john leon williams (28 resultados)

Paperback. Condición: Very Good. 23. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wraps have light handling wear. ; Articles primarily in English with one in French and nother in Spanish. Contents: Pinto, Peircean semiotic and narrative time: Lêdo Ivo's Ninho de Cobras. Lyday, Inversion in the absurdist plays of Jorge Díaz. Rodrígues and Gurule, The birth of Fortunata's child: Galdosian optimism? Christensen, Three concealments: Jean Cocteau's adaptation of The Picture of Dorian Gray. Williams, Color imagery in Gide's La Symphonie pastorale. Lane, The view from Saint-Hilaire. Veignes, De Monelle aux épouses masquées: le thème féminin dans l'oeuvre de Marcel Schwob. Dendle, The Estreno of Galdós' Zaragoza: its political ramifications. Seybolt, The function of moisture in La Regenta. Carpenter, Metaphor and madness in Mérimée's La Vénus d'Ille. Galanes, Las estrofas 15/24 a 19/28, y su descodificación autorial, en Canciones entre el Alma y el Esposo de San Juan de la Cruz. T. A. Perry, Juan Manuel's ystoria dest exienplo. John L. Grigsby, Le Voyage de Charlemagne: a(n un)likely source for Joufroi de Poitiers. ; 9.0" tall; 102 pages.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. HARRY A. ABRAMS. B00K: As New/, 1973 Ilustrador. 1st Edition. B00K: As New/, $65.92 081090277X HENRI MATISSE JACOBUS, John; WILLIAMS, Leon E. HARRY A. ABRAMS 1973 Probably, 1sT Edition Off White Spine With Title In Black Letters, Extra Tall, Wide And Thick Dust Jacket: Fine/, Slight Shelf, Edge Stretching And Corner Wear. Hard Cover BooK: As New/, 184 Numbered Pages That Are In As New/ Condition, Appear To Be Lightly Viewed, And Are Clean And Tight To The Spine, Printed On Off White Paper, Minute Shelf, Edge And Corner Wear. Acquired From A Studio Research Department That Was Downsizing. Might Require Extra Shipping And Handling To Your Destination, Due To Large Size And Weight. World Wide Shipping, Available.

Softcover. xiii, 309 pp. Softcover. LCC: 9477837 Very good condition; traces of wear on edges of covers. Signed and inscribed by the Editor.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: Used.

Condición: Used. 23rd edition NO-PA16APR2015-KAP.

Condición: Used.

paperback. Condición: New. 21st Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condición: Good. 21st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condición: New. Print on Demand. This book deconstructs the established principles of dentistry from the angle of prosthetic dentistry. The author, a prominent dental figure, challenges the enduring but flawed theories of tooth form classification. He argues that the conventional wisdom of temperamental tooth forms, which posits that tooth shape corresponds to an individual's physical and temperamental characteristics, is unfounded. Instead, the author introduces a new classification system based on three primary tooth types, which he demonstrates are common to all races and ethnicities. This groundbreaking theory overturns long-held assumptions and opens up new possibilities for dental restoration. By rejecting the outdated notion of racial or temperamental tooth forms, the author provides a more accurate and scientifically sound approach to prosthetic dentistry, empowering dentists to achieve more harmonious and aesthetically pleasing results for their patients. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

[44] pp.; 25.2 x 16.7 cm.; spiral bound; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Bergamot Station Arts Center, Santa Monica, CA, February 3 - April 1, 1995. traveled to Thread Waxing Space, New York, NY, May 2 - June 10, 1995 and Centre Gallery, Miami-Dade Community College / Wolfson Campus, Miami, FL, September 7 - October 17, 1995. Curated by John Yau. Artists include Catherine Alden, Luis Cruz Azaceta, Huma Bhabha, Anna Bialobroda, Robert Birmelin, Roger Brown, Mel Chin, Sue Coe, Victor Estrada, Llyn Foulkes, Leon Golub, Mark Greenwold, Gottfried Helnwein, Maxwell Hendler, Mike Kelley, Nathan Lieb, Whitfield Lovell, Daniel J. Martinez, Paul McCarthy, Kim Moodie, Yoko Ono, Michelle Rollman, Kay Rosen, Peter Saul, Jenny Scobel, Teresa Serrano, Joel Sternfield, Anton van Dalen, Andy Warhol, Lynton Wells, Thomas Parker Williams, Trevor Winkfield, Martin Wong, Jody Zellen, Joe Zucker, and UPI. Includes artist biographies. Very Good / Fine. Light rubbing of covers, otherwise Fine. Contents clean and unmarked. Includes slipped-in film screening flyer.

