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Publicado por University of California Press, 1998
ISBN 10: 0520210816ISBN 13: 9780520210813
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Used book that is in clean, average condition without any missing pages.
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Nuevo desde EUR 31,17
Usado desde EUR 7,66
Encuentre también Tapa dura Tapa blanda
Publicado por Oxford Univ Pr, 1997
ISBN 10: 0198165404ISBN 13: 9780198165408
Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Libro
Condición: VeryGood. Most items will be dispatched the same or the next working day.
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Nuevo desde EUR 110,60
Usado desde EUR 1,74
Encuentre también Tapa blanda Original o primera edición
Publicado por Oxford University Press, Oxford, 2000
Librería: Carydale Books, Rhinebeck, NY, Estados Unidos de America
Original o primera edición
Paperback. Condición: Near fine. First Edition. octavo, bound in original stiff paper wraps very good condition, contents fine. pp. 160 includes separate index for 1999 of pp. viii Note: due to size and weight, shipping outside the USA will be less expensive than an average book. Combined shipping will reduce costs.
Publicado por London: Oxford University Press, 1998, London, 1998
Librería: Open Door Books MABA, Bath, ME, Estados Unidos de America
Libro Original o primera edición
Pictorial Cover/soft. Condición: Very Good. First Edition. Pictorial Cover/soft. Very Good. First Edition. Music. Articles, color, b/w plates.
Publicado por Schirmer Reference, 1992
ISBN 10: 0028712218ISBN 13: 9780028712215
Librería: HPB-Red, Dallas, TX, Estados Unidos de America
Libro
hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Nuevo desde EUR 80,82
Usado desde EUR 11,54
Encuentre también Tapa dura Original o primera edición
Publicado por Faber & Faber, 1998
ISBN 10: 0571567096ISBN 13: 9780571567096
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. In Stock.
Publicado por Companyia Central Llibretera
Librería: KALAMO LIBROS, S.L., La Puebla de Montalbán, TO, España
Libro
Encuadernación de tapa blanda. Condición: Nuevo. El breu regnat de Carles III a Barcelona, a principis del segle XVIII, va ser una fita en el desenvolupament musical a la ciutat, i arriba a ser un cas paradigmàtic per analitzar i entendre la dinàmica politicomusical.
Publicado por Oxford University Press, 1998
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 190 pages Illustrated. Dance in late 17th-century London: Priestly muddles (Jennifer Thorp) / Dance in early Tudor England: an Italian connection? (Jennifer Nevile) / Torchbearers in the English masque (Anne Daye) / Social dance in the 1668 Feste de Versailles: architecture and performance context (Barbara Coeyman) / Dance notation systems in late 17th-century France (Ken Pierce) / The passacaille in Lully's Armide: phrase structure in the choreography and the music (Judith L. Schwartz) / Bad news, or not? Thoughts on Renaissance performance practice. (Kenneth Kreitner) (M13).
Publicado por Oxford University Press, 1998
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 160 pages. Illustrated. Reinhard Strohm "Dramatic dualities: Metastasio and the tradition of the opera pair" / Wendy Heller "Reforming Achilles: gender, opera seris and the rhetoric of the enlightened hero" / Roger Savage "Staging an opera: letters from the Cesarian poet" / Don Neville "Opera or oratorio? Metastasio's sacred opere serie" / Michael Burden "'Twittering and trilling': Swedish reaction to Metastasio" / Jose-Maximo Leza "Metastasio on the Spanish stage - Madrid 1730s" / Roger Savage "A dynastic marriage celebrated" / Andrew Parrott "Bach's chorus: beyond reasonable doubt".
Publicado por Oxford University Press, 1992
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 160 pages. Illustrated. Kenneth Kreitner "Minstrels in Spanish churches, 1400-1600" / Kimberly Marshall "The organ in 14th-century Spain" / Tess Knighton "The a cappella heresy in Spain: an inquisition into the performance of the cancionero repertory" / Maricarmen Gomez "Some precursors of the Spanish lute school" / Antonia Corona-Alcade "The earliest vihuela tablature: a recent discovery" / Richard Sherr "The 'Spanish nation' in the papal chapel, 1492-1521" / Beryl Kenyon de Pascual "Clavicordios and clavichords in 16th-century Spain" / Jack Sage "A new look at humanism in 16th-century lute and vihuela books" / Laurence Libin "A remarkable guitar by Lorenzo Alonso" / Jordi Savall "Performing early Spanish music".
