jean germano (30 resultados)

Hardcover. Condición: Good. Good book. Cover corners have light buffs. There is a note taped inside the front cover.

Couverture rigide. Condición: Bon. Editions Du Signe, 2000. 1 volume relié(s) format In-4 bon.

Couverture rigide. Condición: Satisfaisant. Editions Du Signe, 2000. 1 volume relié(s) format In-4 assez bon.

Condición: Very Good. Very Good condition. (music, missal) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condición: Used; Like New. Rome, 2011; Italian text; illustrated paper covers; French flaps; mild corner wear; 8vo, 7 3/4" to 9 3/4" tall; interior pages in like new condition; Interior is clean and unmarked; 564 pages; From the library of Thomas Willette, University of Michigan professor.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Bueno. 28 x 22cm. 396. Turner Publicaciones, España, 1987, Castellano, 28 x 22cm, 396pp. Castellano. en buen estado.

Condición: Bueno. 28 x 22cm. 396. Turner Publicaciones, España, 1987, Castellano, 28 x 22cm, 396pp. Castellano. EN BUEN ESTADO.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

In-8°, pp. 301. Bross. edit. Lieve ingiallimento del tempo sulle pagine.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Near Fine oversized paperback in a Very Good dust jacket. Inscribed and Signed by Steinbach to noted art historian Suzi Gablik. The text is clean and bright. Numerous color and b&w reproductions. Light edge wear to the jacket. 88 pp. Signed by Illustrator(s).

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Very good. Estado de la sobrecubierta: Very good. Barbara Jean Germano (Author photograph) Ilustrador. x, [2], 286, [6] pages. DJ is in a plastic sleeve. RARE signed and inscribed book. Signed by the author on the title page. Inscribed by the author on the half-title page. Inscription reads To Paul and Lynn--To the day baseball brings our countries closer together! Tim Wendel 3/13/99. Tim Wendel (born 1956) is an American writer whose books include narrative nonfiction and novels. Those works include Summer of '68, Cancer Crossings, High Heat, and the popular sports novel Castro's Curveball. His stories and columns have appeared in such publications as The New York Times, National Geographic, Esquire, USA Today, Psychology Today and Washington Post. He has a master's degree in writing from Johns Hopkins. Wendel is the author of more than a dozen books, including Summer of '68: The Season When Baseball, and America, Changed Forever, which was a Top 10 choice by Publishers Weekly. Wendel is an award-winning novelist. Escape from Castro's Cuba was a 2022 Next Generation Indie Book Award finalist. Wendel has been awarded the Professional Achievement Award and the Award for Teaching Excellence from Johns Hopkins University, both three times. He is a recipient of the Walter E. Dakin Fellow and Tennessee Williams Scholar to the Sewanee Writers' Conference. He has narrated and produced several audiobooks and appeared on PBS, NPR, CNN and ESPN. Wendel was one of the founding members of USA Today Baseball Weekly, which he edited and wrote for. Wendel has also garnered the Latino History Award and won the USA Today Luminary Award. Fresh, original, and peopled with a rich cast of colorful characters, Castro's Curveball captures the passion of baseball and the vibrant flavor of Cuba in a grand-slam work of fiction. Whether you believe in fate, the stars, a Supreme Being, or Mr. Coincidence, you can always count on one thing--life will throw you a wicked curveball or two. Billy Bryan has seen his share. A former minor-league catcher for the Washington Senators, Bryan is now a retired high school teacher, widowed with a grown daughter, and "coming to the end of many things." Then a long-forgotten scrapbook stirs memories of a distant past--and beckons him on a reluctant journey to relive his own extraordinary role in history. In 1947, Bryan is playing winter ball in Cuba, immersing himself in the decadent nightlife of Havana, and dreaming of someday "making it" to the majors. But his future on the diamond is as uncertain as Cuba itself, a country where rumblings of revolution hang in the air like a high fly ball to left. Then one fateful night Bryan witnesses a young student radical named Fidel hurl pitch after amazing pitch. So begins Billy's tug-of-war with destiny--to score a victory for the game he worships, win the heart of the woman he loves, or make his mark in a world racing toward revolution. Derived from a Publishers Weekly article: In a touch of iconoclastic ingenuity, Wendel builds on evidence of the youthful Fidel Castro's athletic prowess and pitching ability to construct an outstanding sports novel that also closely observes Cuban society and politics. In fact, he casts the Cuban dictator in what American sports lovers consider a heroic role: baseball player. The account opens in the present with septuagenarian Billy Bryan and his daughter, Cassy, arriving surreptitiously on the island. The trip is inspired by Cassy's discovery of a 1947 photo that shows her father, then an aging winter leaguer, in a friendly pose with a youthful Fidel. Flashbacks return Billy to the halcyon days of prerevolutionary Havana, when nightclubs, casinos, mobsters, prostitutes, secret police and baseball thrived in a nation on the brink of upheaval. Billy recalls his last season with the Havana Lions, and also his love affair with the beautiful Malena Fonseca, photographer of the revolution and friend to Castro. In possession of a phenomenal bender that flummoxes the best hitters, Castro has a future in the game that Billy himself, sadly, does not, a.

