krauss william (95 resultados)

Hardcover. Condición: Very Good. No Jacket. Light cover wear. No markings. Illustrated and with map end papers.

Wraps. Condición: Near Fine. Luca Invernizzi Tettoni (photographs by) Ilustrador. Immaculate and tight, gift quality copy. 132p., including index. Size: 8vo - over 7¾" - 9¾" tall. Paper Back.

Hardcover. Condición: Good. Minor foxing of front end papers and first few pages.

Paperback. Condición: Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Oliver Kinney Ilustrador. 1st Edition. 400 pp., Photos, Color Map e.p., Grn Hardback, Brn & Gilt Spine Title, VG in chipped, slightly soiled DJ, 1st ed, 2nd prntng.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Octavo. Map endpapers, B&W illustrations. Condition: minor nicking & chipping to DJ; else VG/VG. 400 pages.

Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Trade Paperback. Condición: Used - Very Good. Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works. he texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page -- particularly the smudges, smears, and erasures that characterize his stop-animations -- define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects.Essays and InterviewsCarolyn Christov-Bakargiev, Maria Gough, Andreas Huyssen, William Kentridge, Joseph Leo Koerner, Margaret Koster Koerner, Rosalind Krauss, Rosalind Morris Book has remainder mark on text edge. Very nice clean, tight copy free of any marks.

Hardcover. Condición: Very Good. B & W Photos Ilustrador. Copyright Date: 1965 Octavo, Pp.400, The Biography Of A Hawaiian Sugar Plantation, Includes 1965 Newspaper Article about Miss Mabel ( Wilcox) Of Grove Farm, Very Good, tape Stain at Half Title.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 3rd printing of the first edition. Prior owner's name on front flyleaf. Full green cloth binding, clean and square. Map endpapers. xv, 431pp. Photos. Vignette illustrations by Oliver Kinney. Dust jacket is shelf rubbed, with small sticker scuff to front. Size: 8vo - 8" - 9" Tall.

Paperback. Condición: As new. First Edition. A SOMETHING ELSE READER edited by Dick Higgins with pieces by Eleanor Antin, George Brecht, Pol Bury, Augusto de Campos, Clark Coolidge, Philip Corner, William Brisbane Dick, Robert Filliou, Albert M. Fine, Ian Hamilton Finlay, Hugh Fox, Buckminster Fuller, Eugen Gomringer, Brion Gysin, Richard Hamilton, Al Hansen, Jan J. Herman, Dick Higgins, Åke Hodell, Ray Johnson, Allan Kaprow, Kitasono Katue, Bengt af Klintberg, Alison Knowles, Richard Kostelanetz, Ruth Krauss, Jackson Mac Low, Robert K. Macadam, Toby MacLennan, Hansjörg Mayer, Charles McIlvaine, Richard Meltzer, Manfred Mohr, Claes Oldenburg, Pauline Oliveros, Nam June Paik, Benjamin Patterson, Charles Platt, Bern Porter, Dieter Roth, Aram Saroyan, Tomas Schmit, Carolee Schneemann, Mary Ellen Solt, Daniel Spoerri, Gertrude Stein, André Thomkins, Wolf Vostell, and Emmett Williams. 368 pages, paper with stiff cover. BLACK AND WHITE REPRODUCTIONS. As new.

Soft cover. Condición: Very Good +. Very Good + condition Softcover Signed and inscribed by the Author on the Title page. Signed by Author(s).

Soft cover. Condición: Good. No Jacket. 3 books --Grove Farm Plantation : The Biography of a Hawaiian Sugar Plantation. Second Edition. Bob Krauss; William P. Alexander. Pacific Books. 1984. 431p. trade paperback, covers bumped/scuffed, binding tight, text clean--0870152432 ISBN 13: 9780870152436 + CLAUS SPRECKELS, THE SUGAR KING IN HAWAII, Jacob Adler, Mutual, 1966, later print., ISBN 0935180761, 271p, pb, bumped/scuffed covers, clean/tanning text, solid binding + Big Alma : San Francisco's Alma Spreckels Bernice Scharlach. Scottwall Associates. 1999. 336p. trade paperback, covers bumped/scuffed, binding tight, text clean, NOT XLIB-15.00 for all.

Paperback. Condición: Fine. 1st. xvi, 187 pages, illustrations; 24 cm. October files, 21. Tight, clean copy. *** "Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works. The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page--particularly the smudges, smears, and erasures that characterize his stop-animations--define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects" - Publisher. Size: 8vo. Collectible.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. 1st printing, with no additional printings noted. Square and unmarked in full green cloth binding. Shows some reader's use and handling. Map endpapers. xvi, 400pp. Photos. Vignette illustrations by Oliver Kinney. Unclipped jacket (6.00) shows some wear, a bit of tea staining to lower front flap fold; offered now in a new mylar cover. Size: 8vo - 8" - 9" Tall.

Soft cover. Condición: Near Fine. Inscribed on first page. Signed by Author(s).

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good-. B&W Photographs Ilustrador. First Edition. 8vo - over 7¾" - 9¾" tall. In pictorial jacket, 8vo, 400pp. Signed By Both Authors on half-title page: "Aloha from hawaii - Bob Krauss - W. P. Alexander". (Shelfwear, rubbing and sm. nicks to price-clipped jacket extremities).

magazine. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. Please note: This is NOT A BOOK nor is it a full copy of the journal, but an original article/ad/photo; the pages have normal age discoloration. ; "approximately 6x9, from our extensive vintage paper collection, in mylar with stiff backing"; ; approx. 11x14; 11 pages; THIS IS NOT A BOOK, but unbound pages from a journal. Image can be supplied if desired.

