jorge halpern (11 resultados)

Paperback. Condición: Veruy good. 173 p. 22 cm. Originally published: New York : E.P. Dutton, 1973. Includes index.

Wraps. Condición: Very Good. 8vo, 142 pp. Spine sunned, ink stamp to top and bottom edges, small stain to top edge.

Paperback. Condición: Brand New. reprint edition. 173 pages. 8.25x5.50x0.50 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. xxvi, 403 pp. LCC: 33552.

Original Wraps. Condición: Very Good. Estado de la sobrecubierta: No Jacket, as Issued. First UK Paperback Edition. First impression of the first UK paperback edition - published simultaneously with a hardback edition. With a seven page introduction by the editors. Translated from the Spanish by Frank Macshane. Preceded by the first American edition which was published by E.P. Dutton in 1973. ***Very good in colour-illustrated card covers. Edges of covers just lightly rubbed and creased. Spine faded. Internally near fine with no inscriptions. Pages clean. No foxing. ***198mm x 132 mm. 173 pages including index to rear. ***'In 1971 Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni, his editor and translator, Frank MacShane, head of the department of creative writing at Columbia, and the students. ***The book is divided into three separate sections: on prose, poetry, and translation. ---Borges is probably the supreme verbal craftsman alive today. This book provides a revealing insight into the inspiration and method of his writing. (Quote taken from the back cover) ***First impression of the wrappers issue of the first UK edition. Both the hardcover and wrappers issues are uncommon. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Paperback. Condición: Very good. Paperback Octavo. wraps, 173 pp.

Hardcover. Condición: Very Good +. Estado de la sobrecubierta: Very Good. 1st Edition. First UK Edition, First Print. Pp. 173. In original yellow boards, gilt title to the spine. Jacket present and not price clipped, fade to spine and rear panel. Light spotting to the edge of text block. tight binding, owner name and date to title page. .

Leinen. Condición: Gut. 1st. british edition. 205x135 mm. 173 p., Hardcover, original Cloth w./ dustjacket. Sprache: Englisch, Good conditions. Dustjacket: lightly worn and faded. USADO / GEBRAUCHT / USED. «In 1971 Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni, his editor and translator, Frank MacShane, head of the department of creative writing at Columbia, and the students. The book is divided into three separate sectionson prose, poetry, and translation. The prose seminar is based on a line-by-line discussion of one of Borges' most distinctive stories, 'The End of the Duel'. Borges explains how he wrote the story, his use of local knowledge, and his characteristic method of relating violent events in a precise and ironic way. From this close analysis of his methods he is drawn- into illuminating general observations on the role of the writer and the function of literature. The poetry section starts with some general remarks by Borges on the need for form and structure and goes on to a close look at four recent Borges poems. The last section, on translation, is particularly interesting. Borges' reputation has spread only gradually to the English-speaking world and hence many of his works written in the 1930s and 1940s are only now being published in translation. The discussion here, led by di Giovanni, is an exciting record of how the art and culture of one country can be translated into the language of another. It shows the way in which the translation of Borges' work is part of a constant process of development, not rigid or sacred to the original, but subject to continual testing and experiment with new words, phrases, and tonal colouring. Borges is probably the supreme verbal craftsman alive today. This book provides a revealing insight into the inspiration and method of his writing.» [Borges+essays+writing+argentinian literature+latinamaricna literature+seminars+columbia university]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 34,20 (original price 38,00) **.

Encuadernación de tapa blanda. Condición: Bien. Idioma espñaol. Ejemplar en buen estado. Dimensiones. 31x21 - 2 pp.