Brossura. Condición: nuovo.

Couverture souple. Condición: Bon état. In-8 24 x 16,5 cm. Broché, dos muet, couverture beige, titre en noir sur le premier plat, 255 pp., index analytique des documents. Exemplaire en bon état. Documents saisis dans les archives de la Wilhelmstrasse.

rilegatura. Condición: Very Good. I ed.: maggio 2013. Catalogo della mostra personale a cura di Danilo Eccher, Torino, GAM - Galleria Civica d'Arte Moderna e Contemporanea (Via Magenta 31), 6 giugno - 29 settembre 2013. Traduzioni: Barbara Venturi, Alessandra Gallo e Paolina Baruchello per Scriptum, Roma. IV piccolo/ 336/ rilegatura patinata con grafica a colori e con il primo piatto illustrato da un particolare di un lavoro dell'artista. Illustrazioni a colori. Crediti fotografic: Claudio Abate, Giorgio Benni, Giulio Buono, Stefano Cavallo, Giorgio Colombo, Thomas Cugini, Lucia Degonda, Angelo De Maria, Lino Di Gioia, Mario Di Paolo, Volker Döhone, Fabrice Gibert, Enrico Greco, Antonio Guerra, Studio fotografico Gonella, Riccardo Gusmaroli, Carlo Fei, Mimmo Iacopino, Enzo Lattanzio, Salvatore Licitra, Kunsthalle Basel, Kunstmueìseen Krefeld, Paolo Mussat Sartor, Michel Nguyen, Enzo Obiso, Yoshihiro Okuno, Ernani Orcorte, Paolo Pellion, Sergio Pucci, Matteo Rensi, Friedrich Rosenstiel, Stedeljik Museutelnovo.m Amsterdam, Paolo Vandrasch. Art Direcrtor: Giacomo Merli. Impaginazione: Denise Castelnovo. Ufficio iconografico: Alessandra Olivari, Silvia Sala. Indice: presentazione, Maurizio Braccialarghe, Presidente della Fondazione Torino Musei - Il segno, la poesia, il vento di Nicola De Maria; Danilo Eccher - Nicola De Maria: "chiarissime profondità dell'essere", una nota; Rudi Fuchs - La fenice di Nicola; Germano Celant - Energie che creano una sensazione di felicità; Jean-Christophe Ammann - "O alberu, proteggete questa mostra: sono uno di voi"; Jean-Christophe Ammann - Frammenti; Gerhard Storck - Porte degli occhi; Marianne Stockebrand - Direrzione Nicola; Ida Panicelli - Nel regno di Nicola De Maria; Annelie Pohlen - (Una pittura eterea, leggera, fragile.); Bob Calle - (Per Nicola De Maria); François Cheng - (I quadri fischiano); Franco Toselli - L'occhio dell'anima; Jean Frémon - Nicola De Maria e l'invocazione del bello; Ingrid Mössinger - Tredici echi per Nicola De Maria; Patrice Coternsin - Ritratto di Nicola De Maria; John Yau - Previsioni del tempo: pittura tersa e disegni sottovento; Achille Bonito Oliva - Pane degli angeli; Zeno Birolli - Questi sono colori magici e le parole di un'opera autentica; Arianna Bona. Book.