Publicado por Oxford University Press, 1993
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 172 pages. Illustrated. David Charlton "'A maitre d'orchestre.conducts': new and old evidence on French practice" / Rebecca Harris-Warrick "From score into sound: questions of scoring in Lully's ballets" / Lionel Sawkins "Doucement and legerement: tempo in french Baroque music" / Tula Giannini "Jacques Hotteterre le Romain and his father, Martin" / Greer Garden "A link between opera and cantata in France: tonal design in the music of Andre Campra" / Graham Sadler "Vincent d'Indy and the Rameau Oeuvres completes: a case of forgery?" / David Fuller "A new French harpsichord source of the mid-18th century with an Eckard connection" / Frederick Neumann "Dots and strokes in Mozart" / William Malloch "The minuets of Haydn and Mozart: goblins or elephants?" / John Milsom "Byrd on record: an anniversary survey" / Christopher Page "The English a cappella renaissance".
Publicado por Oxford University Press, 1993
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 176 pages. Illustrated. John A Rice "The Tuscan piano in the 1780s Some builders, composers and performers" / Michael Latcham "The check in some early pianos and the developmenr of piano technique aroind the turn of the 18th century" / Bruce Wood and Andrew Pinnock "The Fairy Queen: a fresh look at the issues" / Janet K Page "'To soften the sound of the hoboy' The muted oboe in the 18th and early 19th centuries" / George B Stauffer "Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music" / Michael Cole "A Handel harpsichord".
Publicado por Oxford University Press, 2007
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 170 pages. Illustrated. Rogerio Budasz "Black guitar-players and early African-Iberian music in Portugal and Brazil" /Helen Deeming "The sources and origin of the 'Agincourt Carol'" / Harold Love "That satyrical tune of 'Amarillis'" / Greg Dean Petersen "Bridge location on the early Italian violin" / Alexandra Williams "'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances" / Matthew Haakenson "Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla" / John Potter "The tenor-castrato connection, 1760-1860".
Publicado por Oxford University Press,, 1987
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 180 pages. Illustrated. Lully's First Opera: A Rediscovered Poster for "Les fêtes de l'Amour et de Bacchus" (pp. 308-314) Jérôme de La Gorce For and against the Order of Nature: Who Sang the Soprano? (pp. 315-324) Lionel Sawkins Performing a Choral Dialogue by Lully (pp. 325-335) Lois Rosow More Faces than Proteus: Lully's "Ballet des muses" (pp. 336-344) James R. Anthony A Sweet Servitude: A Musician's Life at the Court of Mlle de Guise (pp. 346-360) Patricia Ranum Grimarest's "Traité du Récitatif": Glimpses of Performance Practice in Lully's Operas (pp. 361-364) David Tunley Reinterpreting the Capital of the Fourth Tone at St Lazare, Autun (pp. 365-374+376) Hélène Setlak-Garrison Folding Harpsichords (pp. 378-383) Laurence Libin More on Triplets and Inequality (pp. 384-385) David Fuller Monteverdi's Vespers of 1610: 'Della Beata Vergine'? (pp. 386-389) Graham Dixon.
Publicado por Oxford University Press, 1994
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 176 pages. Illustrated. 'Unscarr'd by Turning Times'? The Dating of Purcell's Dido and Aeneas (pp. 372-390) Bruce Wood and Andrew Pinnock The Earliest Notice of Purcell's Dido and Aeneas (pp. 392-394+397-398+400) Mark Goldie Musicians in 18th-Century Venice (pp. 402-408) Denis Stevens New Documents on the Bassano Family (pp. 409-413) Giulio M. Ongaro The Bassanelli Reconstructed: A Radical Solution to an Enigma (pp. 417-422+424-425) Charles Foster An 18th-Century Singer's Commission of 'Baggage' Arias (pp. 427-433) Daniel E. Freeman Tenorlied, Discantlied, Polyphonic Lied: Voices and Instruments in German Secular Polyphony of the Renaissance (pp. 434-442+444-445) Stephen Keyl.
