khor denise (25 resultados)

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Condición: Good.

paperback. Condición: Very Good.

Paperback. Condición: New. Despite the rise of the Hollywood system and hostility to Asian migrant communities in the early twentieth-century United States, Japanese Americans created a thriving cinema culture that produced films and established theaters and exhibition companies to facilitate their circulation between Japan and the United States. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternative network of film production, exhibition, and spectatorship. In doing so, Denise Khor recovers previously unknown films such as The Oath of the Sword (1914), likely one of the earliest Asian American film productions, and illuminates the global circulations that have always constituted the multifaceted history of American cinema.Khor opens up transnational lines of inquiry and draws comparisons between early Japanese American cinema and Black cinema to craft a broad and expansive history of a transnational public sphere shaped by the circulation and exchange of people, culture, and ideas across the Pacific.

Paperback. Condición: new. Paperback. Despite the rise of the Hollywood system and hostility to Asian migrant communities in the early twentieth-century United States, Japanese Americans created a thriving cinema culture that produced films and established theaters and exhibition companies to facilitate their circulation between Japan and the United States. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternative network of film production, exhibition, and spectatorship. In doing so, Denise Khor recovers previously unknown films such as The Oath of the Sword (1914), likely one of the earliest Asian American film productions, and illuminates the global circulations that have always constituted the multifaceted history of American cinema.Khor opens up transnational lines of inquiry and draws comparisons between early Japanese American cinema and Black cinema to craft a broad and expansive history of a transnational public sphere shaped by the circulation and exchange of people, culture, and ideas across the Pacific. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternative network of film production, exhibition, and spectatorship. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condición: Very Good. Mild to Moderate creasing / bending to covers and pages. Book is otherwise very clean, unmarked and 100% functional.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 216 pages. 9.25x6.12x0.60 inches. In Stock.

Condición: New. 2022. Hardcover. . . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: new.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 216 pages. 9.25x6.12x0.60 inches. In Stock.

Hardcover. Condición: Brand New. 216 pages. 9.50x6.50x0.75 inches. In Stock.

Paperback. Condición: New. Despite the rise of the Hollywood system and hostility to Asian migrant communities in the early twentieth-century United States, Japanese Americans created a thriving cinema culture that produced films and established theaters and exhibition companies to facilitate their circulation between Japan and the United States. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternative network of film production, exhibition, and spectatorship. In doing so, Denise Khor recovers previously unknown films such as The Oath of the Sword (1914), likely one of the earliest Asian American film productions, and illuminates the global circulations that have always constituted the multifaceted history of American cinema.Khor opens up transnational lines of inquiry and draws comparisons between early Japanese American cinema and Black cinema to craft a broad and expansive history of a transnational public sphere shaped by the circulation and exchange of people, culture, and ideas across the Pacific.

Taschenbuch. Condición: Neu. Neuware - Despite the rise of the Hollywood system and hostility to Asian migrant communities in the early twentieth-century United States, Japanese Americans created a thriving cinema culture that produced films and established theaters and exhibition companies to facilitate their circulation between Japan and the United States. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternative network of film production, exhibition, and spectatorship. In doing so, Denise Khor recovers previously unknown films such as The Oath of the Sword (1914), likely one of the earliest Asian American film productions, and illuminates the global circulations that have always constituted the multifaceted history of American cinema.Khor opens up transnational lines of inquiry and draws comparisons between early Japanese American cinema and Black cinema to craft a broad and expansive history of a transnational public sphere shaped by the circulation and exchange of people, culture, and ideas across the Pacific.

Condición: New. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternati.

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternati.

Condición: New. PRINT ON DEMAND.

Buch. Condición: Neu. Transpacific Convergences | Race, Migration, and Japanese American Film Culture before World War II | Denise Khor | Buch | Einband - fest (Hardcover) | Englisch | 2022 | The University of North Carolina Press | EAN 9781469667966 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Despite the rise of the Hollywood system and hostility to Asian migrant communities in the early twentieth-century United States, Japanese Americans created a thriving cinema culture that produced films and established theaters and exhibition companies to facilitate their circulation between Japan and the United States. Drawing from a fascinating multilingual archive including the films themselves, movie industry trade press, Japanese American newspapers, oral histories, and more, this book reveals the experiences of Japanese Americans at the cinema and traces an alternative network of film production, exhibition, and spectatorship. In doing so,Denise Khor recovers previously unknown films such as The Oath of the Sword(1914), likely one of the earliest Asian American film productions, and illuminates the global circulations that have always constituted the multifaceted history of American cinema.Khor opens up transnational lines of inquiry and draws comparisons between early Japanese American cinema and Black cinema to craft a broad and expansive history of a transnational public sphere shaped by the circulation and exchange of people, culture, and ideas across the Pacific.