lamb artist (22 resultados)

Trade Paperback. Condición: Good+. No Jacket. Standard used condition. Reading copy or better. Used Book.

Trade Paperback. Condición: Good+. No Jacket. Paroline, Shelli; Lamb, Braden Ilustrador. Used Graphic Novel.

Hardcover. Condición: Good+. Edgar D'Aulaire(Cover Artist) (Interior Artist) epda (frontis line drawing illustration)(Interior Artist) Ilustrador. First Edition. Nur Mahal by Harold Lamb (First Edition) Bumping and rubbing to corners and spine ends. Novel based on the true Persian story of Nur Mahal, she became the uncrowned ruler of an empire. Red cloth, front pictorial blindstamp, spine stamped gilt. Dust jacket art by Edgar D'Aulaire. Illustrated endpapers, frontis line drawing by Epda, and eight interior illustrations (4 plates illustrated front and back). BOOK.

Hard Cover. Condición: New. No Jacket. New Graphic Novel.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Bob Haberfield(Cover Artist) Hugh Lamb(Editor) Ilustrador. First Edition. Victorian Nightmares by Hugh Lamb (First U.S. Edition) A firm square copy. Very minor wear to corners. Age-toning to pages. Not price-clipped. A bright pictorial jacket. In clear protective cover. First published in the United States 1977, stated. Burgundy boards with gilt lettering; 224 pp. Lamb's third collection of Victorian tales by a variety of authors. BOOK.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Hugh Lamb(Editor) Rus Anderson(Cover Artist) Ilustrador. First Edition. Terror by Gaslight by Hugh Lamb (First U.S. Edition) A firm square copy. Very minor wear to spine edges. Pages age-toned. Not price-clipped. A bright wraparound pictorial jacket. Minor wear to edges. In clear protective cover. First published 1976, stated. Black boards with orange lettering; 222 pp. Collection of Victorian horror tales by Robert Barr, Grant Allen, Dick Donovan, Rhoda Broughton, and many more. Edited by Hugh Lamb. BOOK.

Hardcover. Condición: Acceptable. No DJ. No publication year is indicated in book. Based on other research, 1990 is the probable publication date. Hardcover light edge wear. No marks in very lightly read booik. Liathographs by Lynton Lamb. Printed for Heritage at the Shenval Press, London. Introduction by John T. Winterich. Sandglass Letter Nunber VIII:18, re this volume, laid in. Letter has creases and closed tears at the top margins.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good+. Robert Frankenberg(Cover Artist) Robert Frankenberg (Illustrations within the text.)(Interior Artist) Ilustrador. First Printing. Chief of the Cossacks by Harold Lamb (First Printing) A sharp, tight, copy. A tear to the top-edge and bottom-edge to the front-cover. A tear to the back-edge of the spine. Not price-clipped. States, "First Printing.". BOOK.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Lynton Lamb(Cover Artist) Ilustrador. First Edition. Worse Than Death by Lynton Lamb (First Edition) Gollancz File Copy A tight unread copy. Bright red boards, gilt lettering, and pages. A sharp bright yellow jacket. Publisher's Archive Copy. First printing. BOOK.

No Binding. Condición: Very Good. Dated 7 June 1959 and written on headed. 136 words written on in green ink both sides of a single sheet. Nicely detailed and specific notes in appreciation of AR's new book, A Matter of Life and Death: 'What compelling and literally exact titles you lean on. I find titlesof all things the most difficult; but then in poictures they are almost always wholly irrelevant; and anything I write does not need.such final distillation by the ear'.

Hardcover. Price, N.M. Ilustrador. 8vo full taupe cloth with inset color plate. 16 color plates by N.M. Price. Bumps to top corners, short tears to top of spine and watermarks to back board else fine, no previous ownership marks.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Richard Lamb(Cover Artist) Richard Lamb(Introduction) Ilustrador. First Edition. In the Dark by E. Nesbit (Ash-Tree Press) Limited A tight bright copy. A sharp bright dust jacket in protective clear cover. Limited to 500 copies. First expanded and revised edition. 21 stories. This collection includes the stories first published by Equation, 1988, plus seven more. Edited, with an Introduction by Hugh Lamb. Jacket cover illustration also by Richard Lamb. BOOK.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 2004, hardback in jacket, 11.5 x 11 inches approx, 120 pages, illus. colour; dual language text - Spanish and English | book appears very lightly read or unread - clean and bright, tight spine, free of notes etc; jacket is clean and bright, with light wear along upper edge | carefully packaged and dispatched from UK within two working days.