Softcover with dustjacket, 88 pages, in English; very good condition except dj has lots of edgewear and tear at top of spine, no internal marks. Foreign shipping may be extra.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Secret Vices: Richard Hampton on Peckinpah," by Howard Hampton; "Undertone: B. Ruby Rich on Standing by Your Girl," by B. Ruby Rich; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Commedia Dell'Arte: A Project for Artforum," by Peter Bagge; "Curies' Children: Vilém Flusser on Progress," by Vilém Flusser; "Democracy, Inc.: David Theo Goldberg on Apartheid in the Press," by David Theo Goldberg; "All Fives, Sevens, and Nines: Walter de Maria," by Lars Nittve; "Engendered Species: Danny Tisdale and Keith Piper," by Kobena Mercer; "On the Road to Kassel"; "News from Nowhere: Bond and Gillick," by Giorgio Verzotti; "Moira Dryer's Dream Catchers," by Rosetta Brooks; "Second Nature," by Norbert Messler; "Absence Made Visible: Robert Ryman," by Thomas McEvilley; "Marisa's Swing," by Germano Celant; "Truths Told Slant: Sally Mann," by Melissa Harris. Reviews by Giorgio Verzotti, Olivier Zahm, Ida Panicelli, Howard Hampton, B. Ruby Rich, Greil Marcus, Peter Bagge, Vilém Flusser, David Theo Goldberg, Lars Nittve, Kobena Mercer, Giorgio Verzotti, Rosetta Brooks, Norbert Messler, Thomas McEvilley, Germano Celant, Melissa Harris, Lisa Liebmann, Thad Ziolkowski, Donald Kuspit, Keith Seward, Matthew Weinstein, Jan Avgikos, David Rimanelli, Justin Spring, John Yau, Jenifer P. Borum, Lois E. Nesbitt, Ronny Cohen, Francine Koslow Miller, Elizabeth Licata, Judith Russi Kirshner, James Yood, Amy Gerstler, Amelia Jones, Colin Gardner, Linda Genereux, Mario de Candia, Francesca Pasini, Miriam Rosen, Olivier Zahm, Jean-Pierre Criqui, Johanna Hofleitner, Anne Krauter, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Peter Funken, Frank-Alexander Hettig, Jos Van den Bergh, Timo Valjakka, Michael Archer. Cover: Nicola De Maria.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. Reviews by Jeanne Silverthorne, Charles Hagen, Kate Linker, Ronny H. Cohen, John Howell, Sidney Tillim, Linda Burnham, Donald Kuspit, Richard Armstrong, Thomas McEvilley, Barbara Kruger, Charles Hagen, Judith Russi Kirschner, Suzaan Boettger, Melinda Wortz, Thomas McEvilley, Jeanne Randolph, Stuart Morgan, Annelie Pohlen, Saskia Bos, Kate Linker, Max Wechsler, and Ida Panicelli. Cover: Jannis Kounellis.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. Hoberman; "Bagpipes on the Shore: On Packing One's Bags with Visual Expectations, and on Traveling Light," by Carter Ratcliff; "The World of Photography: A Crash Course in a Pictorial Field, A Project for Artforum," by Michael Smith and William Wegman; "Under Midwestern Eyes: Silos of the Heart," by Buzz Spector; "A Blossoming of Cells: Michelle Stuart's Polyvalent Panoramas," by Patricia C. Phillips; "A Double Portrait of Cecil Beaton: Edwardian Modernism," by Max Kozloff. Reviews by Stuart Morgan, Patricia C. Phillips, John Howell, Ida Panicelli, Jeanne Silverthorne, Jean Fisher, Donald Kuspit, Carlo McCormick, Ronny Cohen, John Yau, Kate Linker, Charles Hagen, Barbara Kruger, Martha Clarke, Glenn Harper, Susan Freudenheim, Colin Westerbeck, Bill Berkson, Colin Gardner, Linda Burnham, Ida Panicelli, Max Wechsler, Denys Zacharopoulos, Helmut Draxler, Ingrid Rein, Annelie Pohlen, and Wolfgang Max Faust. Cover: Michelle Stuart.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. Security Check for Image Hostages: Read This or Else," by Carter Ratcliff; "Ground Up: Architects take Leave of their Senses; Arata Isozaki Takes his Along," by Herbert Muschamp; "The Cave. The Celluloid Cannot Hold: Did you See Who Alexis Kissed Last Night?" by Wolfram Schutte; "Speaker to Speaker. The Slits, 1977: Why They Still Don't Make Sense," by Greil Marcus; "Books. Wiping up After Bataille: The Perils of Intellectual Sanitation," by Donald Kuspit; "Slant: Art Jockeying in the Sistine Disco," by Glenn O'Brien; "A Brush with the Real: Bertraind Lavier Painting in the Light of Everyday," by Germano Celant; "The World and Its Traditions or the Tradition of the World: Lothar Baumgarten Inspects the Values Declared by Customs," by Denys Zacharopoulos; "Vernon Fisher at Home on the Ranges: The Critics and the Sparrows," by Susan Freudenheim; "Japant-Garde Japanorama: The Art of Mutual Misunderstanding," by J. Hoberman; "Non-uments: The All-Consuming Quakes of Gordon Matta-Clark," by Judith Russi Kirshner; "Project: With a Note by Manuel J. Borja," by Antoni Tapies; "Misty Channels: Stephen McKenna's Arcadias, Allegories, and Dead Nudes," by Lisa Liebmann; "Project: The Raw and the Coiffed," by Cinzia Ruggeri. Reviews by Thomas McEvilley, Donald Kuspit, Glenn O'Brien, Lisa Liebmann, Jean Fisher, John Howell, Ronny Cohen, Charles Hagen, Patricia C. Phillips, Jeanne Silverthorne, Suzaan Boettger, Scott MacDonald, Stuart Morgan, Annelie Pohlen, Ingrid Rein, Lars Nittve, Paul Groot, Alexandra Anderson, Aurora Garcia, and Gloria Moure. Cover: Stephen McKenna.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.

