K oehler (69 resultados)

Pamphlet. Condición: Very Good. Vol 68, No 9, pp. 1121-1145, Map, Illus, 4to, Extracted from orig vol, then Recased in Orig Journal Covers , last page in facsimile, else VG.

Paperback or Softback. Condición: New. Unintended Consequences of Killing Civilians. Book.

Condición: New.

Condición: New. In English.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

hardcover. Condición: As New. Light jacket wear. Inside is mint.

Condición: New.

Hardcover with dustjacket, 224 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: New.

Hardcover. Condición: New.

Condición: New. 2024. hardcover. . . . . .

Erstausgabe. überwiegend SW-Abbildungen; Ortsregister; Personenregister; Stammbaum; 143 S.; 0,2 kg, Zustand: Gut Sprache: Deutsch Gewicht in Gramm: 200 21 cm, Karton, Kein Schutzumschlag.

Condición: New.

Hardcover. Condición: Fine. A Fine (New) copy - still in publisher shrink-wrap. A 216pp survey of O'Keeffe's New York paintings of the late 1920s. Please see pictures attached. Carefully packaged and dispatched within 24 hours. Note: Owing to 1.7+kg weight an adjustment to shipping charge may be requested for International ordering.…

Taschenbuch. Condición: Neu. Neuware - Mistreatment of civilians not party to a large-scale, violent conflict is not new. The perceived lack of empathy for civilians (historically and presently) points to ambiguities about who the enemy is, rules of engagement, as well as the ongoing debate about the nature of military intervention in internal conflicts. In addition, examples of violence against civilians during the current war in the Middle East emphasize changes that have occurred within the media, politics, and military operations since World War II. This comparison is useful because it provides for reflection on the international laws written explicitly to protect civilians during war because of the devastation to the European continent during World War II. When American soldiers intentionally kill civilians of the population that needs protection, or otherwise violate the tenets of the Geneva Conventions, the media invites domestic and international responses, publicizing the debate. Political leaders of America have always declared their commitment to protecting human rights in the many nations where the U.S. military deploys its troops, yet incidences of Americans killing members of the protected population continue to occur. American soldiers should refrain from harming civilians during combat operations because it is counterproductive to mission accomplishment and results in a decline in support for military intervention forces. Elaborated throughout this work are the consequences of killing innocents: instant and ubiquitous media coverage and interpretation, political discourse involving questions about the efficacy of the American military in a counterinsurgency environment, and service members who developed a lack of restraint resulting from the complexity of military operations.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condición: New. A revelatory study of Georgia O'Keeffe's New York paintings of the late 1920s and their deep significance within the artist's development   In 1924 Georgia O'Keeffe (1887-1986) first moved to the Shelton Hotel in New York with her husband, the photographer and art dealer Alfred Stieglitz. The Shelton was Manhattan's earliest residential skyscraper, and its dizzying heights inspired O'Keeffe to create a powerful series of approximately twenty-five paintings and numerous drawings over a span of about five years. She called these "my New Yorks," and they overwhelmingly consist of two types of compositions: sprawling observations looking down onto the city and humbling views directed up at the newly built urban monoliths. Exploring the New York skyline, O'Keeffe resisted the approach of contemporaries such as Charles Sheeler and Paul Strand-who celebrated New York as a streamlined, impersonal series of geometric canyons-and instead portrayed it as an amalgamation of the organic and the inorganic, the natural and the constructed. Only in this way could she express New York (in her words) "as it is felt."   Reshaping our understanding of this pivotal yet underappreciated period in O'Keeffe's storied career, this publication situates the New York paintings within the artist's larger oeuvre and examines how these works reflect narratives of built environments, racialized space, and the politics of place. Distributed for the Art Institute of Chicago   Exhibition Schedule:  The Art Institute of Chicago (June 2-September 22, 2024) High Museum, Atlanta (October 25, 2024-February 16, 2025).…

hardcover. Condición: New.

Condición: New.

Condición: New.

65 p. Wrappers 20 cm 300 gr.

65 p. Wrs. (Name on title) 0 gr.

Hardback. Condición: New. A revelatory study of Georgia O'Keeffe's New York paintings of the late 1920s and their deep significance within the artist's development   In 1924 Georgia O'Keeffe (1887-1986) first moved to the Shelton Hotel in New York with her husband, the photographer and art dealer Alfred Stieglitz. The Shelton was Manhattan's earliest residential skyscraper, and its dizzying heights inspired O'Keeffe to create a powerful series of approximately twenty-five paintings and numerous drawings over a span of about five years. She called these "my New Yorks," and they overwhelmingly consist of two types of compositions: sprawling observations looking down onto the city and humbling views directed up at the newly built urban monoliths. Exploring the New York skyline, O'Keeffe resisted the approach of contemporaries such as Charles Sheeler and Paul Strand-who celebrated New York as a streamlined, impersonal series of geometric canyons-and instead portrayed it as an amalgamation of the organic and the inorganic, the natural and the constructed. Only in this way could she express New York (in her words) "as it is felt."   Reshaping our understanding of this pivotal yet underappreciated period in O'Keeffe's storied career, this publication situates the New York paintings within the artist's larger oeuvre and examines how these works reflect narratives of built environments, racialized space, and the politics of place. Distributed for the Art Institute of Chicago   Exhibition Schedule:  The Art Institute of Chicago (June 2-September 22, 2024) High Museum, Atlanta (October 25, 2024-February 16, 2025).…

Condición: New. KlappentextrnrnMistreatment of civilians not party to a large-scale, violent conflict is not new. The perceived lack of empathy for civilians (historically and presently) points to ambiguities about who the enemy is, rules of engagement, as well.

Hardcover. Condición: Brand New. 224 pages. 12.01x9.01x12.25 inches. In Stock.

Hardcover. First Edition. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, volume still in factory shrinkwrap. The Arts and Crafts movement in architecture, interior design, and decorative arts reached its peak between 1880 and 1910 in Britain and North America. The movement's emphasis on aesthetic quality and a high level of craftsmanship, promoted as an antidote to the ubiquity and uninspired appearance of machine-produced products, remains much admired today. Arts and Crafts enjoyed special resonance in Chicago, the home of Jane Addams's Hull House, where immigrants and women received training in handicraft skills not only to beautify domestic life but also to provide them with viable, honorable work. Apostles of Beauty presents outstanding examples by the movement's British originators, such as William Morris and Charles Robert Ashbee, as well as its greatest American practitioners, such as Gustav Stickley and Frank Lloyd Wright. The volume highlights a wide range of objects, including ceramics, furniture, metalwork, paintings, photographs, and textiles. It focuses on Chicago's absorption and interpretation of the movement, featuring works from the Art Institute, the University of Chicago, the Frank Lloyd Wright Home and Studio, Crab Tree Farm, and private collections. Contributors to the book explore the complex influences of the Arts and Crafts style and provide a thematic history of the movement, including a section on design and collecting in Chicago. ; 12.30 X 9.30 X 1.20 inches; 208 pages.…