw illustrations. Life of the man who was an artist as well as an inventor. Good/Good (light foxing to block, overall age toning esp to end pages, shelf wear with small wear and tears to dust jacket).…

Hardcover. Condición: Acceptable. Missing dust jacket; otherwise in excellent condition. Acceptable Condition. Five star seller - Buy with confidence.

xvii, 559pp., 30 color plates. 482 illus. Lrg. 4to. Cloth.

xviii, 551, (7)pp. Prof. illus. Lrg. 4to. Cloth. Fifth printing of the 1949 edition.

xviii, 551, (7)pp. Prof. illus. 4to. Cloth. Fourth printing of the 1949 edition.

(4), 486pp. Prof. illus. Sm. 4to. Wraps. Light waterstaining to covers.