237 pp.; 26.5 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue published in conjunction with a conference entitled "Multidisciplinary Aspects of Performance : Postmodernism" held in Montreal, Canada, October 9 -11, 1980. Edited by Chantal Pontbriand. Texts by Thierry de Duve, Birgit Pelzer, Bruce Barber, Craig Owens, Régis Durand, Benjamin H.D. Buchloh, Jean-François Lyotard, Douglas Crimp, Regina Cornwell, Germano Celant, Peggy Gale, John Howell, Helga Finter, Daniel Charles, Ivanka Stoianova, René Payant, Guy Scarpetta, Philip Monk, and Georges Roque. Artists include Laurie Anderson, Michael Asher, Stuart Brisley, Daniel Buren, Colin Campbell, Marc C. Chaimowicz, Elizabeth Chitty, Max Dean, Richard Foreman, Dan Graham, Jana Haimsohn, Joan La Barbara, Yvonne Rainer, Tom Sherman, and Robert Wilson. Includes biographies and filmographies. Texts in English and French. Fair / Good. Moderate rubbing to covers and cover edges. 3.5 cm. and two 2 mm. tears to spine with bumping to cover corners including 4 cm. and 1.4 cm. dog-ears to recto corners. Contents are clean and unmarked.

Condición: Très bon. In-4, cartonnage couleurs. Microscopique accroc au bord supérieur du premier plat (voir image), pour le reste en belle condition. Cette réalisation est le résultat d'un travail en faveur de la sensibilisation à Ia question de la violence en milieu scolaire et de la recherche d'alternatives à celle ci. 11 artistes se sont mobilisés autour de cette bande dessinée en illustrant ce que le thème signifiait pour eux.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

194 pp.; 22.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Musei Comunali, Sale d'Arte Contemporanea, Rimini, July 16 - September 30, 1983. Curated and with a text by Germano Celant. Additional texts by Mario Diacono, Cesare Vivaldi, Alberto Boatto, Tommaso Trini, Claudio Cintoli, Marisa Volpi, Filiberto Menna, Rudi Fuchs, Maurizio Calvesi, Jean-Christophe Ammann, Zdenek Felix and Bruno Corà. Includes an exhibition checklist and bio-bibliography compiled by Ida Gianelli. Texts in Italian. Very Good. Light bumping of upper left corner, mild scratching of covers and edge wear and light dust soiling of text block edge. Light yellowing of page edges, contents otherwise clean and unmarked.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 516 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 516 Volume 1 Language: English.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 532 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 532 Volume 2 Language: English.