No binding. Condición: Fine. Lamb, Lynton Ilustrador. Folio size, [4] pp. Prospectus only for "The Log of The Bounty", with one wood-engraving by Lynton Lamb. ___DESCRIPTION: A single sheet folded once to four pages, announces publication "to be issued in 2 volumes (Vol. I, this autumn; Vol. II, next spring)" at 6 Gns. for the set "payable: 3 Gns. per volume as issued"; folio size (12.5" by 7.5"), [4] pp., 5,000 copies printed. ___CONDITION: Fine, clean and free of edgewear, with only the horizontal crease from the original mailing; free of markings. ___CITATION: Cock-A-Hoop no. P117; volume found in Pertelote no. 117. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every item we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Rus Anderson(Cover Artist) Hugh Lamb(Editor) Ilustrador. First Edition. The Thrill of Horror: 22 Terrifying Tales by Hugh Lamb (First Edition) A firm square tight copy with very minor wear to lower edge. Mild age-toning to pages. Not price-clipped. A bright pictorial wraparound jacket. In clear protective cover. First published in the United States 1975, stated. Teal boards with silver lettering; 207 pp. Horror stories by H. Rider Haggard, William Hope Hodgson, E. H. Visiak, and others. BOOK.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Richard Lamb(Cover Artist) Richard Lamb(Cover Artist) Ilustrador. First Printing. Ghosts in the House by A.C. & R.H. Benson (Ash-Tree Press) Limited Firm, square copy. Bright boards and text block. Sharp jacket. Mild wear. Ash-Tree Press first printing. Limited. 400 copies printed, stated. 19 ghost stories and a 1913 article "Haunted Houses". Jacket cover art by Richard Lamb. BOOK.

Each card: Ephemera small trade, folded card, good condition, black & white drawing cover, stewards name (1 card), small mark bottom spine, light toning & foxing rear cover (2 cards), light foxing along fold line (1 card), minor edgewear. Each 4 pp. Menus for S.S. Orontes. Two cards are Orient Line at the Equator. One card is dated April 30th, 1953 has a Davy Jones His Majesty's Scribe stating that the passenger has crossed the "Line" at Longitude 85 Degrees, 45 Minutes East on this day and is duly admitted to the Ancient Order of the Deep. The other card is Tourist "B" dated 5th February, 1952 (2 copies). The fourth card is one of a series of menu cards designed by Mr. Lynton Lamb to commemorate various national days, this one being New Zealand Day with a Kiwi on the cover and is a Tourist "B" card. Each card has a different dinner menu.

First Edition, No. 105 of 600 copies. Original vellum-backed boards, patterned-paper boards by Mansell, spine lettered and decorated in gilt. Title and text printed in black and blue. Clear removable, archival protective cover fitted to the book. Folio in 4s (304 x 194mm), pp. xxi, [1 (blank)], 40, [2 (blank)]. A book in Very Good condition; spine slightly darkened, extremities lightly rubbed and minimally chipped, fore-edge of lower board bumped.

Condición: Fine. First edition thus hard back binding in publisher's original nautical theme illustrated cream and red paper covered boards, red cloth spine blocked and lettered in white. 4to. 11'' x 8''. One of 125 numbered copies printed at the Curwen Press on St. Cuthberts' Fourdrinier, this copy out of series, from a total edition of 175 copies. Contains a seven-page introduction which precedes Ardizzone's eleven-page holograph diary extracts of adventures in Normandy with his brother and Barnett Freedman. In Fine condition, no dust wrapper as issued. From the private library and estate of Edward Ardizzone, SIGNED by his wife Catherine (née Anderson) to the front free end paper 'For Gelda (married to Philip, there second child), with love Catherine | January 1982'. Member of the P.B.F.A. ARDIZZONE, Edward (1900-1979).

