Koerner joseph leo (287 resultados)

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condición: Very Good. An art historical epic for dangerous timesWhat do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? Art in a State of Siege tells the story of three compelling images created in dangerous moments and the people who experienced them?from Philip II of Spain to Carl Schmitt?whose panicked gaze turned artworks into omens.Acclaimed art historian Joseph Koerner reaches back to the eve of iconoclasm and religious warfare to explore the most elusive painting ever painted. In Hieronymus Bosch?s Garden of Delights, enemies are everywhere: Jews and Ottomans at the gates, witches and heretics at home, sins overtaking the mind. Following a paper trail leading from Bosch?s time to World War II, Koerner considers a monumental self-portrait painted by Max Beckmann in 1927. Created when Germany was often governed by emergency decree, this image brazenly claimed to decide Europe?s future?until the Nazis deemed it to be a threat to the German people. For South African artist William Kentridge, Beckmann exemplified ?art in a state of siege.? Koerner shows how his work served as beacon during South Africa?s racialist apartheid rule and inspired Kentridge?s breakthrough animations of drawings being made, erased, and remade.Spanning half a millennium but urgent today, Art in a State of Siege reveals how, in dire straits, art becomes the currency of last resort. …

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. Good; some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Soft cover. Condición: Near Fine. 1st Edition. Softcover, 112 pages. 12" x 9.25". 65 b&w illustrations. Very light wear to cover, else fine.

Hardback. Condición: Very Good. An art historical epic for dangerous timesWhat do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? Art in a State of Siege tells the story of three compelling images created in dangerous moments and the people who experienced them?from Philip II of Spain to Carl Schmitt?whose panicked gaze turned artworks into omens.Acclaimed art historian Joseph Koerner reaches back to the eve of iconoclasm and religious warfare to explore the most elusive painting ever painted. In Hieronymus Bosch?s Garden of Delights, enemies are everywhere: Jews and Ottomans at the gates, witches and heretics at home, sins overtaking the mind. Following a paper trail leading from Bosch?s time to World War II, Koerner considers a monumental self-portrait painted by Max Beckmann in 1927. Created when Germany was often governed by emergency decree, this image brazenly claimed to decide Europe?s future?until the Nazis deemed it to be a threat to the German people. For South African artist William Kentridge, Beckmann exemplified ?art in a state of siege.? Koerner shows how his work served as beacon during South Africa?s racialist apartheid rule and inspired Kentridge?s breakthrough animations of drawings being made, erased, and remade.Spanning half a millennium but urgent today, Art in a State of Siege reveals how, in dire straits, art becomes the currency of last resort. …

paperback. Condición: Acceptable. Integral damage to binding e.g. cover coming away, no spine, chunks of pages falling out. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. …

Condición: New. Series: The A. W. Mellon Lectures in the Fine Arts. Num Pages: 448 pages, 275 color illus. 50 halftones. BIC Classification: ACN; AFC. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 291 x 215 x 33. Weight in Grams: 1898. 2016. hardcover. . . . . Books ship from the US and Ireland. …

Paperback. Condición: Good. Caspar David Friedrich (1774-1840), the greatest painter of the Romantic movement in Germany, was perhaps Europe's first truly modern artist. This title offers a comprehensive account of this most fascinating of nineteenth-century masters.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Quarto in stiff paper covers with DJ. B&W illustrations. Condition: slight sun-fading to DJ; inked initials near bottom of title page; else near fine in near fine DJ. 112 pages.

Paperback. Condición: Fine. First Edition. [24] pp.; color illustrations; 20 x 21 cm (octavo). Bright, sharp copy with no ownership markings; appears unread. Well packaged in a box; ships with tracking.

Condición: New. Series: The A. W. Mellon Lectures in the Fine Arts. Num Pages: 448 pages, 275 color illus. 50 halftones. BIC Classification: ACN; AFC. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 291 x 215 x 33. Weight in Grams: 1898. 2016. hardcover. . . . .

Softcover. Condición: Very Good. First Edition. 4to. 564 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. W51.

Paperback. Condición: Good. Caspar David Friedrich (1774-1840), the greatest painter of the Romantic movement in Germany, was perhaps Europe's first truly modern artist. This title offers a comprehensive account of this most fascinating of nineteenth-century masters.

Softcover exhibition catalog, 24 pages, very good condition, no internal marks, clean and crisp, with color reproductions.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condición: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.…

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condición: Fine. 1st. 272 pages, illustrations (some colour); 27 cm. Published in conjunction with an exhibition held at the Yale University Art Gallery, September 1 to December 31, 2017. Firm binding, clean inside copy. *** "This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photographs, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile-forced or voluntary-as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book's four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones-for example, Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters-but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Le, Roberto Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat." - Publisher. *** CONTENTS: Director's foreword; Acknowledgments; Note to the reader; Exiles in art, and artists in exile, by Frauke V. Josenhans; [1.] Home/Mobility; Home and the world, by Joseph Leo Koerner; Catalogue entries; [2.] Nostalgia; Russia in exile: nostalgia for other shores, by Marijeta Bozovic; Catalogue entries; [3.] Transfer/Adjustment; The trace of transfer, by Megan R. Luke; Catalogue entries; [4.] Identity; (Re)defining the "I" in exile, by Frauke V. Josenhans; Catalogue entries; Artist biographies & exhibition checklist, by Nicole Demby, Frauke V. Josenhans, and Clara Yang; Selected bibliography; Index; Photo credits. Size: 4to.…

paperback. Condición: Very Good.

Paperback. Size: 9"x12", 280pp. Lightly bumped corner else near new condition, covers bright, text clean and binding tight.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback or Cased Book. Condición: New. Art in a State of Siege. Book.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condición: Good.

Condición: good. Paperback Book.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: good. Used may have minimal highlights, annotations, creases, curled corners, writing on some pages, discoloration, dust from shelves, may need batteries.