Publicado por Oxford University Press, 2004
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 160 pages. Illustrated. Shirley Thompson "Marc-Antoine Charpentier and the viol" / C. Jane Gosine and Erik Oland "Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality" / Graham Sadler "A philosophy lesson with Francois Couperin?" / Mary Cyr "Representing Jacquet se La Guerre on disc: scoring and basse continue practices, and a new painting of the composer" / Kerry McCarthy "Byrd, Augustine, and Tribue, Domine" / Malcolm Rose "The history and significance of the Lodewijk Theewes claviorgan" / Howard Schott "The clavichord revival, 1800-1960".
Publicado por Oxford University Press, 2004
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 142 pages. Illustrated. Geoffrey Baker "Music at Corpus Christi in colonial Cuzco" / Alejandro Vera Aguilera "Music in the monastery of La Merced, Santiago de Chile, in the colonial period" / David Irving "Musical politics of empire: the loa in 18th-century Manila" / Joyce Lindorff "Missionaries, keyboards and musical exchange in the Ming and Qing courts" / Robert E Seletsky "New light on the old bow - 2" / Claudia Schweitzer "Madame Ravissa de turin: a forgotten woman composer of the 18th century" / Michael Burden "Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society".
Publicado por Oxford University Press, 2004
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 180 pages. Illustrated. Hiroyuki Minamino "The Spanish plucked viola in Renaissance Italy, 1480-1530" / Bernadette Nelson "The court of don Fernando de Aragon, Duke of Calabria in Valencia, c1526-c1550: music, letters and the meeting of cultures" / Grayson Wagstaff "Morales's Offocium, chant traditions, and performing 16th-century music" / Angel Manuel Olmos "New polyphonic fragments from 15th-century Spain: a preliminary report" / Ruth Lightbourne "Annibale Stabile and performance practice at two Roman institutions" / Robert E Seletsky "New light on the old bow - 1" / Andrew Parrott "Monteverdi: onwards and downwards".
Publicado por Oxford University Press, 2005
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 220 pages. Illustated. Anthony Rowland-Jones "Iconography in the history of the recorder up to c.1430 - Part 1" / Graham Cummings "Handel and the confus'd shepherdess: a case study of stylistic eclecticism" / Robert Rawson "Gottfried Finger's Christmas pastorellas" / Allan W Atlas "A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano" / Juan Ruiz Jimenez "Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville" / Joshua F Drake "The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164-7" / Stephen Rice "Reconstructing Tallis's Latin Magnificat and Nune dimittis" / Roger Bowers "More on the Lambeth Choirbook" / Frans and Julie Miller "Completing the picture: the importance of reconstructing early opera" / Timothy Day "Tallis in performance".
Publicado por Oxford University Press, 2006
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 176 pages. Illustrated. Jeremy Montagu "Musical instruments in the Macclesfield Psalter" / Boaz Berney "The Renaissance flute in mixed ensembles: surviving instruments, pitches and performance practice" / David M Guion "The missing link: the trombone in Italy in the 17th and 18th centuries" / Eitan Ornoy "Between theory and practice: a comparative study of early music performances" / Jesse Rodin "A Josquin substitution" / Lucy Robinson "Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son" / Andrew V Jones "Staging a Handel opera".
Publicado por Oxford University Press, 2005
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 184 pages. Illustrated. David Dolata "Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti" / Timothy R McKinney "Point/counterpoint: Vicentino's musical rebuttal to Lusitano" / Jonathan Drennan "Attributions to Giovanni Rovetta" / Rob C Wegman "Musical offerings in the Renaissance" / Michael J Levin and Steven Zohn "Don Juan de Austria and the Venetian music trade" / Erik Albertyn "The Hanover orchestral repertory, 1762-1714: significant source discoveries" / Dieter Gutknecht "Performance practice of recitativo secco in the first half of the 18th century" / Peter Phillips "Treble or soprano? Performing Tallis".
Publicado por Oxford University Press, 2000
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 180 pages. Illustrated. Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved concert instrument".
