laemmle carl (23 resultados)

Hardcover. Condición: Good. 1st Edition. 4 1/2" x 5". Pictorial cardboard covers. Big Little Book #776. 156pp. Profusely illustrated in b&w. Cheap paper toned as usual. Covers edge-worn. Good.

Condición: Acceptable. Whitman Publishing Co. Racine, WI 1937 square 32mo. well worn reading copy only. spine detached. boards loose. binding shaken. pages browned and brittle.

Paperback. Condición: Good Minus. Faded covers - Laid-in are the acutal sale-results from the auction on a letter-sheet. 467 items were listed.

Hard Cover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. Whitman Publishing, 1934, 24mo., 156 pages, The Big Little Book, decorative hardcover, Frontis with additional illustrations. Edgewear, some spine lean, else good condition. Size: 24mo - over 5" - 5¾" tall.

Hardcover. Condición: Fair. Year 1934. Shelf wear, corner and edge wear. Rubbing/chipping to corners. Soiling to covers. Interior pages are heavily tanned, no markings. Back hinge split, front few pages are loose. BW illustrated. A Big Little Book. A Universal Super Special. With pictures from the Carl Laemmie production 'The Bird Cage.

very good , black spine appears re-stained, big little book #653 universal super special with clyde beatty.

Condición: Good. Sheet Music. Folio. 6 pp. Soft Covers, Good with covers loose, pages brittle, losses, tears, edge wear, some toning, minor creases. Illustrated cover. Former owner's signature on cover.

Gebunden. Condición: New. Der Filmproduzent Carl LaemmleDr. Christoph PalmerFuer die Film-und Fernsehproduzenten in Deutschland ist Carl laemmle eine der markanten Gruenderfiguren des Berufsstandes, sicher teilweise auch ein Vorbild. Freilich ist er heute weit weg und das Wissen um .

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Photoplay Edition. The first page has two quarter inch circular size tears as well as some browning wear. The last page has some light browning wear and the spine is broken along the back inside cover. The jacket has small tears, chips creases and scuffing along the edges.

Condición: Very Good. Vintage piano sheet music in white paper covers 12½'' x 10'' with photograph of two of the stars to the front cover. 6 printed pages of score with words. Without any tears and in Very Good clean condition. Member of the P.B.F.A. SHEET MUSIC.

Frühe Fotoporträtpostkarte (Iris, Wien) in Tinte mit Jahr 1929 eigenhändig signiert (early photo-postcard signed by austrian actor and director with year).

Folded pages. Condición: Fine. Illustrated Ilustrador. First Edition. Program for The Hunchback of Notre Dame is a 1923 American film directed by Wallace Worsley, starring Lon Chaney, and produced by Carl Laemmle and Irving Thalberg. One page, folded, printed in brown ink, decorated, with portrait of Lon Chaney. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. The film was Universal's "Super Jewel" of 1923 and was their most successful silent film, grossing over $3 million. The film is most notable for the grand sets that recall 15th century Paris as well as Lon Chaney's performance and spectacular make-up as the tortured bell-ringer of Notre Dame. The film elevated Chaney, already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films, including Chaney's The Phantom of the Opera in 1925. In 1951, the film entered the public domain (in the USA) due to the claimants failure to renew its copyright registration in the 28th year after publication. Fine.

Hardcover. Condición: Very Good. 1st Edition. One prior owner name on flyleaf. Inscribed on half-title page to another prior owner "Mick" by the subject's niece, actress CARLA LAEMMLE. NO dust jacket. 288 pages. A very good copy. Paper slightly age-darkening as would be expected. Illustrated with some b&w photos. Biography of the head of Universal Pictures, the studio that produced Stroheim's FOOLISH WIVES, Lon Chaney Srs. PHANTOM OF THE OPERA, HUNCHBACK OF NOTRE DAME, Paul Leni's CAT AND THE CANARY, THE MAN WHO LAUGHED, and many other silent film classics. This volume was published just as the talkie era was coming into its own, with Universal continuing to make a mark in the horror genre with DRACULA and FRANKENSTEIN, although this biography is focused almost entirely on Laemmle's personal life and his participation in the development of the film industry in the silent era.

In-4, 20 illustrierte Seiten. Illustr.Obrosch. Heft mittig gefaltet, gutes Ex. Sprache: Englisch 80 gr.

Condición: Fine. January 20, 1976., 1976. Fine. - Over 55 words typed on his personal 8-1/2 inch high by 6-1/4 inch wide stationery with his facsimile signature embossed as letterhead. A brief letter by Carl Laemmle, Jr. addressed to his friend City Center producer Jean Dalrymple, thanking her for the plant and hoping she can use the plane ticket to come to his party which he's had to reschedule. "I got your plant. It is lovely." "Sorry I had to cancel the party but expect to have it in four or five weeks. Use the plane ticket to come out then." Apparently not feeling well, he apologizes "Sorry I can't write more but don't want to overdo it." Signed "Junior", his familiar name, in his shaky hand. Fine. The son of the Universal Studios founder of the same name, Carl Laemmle, Jr. was head of production from 1928 to 1936 in the early years of the "talkies". Although such pioneers as Georges Melies had produced horror films as early as the 1890's, Carl Laemmle, Jr. advanced the genre with such classic successes as "Dracula", "Frankenstein", "The Mummy", "The Invisible Man", "Bride of Frankentstein", etc. Despite these successes and others, such as "All Quiet On the Western Front", "East of Borneo", "The Old Dark House", "Imitation of Life", and "Showboat", Laemmle earned a reputation as spending too much on films that did not recoup their costs. Following a series of flops, Carl Laemmle Senior and Junior were forced to sell the company. The recipient, Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andre Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member, producer, and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.

