Kierran horner (17 resultados)

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Paperback. Condición: New. «A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors' cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In English.

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.'(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors' cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. «A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors' cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference.…

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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors¿ cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference. 314 pp. Englisch. …

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisContents: Sartre s Conflictual Subject versus Beauvoir s Equivocal I: War, Illness and the Death of the Other - Levinasian Alterity: Resisting Objectifications of the Feminine Figure and Death - Merleau-Ponty s Embod.…

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors¿ cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference.Books on Demand GmbH, Überseering 33, 22297 Hamburg 314 pp. Englisch. …

Taschenbuch. Condición: Neu. Haunting the Left Bank | Mortality and Intersubjectivity in Varda, Resnais and Marker | Kierran Horner | Taschenbuch | 314 S. | Englisch | 2022 | Peter Lang | EAN 9781800796676 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand. …