Klindo mile (7 resultados)

Trade Paperback. Condición: Good. First edition. Octavo (standard size). Slight wear to edges and corners of covers. Ink underlining and marking on some of the first 24 pags ONLY. 389 p. w/bibliography, filmography. A study noting the smiliar histility of Stalinism and McCarthyism to Marxism, and artists inspired by the proletariat left culture of the pre WWII era, and examining the stories of the blacklisted filmmakers.…

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condición: Neu. The Hollywood Left and McCarthyism | The political and aesthetic legacy of the Red Scare | Mile Klindo | Taschenbuch | 396 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783659351297 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The anticommunist witch-hunts of the 1940s and 1950s were more than just a disgraceful chapter of American history. The moment the Hollywood Ten were hauled before the HUAC, American cinema, politics and culture changed irrevocably. Unlike most of the available literature on the Red Scare, this contribution argues that, even if bitter political enemies, Stalinism and McCarthyism shared a fundamental hostility to Marxism and, in turn, to those artists most inspired by the proletarianized left culture of the first half of 20th century America. The blacklisted filmmakers examined here embodied the new wave of social criticism of American capitalism on film before the Congress effectively criminalized it, branding a major filmmaker such as Abraham Polonsky a very dangerous citizen. Having matured artistically during this period of political reaction, the stories of the key Hollywood Left figures suggest some unexplored potential aesthetic directions for postwar American cinema, possible pathways prematurely blocked by the blacklist. Crucially, their stories also shed light on the so far under-researched symbiotic, if hostile, relationship between McCarthyism and American Stalinism. 396 pp. Englisch.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Klindo MileBorn in Sydney, Australia, in 1970, Mile Klindo completed his schooling in ex-Yugoslavia. Back in Sydney, he studied acting, and then completed his Honours degree at Macquarie University, majoring in screen production and .…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The anticommunist witch-hunts of the 1940s and 1950s were more than just a disgraceful chapter of American history. The moment the Hollywood Ten were hauled before the HUAC, American cinema, politics and culture changed irrevocably. Unlike most of the available literature on the Red Scare, this contribution argues that, even if bitter political enemies, Stalinism and McCarthyism shared a fundamental hostility to Marxism and, in turn, to those artists most inspired by the proletarianized left culture of the first half of 20th century America. The blacklisted filmmakers examined here embodied the new wave of social criticism of American capitalism on film before the Congress effectively criminalized it, branding a major filmmaker such as Abraham Polonsky a very dangerous citizen. Having matured artistically during this period of political reaction, the stories of the key Hollywood Left figures suggest some unexplored potential aesthetic directions for postwar American cinema, possible pathways prematurely blocked by the blacklist. Crucially, their stories also shed light on the so far under-researched symbiotic, if hostile, relationship between McCarthyism and American Stalinism.…

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The anticommunist witch-hunts of the 1940s and 1950s were more than just a disgraceful chapter of American history. The moment the Hollywood Ten were hauled before the HUAC, American cinema, politics and culture changed irrevocably. Unlike most of the available literature on the Red Scare, this contribution argues that, even if bitter political enemies, Stalinism and McCarthyism shared a fundamental hostility to Marxism and, in turn, to those artists most inspired by the 'proletarianized' left culture of the first half of 20th century America. The blacklisted filmmakers examined here embodied the new wave of social criticism of American capitalism on film before the Congress effectively criminalized it, branding a major filmmaker such as Abraham Polonsky a 'very dangerous citizen.' Having matured artistically during this period of political reaction, the stories of the key Hollywood Left figures suggest some unexplored potential aesthetic directions for postwar American cinema, possible pathways prematurely blocked by the blacklist. Crucially, their stories also shed light on the so far under-researched symbiotic, if hostile, relationship between McCarthyism and American Stalinism.OmniScriptum SRL, Str. Armeneasca 28/1, office 1, 2012 Chisinau 396 pp. Englisch.…