Hardcover. Condición: Good. No Jacket. HB NODJ, Red cloth decorated lettered Black Cover with rub, wear & small Indentation to front Cover. & tiny Chips Extremities, couple small tears Spine CVR, Interior nice, tight clean Light Wear FoX THRUOUT, 1897, Later Printing, NODUSTJACKET, VG-/GOOD- Condition, AS-IS, 354 pages + Ads, Light spotting Back Cover, Tears & fade SPINE CVR.

Condición: Very good. - Over 160 words typed on his 8-1/2 inch high by 6-3/8 inch wide creamy white personal stationery with his facsimile signature embossed in gilt at the top. Responding to his friend New York City Center producer Jean Dalrymple, Laemmle apologizes for not replying sooner as his "secretary has not been here". He goes on to congratulate Jean for the "great success of Jose's 80th birthday. I'm sure it took a lot of hard work" [referring to the vistuoso pianist Jose Iturbi, a close friend of Jean Dalrymple's]. He goes on to mention New York City's famous 21 Club and his forthcoming birthday" "Thanks for sending me the invitation for '21'. That is quite a bit of competition. I'm glad you are coming to my party." Mentioning that, he too, stayed home for Christmas, he suggests that Jean should bring Jose Iturbi to his party and wishes her luck on her "new book" [Dalrymple published "From the Past Row: A Personal Account of the First Twenty-Five Years of the New York City Center of Music and Drama" in that year]. Laemmle signs with his familiar name "Junior" in his shaky aging hand. Folded for mailing, else fine. In a promotional piece for a Universal Pictures retrospective, the Museum of Modern Art writes: "Founded in 1912 by German immigrant Carl Laemmle.this series focuses on one segment of the studio's rich history - the period from 1928 to 1936, when the studio's head of production was the founder's son, Carl Laemmle, Jr. Known condescendingly as 'Junior' Laemmle and the butt of endless Hollywood jokes ('the son also rises'), the younger Laemmle was in fact a sophisticated, ambitious, risk-taking producer, who gambled the studio's finances on a series of challenging projects - and eventually lost. When cost overruns on the 1936 Show Boat forced the studio into the hands of its creditors, the Laemmle era came to an end. Brief as it was, that era yielded an extraordinary number of important films, including such celebrated classics as Dracula, Frankenstein, and All Quiet on the Western Front."The recipient Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in vaudeville, appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jose Iturbi, Andre Kostelanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.

Hardback. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Pages clean and bright, no markings, light wear to edges. Some tears to dust jacket. We are closed 14th-23rd July items ordered after 9:00am on the 13th July will be shipped on 25th July, shipping times have been updated. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. Signed by Author. SIGNED and inscribed by Carl Laemmle (founder of Universal Pictures) to a William F, Gleason. Maroon boards with gilt lettering. Some small spotting and corner fraying to boards. No AMA 288 pages. Binding is tight, covers and spine fully intact. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Film & Media::Film Studies; Signed by Author. Inventory No: 030203.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Frontispiece Mysterious Dr. Mirakle in His Secret Lab ,Illustrated with scenes from Universal Photoplay ,HBDJ, 1932, 1ST EDITION, UNDATED,; No information or date on copyright page, VG/VG, RED CLOTH BLACK TITLES, TINY EXTRMITIES DJ CHIPS RUB, WEASR, BACK OF DJ IN B/W ADVERTISES GROSSET FRANKENSTEIN, THIS TITLE, DR, JEKYLL & DRACULA, interior fox, RED CLOTH TITLED IN BLACK, Book and dust jacket in solid overall condition, with no markings. Jacket reinforced on underside with a heavier paper stock; exterior is mildly edge worn, with light amount of soiling/darkening to spine and rear panel. Jacket cover features vibrant color. Jacket in protective mylar sleeve. Octavo (8 x 5 3/8 inches; Red Headed woman lying in blue Gown,BLOOD CURDLING SHRIEKS ISSUE FROM OLD HOUSE at # in Morning. Horrofied neighbors rushing up the stairs hear the sound of strange Unintelligible voices behind closed Doors.

Gr.8°, 224 S., Abb., Faksimili, OBrosch., Buchblock schwach schief, sonst guter Zustand. Sprache: Deutsch.

First Edition. FIRST DAY COVER OF A BLOCK OF 12 GEORGE GERSHWIN STAMPS Signed and dated by Ira Gershwin 2/28/1973. Fine.

Condición: Good. Beverly Hills, Calif., December 2, 1946., 1946. Good. - A printed check drawn on the Union Bank & Trust Co. of Los Angeles signed by Carl Laemmle, Jr. The 2-3/4 inch high by 6-1/4 inch wide check in the amount of one dollar is made out to "Burlesque, Inc." produced by New York City Center producer Jean Dalrymple and signed in ink at bottom right by Carl Laemmle, Jr. The paper is darkened with a chipped tear at the top affecting Laemmle's printed name, repaired with tape from the verso. Good. "Burlesque", a play produced by Jean Dalrymple opened December 25, 1946 at the Belasco Theatre and ran through January 10, 1948. The son of the Universal Studios founder of the same name, Carl Laemmle, Jr. was head of production from 1928 to 1936 in the early years of the "talkies". Although such pioneers as Georges Melies had produced horror films as early as the 1890's, Carl Laemmle, Jr. advanced the genre with such classic successes as "Dracula", "Frankenstein", "The Mummy", "The Invisible Man", "Bride of Frankentstein", etc. Despite these successes and others, such as "All Quiet On the Western Front", "East of Borneo", "The Old Dark House", "Imitation of Life", and "Showboat", Laemmle earned a reputation as spending too much on films that did not recoup their costs. Following a series of flops, Carl Laemmle Senior and Junior were forced to sell the company. The recipient, Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andre Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member, producer, and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.