Condición: Good. Original colour lithograph addressed to the Begum at 29 Great Cumberland Place, London. , apparently sent from New Delhi.The Coronation year was marked by a special greetings telegram form designed by Lynton Lamb, available from 26 May to 29 November.After WWII Lamb h received commissions for the commemorative binding for the lectern Bible for St Giles's Cathedral, Edinburgh (1948) and for the Bible used at the Coronation of HM Queen Elizabeth II (1953). Lamb designed the postage stamps for the new reign, for which he received the International Philatelic Art Society Award, and he served on the Design Council's Coronation Souvenirs Committee with future RDI, Sir Gordon Russell.The personal copy of Begum Ra'ana Liaquat Ali Khan (1905-1990), who was a Pakistani diplomat and the country's first female governor.She was born Sheila Irene Pant on 13 February 1905 in Almora, British India (today's India), to a Brahmin family who had converted to Christianity two generations prior.Academically brilliant, she graduated from the University of Lucknow in 1927 with bachelor's degrees in economics and theology. She obtained a double master's degree in economics and sociology in 1929. In 1931, she became professor of economics at Indraprastha College in Delhi, where she met her future husband, lawyer Liaquat Ali Khan, when he visited to deliver a lecture on law.The couple married in 1932, despite her family's objection. The bride converted to Islam and took the name Begum Ra'ana. She became involved with the Muslim League, devoting herself to creating political consciousness among the Muslim women in British India.After the Partition in 1947, Liaquat Ali Khan became Pakistan's first prime minister. As the first First Lady of Pakistan, Begum Ra'ana founded or helped establish organisations that uplifted women's rights and women's public role, such as the Pakistan Women's National Guard (PWNG), the Women's Naval Reserves and All Pakistan Women's Association (APWA).

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

Three travel diaries written by Artist, Aimee Lamb (2) and her sister Edith Duncan Lamb (1). The two by Aimee measure 8" x 10.5" and the one by Edith measures 7" x 8.5." All three diaries have very descriptive writing, and are filled with photos, postcards, drawings and ephemera. They talk about seeing the sights, taking photographs and sketching. Aimee Lamb (1893-1910) was born and died in Boston. She studied art at the Winsor School (1905 - 1910 ) and the School of Fine Arts in Boston ( 1913 - 1917 ). She also studied under artists Philip Hale and William James. Her biography on AskARt includes: In the early 1920 s she studied two summers in Dublin, N H. with Alexander James and Richard Meryman, and two more summers with the artist Charles Woodbury in Maine. In New York she studied under the Portrait painter, artist Cecilia Beaux. Although she is better known for her philanthropic contribution to the arts community, Lamb's paintings and drawings have been represented in exhibitions with the Boston Institute of Modern Art, The Copley Society, The Boston Athenaeum and the National Museum of Women in the Arts, as well as in a number of private collections. Her work is in the MFA in Boston, including a portrait of her sister, Edith Duncan Lamb. Edith (1901-1928) was born in Massachusetts and died in Maine after a long illness. Diary #1 Aimee Lamb, 1911 153 handwritten pages (7 unused) with approximately 115 photos, 60 postcards and 18 drawings (some on the page, some tipped in). Other items inside include Grouse feathers, playbills, clippings, etc. The diary starts on July 25th and ends on October 25th. On this trip she visited England and France. On the first day she wrote "My first trip abroad with Aunt Rose, 1911." They started from Boston and arrived in Liverpool on August 7th. The covers are detached, and the spine is missing. Some items are detached from the page, though it appears that nothing is missing. A few examples of her writing include: August 14th, Monday, Porlock: I got up quite early and went out and took some photographs and sketched a little before breakfast. The sun was rather fad for photographingWe went to the Castle Hotel, where we found we could have a beautiful large double room overlooking the sea, so we took it. I tad the most magnificent views of great high, pinky cliffs. You could not see the horizon, as there was a fog, but it made the view so soft and lovely. I went sound asleep in the afternoon, and Aunt Rose rested. When I woke up, she read me from Lorna Doone. It is the most enchanting book I never appreciated it when I first read it, but now I have seen the country, and I am older, and I think it is most charming. After dinner I wrote to Tom and then went to bed. September 27th: In the morning, we took a carriage for the day and started at nine o'clock. We drove first to Tregastel where there were the most wonderful rocks I have ever seen. They looked like queer animals, monsters. We stayed there an hour or so walking around on them. I wish we had had more time for it was enchanting. I picked up quantities of lovely yellow shells, I found in the sand, for Edith. I also took some photographs, but they give no idea of the size of the rocks, where were gigantic. They were all named, but we didn't know the names. Diary #2. Aimee Lamb, undated as to year. Starts February 21st on board the SS Adriatic with her mother and they spent time in Italy. I believe the year is 1917, as she says that they leave on Ash Wednesday, and that year it was February 21st. There are 9 larger, souvenir type of photos, over 30 postcards and four small watercolors. There are also some dried flowers in between the pages. Examples of her entries include: Friday, March 8th, Naples to Sorrento: The Hunnewells had accepted our invitation to join us in taking the trip around Sorrento, Amalfi, etc. We started out bright and early, stopping at Parks on our way where we met the Hunnewells. We took the 10 O'clock train for Po.