Magazine. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. very good. Vintage Paper Items are NOT RETURNABLE; This is a vintage article from a journal, NOT A BOOK ; Photographs and/or drawings; 10 x 14 ; 15 pp pages; "Scarce piece, b/w, some age discoloration,approximately 10x14, some edgewear, in mylar with stiff backing, ".

Octavo hardcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Soft cover. Condición: Very Good. Starmer Brothers ( Cover Art ) - William Henry and/or Frederick Ilustrador. ORiginal large format vintage sheet music - pianoforte score. Minor edgewear and stapled spine, all else quite fine. The Meadowbrook Fox Trot is a piece of ragtime-influenced dance music composed by Arthur M. Kraus and published in 1914 by the New York firm Jos. W. Stern and Company. The piece dates to 1914 and is written in F major at a moderato tempo, scored for piano, and catalogued in the ragtime genre. It was part of the enormous wave of fox trot compositions that flooded the American market that year, when the dance was newly fashionable and publishers rushed to supply music for it. A surviving 78 rpm Edison disc recording of the piece carries matrix number 3339-C-25 and catalog number 50190, and was recorded using vertical-cut acoustic technology. A separate Edison Blue Amberol cylinder recording also exists, performed by the National Promenade Band and issued around 1915. The sheet music cover is illustrated by the artist known as Starmer, depicting a fox hunt scene with an inset photograph of Miss Sonia Baraban and Charles C. Grohs. Their presence on the cover was a marketing choice rooted in their celebrity as exhibition dancers. Sonia Baraban and Charles C. Grohs toured on the Keith vaudeville circuit in the 1910s, and they are known for introducing the Reuben Fox-trot to the public in 1914. They performed modern dances such as the foxtrot and appeared at venues including the Seattle Orpheum Theater in March 1915. Placing their photograph on sheet music covers was a common promotional practice of the era, linking a composition to recognizable performing personalities and lending it an air of fashionable credibility. Their image appears on at least one other fox trot publication from the same period as well. It is worth noting that different copies of the Meadowbrook Fox Trot sheet music appear to carry different cover photographs. At least one copy in the York University collection shows a photograph of Holton Herr and Janet McIlwaine rather than Baraban and Grohs, though the Starmer fox hunt illustration is consistent across versions. This reflects the common practice of publishers issuing multiple cover variants. As for Arthur M. Kraus himself, detailed biographical information about him is sparse in the historical record. His known recordings date only from 1914 to 1915, and his role in the Discography of American Historical Recordings is listed solely as composer. He is sometimes credited in collaboration with a co-writer named Hall. The piece was popular enough to be arranged for player piano rolls as well as recorded on cylinder and disc formats. Regarding Rector's and the Kraus' Society Orchestra, the picture here requires some caution because the documentary trail is thin. Rector's was a celebrated New York restaurant and cabaret on West 44th Street that was one of the central venues for the dance craze of the early 1910s. When the tango came to New York via Paris in 1912, cabarets and restaurants including Rector's introduced afternoon tango teas, and the venue became deeply associated with fashionable dancing. Rudolph Valentino himself worked as a dance partner at such tango teas, and in 1915 returned to Rector's in a vaudeville dance act. Dance orchestras were central to Rector's identity during this period, and a number of society orchestras played there across the years. By 1917, Earl Fuller led a society dance band at Rector's called Earl Fuller's Rector Novelty Orchestra, which gives a sense of the venue's musical prestige and the style of ensemble associated with it. The specific ensemble name "Kraus' Society Orchestra" does appear in Edison-era catalogues of the period, where the label "Society Orchestra" was commonly used for refined dance ensembles playing in hotel and restaurant settings rather than rough commercial venues.

Hardcover. Condición: Near Fine. 1st Edition. Xiv, 311 Pp. Blue Cloth, Gilt. 1907 Copyright, 1908 Date On Title Page. Near Fine, Slight Usage, Gilt Brilliant, But Some Pencil Underlining And Marginalia On A Few Pages. The 'Establishment" Analysis, A Catalog Of Summaries Of Indistinctly Different Constellations Of Symptoms With No Analysis Of Underlying Physiology Or Causes Or Treatments, Which May Itself Be Called "Moronic" In Any Fair Analysis.

Soft cover. Condición: Very Good. 1st edition. VG. 8vo, 160pp, printed wrappers. Later issue, includes a memorial tribute to Hannah Arendt by Hans Jonas, plus work by a range of other important contributors. Unmarked copy with light wear and outer toning. Not Signed.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. Two volume set. The bindings are clean and tight with minor shelf wear. Light wear & soiling on edges of text blocks. Volume two has water damage stains near foredge of last 30 pages of text. Otherwise Text and images unmarked. Dj's lightly worn with scuffs & small scratches in mylar covers.

Soft cover. Condición: Near Fine. 1st Ed. Near Fine to Fine in tan pictorial wraps with black lettering. SIGNED by the Author on title page. Fiction, Short Stories, Signed. Signed by Author(s).

Soft cover. Condición: Very Good. 1st Edition. ____Fiction contributors include: Richard Sale, William A. Krauss, Paul Allenby, Dale Clark and William R. Cox among others. _____ The non-fiction reports on a murder in Zanesville, Ohio and murder among the Croatans of North Carolina. _____ Unusual cover for Flynns consisting of a photo._____ It features Gloria Franklin "Republic Pictures Starlet"._____ Judging by a quick google search it appears the The Drums of Fu Manch was the alpha and omega of Miss Franklins career. _____ ._____.

Hardcover with dustjacket, 420 pages, in English; very good condition; light rubbing to dj; owner's stamp; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine Dust Jacket. 4to. 706 pp. Two volumes. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. P1.

Condición: New.

paperback. Condición: New. 1st.