Publicado por Oxford University Press, 2007
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 168 pages. Illustrated. Ruth Smith "Early music's dramatic significance in Handel's Saul" / Naomi J Barker "Un-discarded images: illustrations of antique musical instruments in 17th and 18th-century books, their sources and transmission" / Christopher Macklin "Approaches to the use of iconography in historical reconstruction, and the curious case of Renaissance Welsh harp technique" / Jane A Bernstein "Publish or perish? Palestrina and print culture in 16th-century Italy" / DonFader "Philippe II of d'Orleans's 'chanteurs italiens', the Italian cantata and the gouts-reunis under Louis XIV" / Alexandro Vera "Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar" / Graham Pont "French overtures at the keyboard: the Handel tradition".
Publicado por Oxford University Press, 2006
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 210 pages. Illustrated. "Edmund A Bowles "The impact of Turkish military bands on European court festivals in the 17rh and 18th centuries" / Michael Noone "Toledo Cathedral's lost 'magnifique livre de messes' recovered, and 'new' works by Boluda, Palomares and Navarro" / Lorenzo Candelaria "Tropes for the Ordinary ina 16th-century chantbook from Toledo, Spain" / Mark Lindley and Ibo Ortgies "Bach-style keyboard tunung" / John O'Donnell "Bach's temperament, Occam's razor, and the Neidhardt factor" / Denzil Wraight "Recent approaches in understanding Cristofori's fortepiano" / Paulo Estudante "A new 17th-century Iberian source of instrumental music" / Julian Grimshaw "Morley's rule for first-species canon".
Publicado por Oxford University Press, 2006
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 186 pages. Illustrated. Anthony Rowland-Jones "Iconography in the history of the recorder up to 1430 - Part 2" / Andrew Johnstone "'High' clefs in composition and performance" / John Haines "New light on the polyphonic sequence" / Gregory Barnett "Handel's borrowings and the disputed Gloria" / Michael Latcham "Don Quixote and Wanda Landowska: bells and Pleyels" / Ruth I DeFotd "The mensura of 0 in the works of Du Fay".
Publicado por Oxford University Press, 2007
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 210 pages. Illustrated. Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel".
Publicado por Oxford University Press, 1987
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 180 pages. Illustrated. The Double Harp in Spain from the 16th to the 18th Centuries (pp. 148-163) Cristina Bordas Patronage, Style and Structure in the Music Attributed to Turlough Carolan (pp. 164-174) Joan Rimmer The Dalway or Fitzgerald Harp (1621) (pp. 175-184+186-187) Michael Billinge and Bonnie Shaljean The Harp in Stuart England: New Light on William Lawes's Harp Consorts (pp. 188-203) Peter Holman 'This Easy and Agreable Instrument': A History of the English Guittar (pp. 204-218) Philip Coggin Edward Paston and the Textless Lute-Song (pp. 221-223+225-227) Stewart McCoy St Gertrude's Chapel, Hamburg, and the Performance of Polychoral Music (pp. 229-241) Frederick Gable.
Publicado por Oxford University Press, Oxford, 1996
Librería: Peter Rhodes, Southampton, Reino Unido
Original o primera edición
Paperback. Condición: Very Good. First Edition. 240 x 190mm. pp. 370 - 544. English text. Vol. XXIV / 3 of the monthly journal 'Early Music'. This volume examines early music from around the world including China, India, Tunisia, The Middle East and the Andes. Colour and black and white illustrations. Bound in original pictorial wraps. A little light wear, otherwise clean and tight.
Publicado por Oxford University Press, Oxford, England, 1996
ISBN 10: 0003061078ISBN 13: 9780003061079
Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de America
Libro
Softcover. Condición: Very good condition. Oxford Journals. Volume XXIV / 4 (November 1996). Softcover.
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Usado desde EUR 19,24
Publicado por Oxford University Press, 2008
Librería: Shore Books, London, Reino Unido
Libro
Soft cover. Condición: Very Good. 162 pages. Illustrated. "Pianos and Harpsichords for Their Majesties" Michael Latcham / "The 1685 Coronation Anthem "I was Glad"" Matthias Range / "On the Trail of Purcell's Spinet" Peter Mole / "On a Roman Polychoral Performance in August 1665" Florian Bassani Grampp / "Marbriano de Orto (c.1455-1529): Personal Thoughts and Some Surprises" Nigel Davison / "Latin American Baroque: Performance as a Post-Colonial Act?" Geoff Baker.