Joannides paul editor (4 resultados)

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    Idioma: Español

    Editorial: Museo Nacional Del Prado, Prague, 2013

    848480237X / 9788484802372

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    Librería: Second Story Books, ABAA, Rockville, MD, Estados Unidos de AmericaSecond Story Books, ABAA

    Vendedor de 4 estrellas
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    Miembro de asociación: ABAAILAB

    Condición: Usado

    EUR 45,98

    Envío por EUR 6,25 
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    Cantidad disponible: 1 disponible

    Softcover. Second Edition. Quarto, 382 pages. In Very Good Minus condition. Spine green with white lettering. Minor scratching to front board. Shelved in Renaissance Art. 1408060. Shelved Dupont Bookstore.

  • Idioma: Inglés

    Editorial: Taylor & Francis, 2017

    1138277363 / 9781138277366

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 102,58

    Envío por EUR 14,75 
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    Cantidad disponible: 1 disponible

    Paperback. Condición: Brand New. 286 pages. 9.21x6.14x0.98 inches. In Stock.

  • Idioma: Inglés

    Editorial: Ashgate Pub Ltd, 2003

    0754608077 / 9780754608073

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Condición: Nuevo

    EUR 246,72

    Envío por EUR 14,75 
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    Cantidad disponible: 1 disponible

    Hardcover. Condición: Brand New. 271 pages. 9.25x6.25x0.75 inches. In Stock.

  • Condición: Usado

    EUR 97,21

    Envío por EUR 29,91 
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    Cantidad disponible: 1 disponible

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    First edition, 2003. xi+271 pages. Illustrated. Cloth. Fine in dustjacket. The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.…