Magazine. Condición: Very Good +. 32pp. Newsprint [43cm x 27.5cm / 17" x 11"]. Eight bifolia (sheets folded vertically once to form thirty-two pages). Horizontal crease throughout, as issued (folded for distribution). Paper is lightly age-toned, especially around edges and folds. Occasional soft creasing or short tearing along edges in the margins, else, a nice and clean copy. With an article by Edward Abbey titled "Forward! To Ecodefense." Also with an advertisement for "Ecodefense: A Field Guide to Monkeywrenching" (Edited by Dave Foreman. Forward by Ed Abbey." Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice. No compromise in the defense of Mother Earth!" (Dave Foreman, Editor). Rear cover half-page illustration by Brush Wolf, dated '83, is entitled "It's Not Just Defense, It's Revenge" and depicts a grizzly bear with one of its paws stuck in a metal trap. Cover story is entitled "Forest Service Logs Texas Wilderness." Lengthy "Earth First! Directory!" printed on page 12. The centerfold spread (pages 16-17) feature is entitled "Professionalism: A Discussion" which features written perspectives on the matter of professionalism amongst environmentalists from Dave Foreman, Kirk Cunningham, Randal O'Toole, Reed Noss, Ed Clark, Gerald Meral, Ron Huber, and Jim Dale Vickery. Edward Abbey's contribution on page 26 is "Forward! To Ecodefense" which is the foreword of the (then) forthcoming book "Ecodefense: A Field Guide to Monkeywrenching" ? this, therefore, may be the first appearance of that Abbey text. A full-page ad for said "Ecodefense" volume follows on page 27. Full-page ads for "The 1985 Earth First! Calendar" (page 29), "Earth First! Trinkets & Snake Oil" (page 30), and "T-shirts." (page 31). Other credited Earth First! staff for this issue include: Wildcat Annie (Subscription Manager), Nancy Morton (Merchandise & Mailing Manager), Marcy Willow (Associate Editor), Mike Roselle (Associate Editor), Leon Czolgosz (Associate Editor), Bill Devall (Contributing Editor), Art Goodtimes (Poetry Editor), John Seed (Australian Correspondent), Rick Davis (Japan Correspondent), Jim Stiles (Art), Helen Wilson (Art), John Zaelit (Art), Mad Jack (Art), Mike Roselle (Art), Marcy Willow (Art), and Tucson Earth First! Group (Mailing).

Paperback. Condición: Brand New. 23 edition. 432 pages. 10.16x9.37x0.87 inches. In Stock.

Paperback. Condición: Brand New. 8th edition. 480 pages. 9.92x7.99x0.79 inches. In Stock.

Condición: Brand New. 864 pages. 9.88x7.91x1.22 inches. In Stock.

Paperback. Condición: Brand New. 23 edition. 864 pages. 9.88x7.99x1.34 inches. In Stock.

Encuadernación de tapa blanda. Condición: Muy bien. Estado de la sobrecubierta: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson.

Two vintage publicity photographs from the 1941 film, one showing actors Lupe Velez and Guinn "Big Boy" Williams, the other showing actress Helen Parrish. Printed mimeo snipe on the versos, and one with the stamp of studio photographer Ray Jones on the same. Hijinks and comic misunderstandings abound on a luxury liner headed to Havana. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. About Near Fine.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1914 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 130 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 130 Language: English.

Condición: Good. Folio. 4pp. 37 x 28cm. Calligraphy on cover. Signatures on pp. 2 and 3.Losses of some signatures at to pand bottom.Schedule for the first fourteen weeks of the 1950 Shakespeare Festival; the Festival was under the direction of Anthony Quayle, and five plays were in the repertoire: MEASURE FOR MEASURE, KING HENRY VIII, MUCH ADO ABOUT NOTHING, JULIUS CAESAR, and KING LEAR; the company consisted of:John Gielgud, Peggy Ashcroft, Gwen Ffrangcon-Davies, Leon Quartermaine, Anthony Quayle, Harry Andrews, Andrew Cruickshank, Rosalind Atkinson, Barbara Jefford, Alan Badel, Michael Gwynn, George Rose, Maxine Audley, Cecil Winter, Paul Hardwick, Nigel Green, Mairhi Russell, Evelyne Volney, Jean Short, Romany Evens, Michael Bates, Geoffrey Bayldon, Eric Lander, Robert Hardy, Richard Dare, David Lytton, John Money, Ronald Hines, Harold Siddons, Michael Atkinson, Peter Jackson, James Lund, Harold Kasket, Peter Norris, Robert Shaw, Timothy Bateson, John Dunbar, John Gay, Cyril Conway, Peter Halliday, Michael Ney, Ward Williams, David Woodman, Charles Lepper; the directors were Peter Brook, Tyrone Guthrie, Anthony Quayle, Michael Langham and John Gielgud; the designers were Peter Brook, Tanya Moiseiwitsch, Warwick Armstrong, Mariano Andreu, and Leslie Hu.Gwen Ffrangcon-Davies (1891-1992) played the following roles in 1950: Regan, King Lear, Royal Shakespeare Company 18th July 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Beatrice, Much Ado About Nothing, Royal Shakespeare Company 6th June 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Portia, Julius Caesar, Royal Shakespeare Company 2nd May 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Queen Katherine, Henry VIII, Royal Shakespeare Company 28th March 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon. .Appointed Dame Commander of the Order of the British Empire (DBE) in 1991,?at the age of 100.

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1914. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 128, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 128 128.