james waites (10 resultados)

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: new. Paperback. 'If there is one Australian production that deserves to be seen by the rest of the world, it is this one. [.It] alone makes me grateful that the Actors Company-however painful its birth-pangs, and regardless of the tantrums and tears along the way-was brought into existence.'So wrote James Waites of Benedict Andrews' radical reinterpretation of Patrick White's The Season at Sarsaparilla.The Actors Company was the visionary initiative of Robyn Nevin, Director of the Sydney Theatre Company, who in 2004 persuaded NSW Premier, Bob Carr, to fund an experimental ensemble. It had been Nevin's dream but her major responsibilities soon drew her away and left the group to the mercy of itinerant directors. Personal crises, accident and frustration dissipated the original ensemble; they became hostage to crippling costs and the demands of the mainstage.Those involved account Sarsaparilla, the eight-hour epic, The Lost Echo and The War of the Roses as their most rewarding experiences. Although the Actors Company gave their final performance in March 2009, within months a new ensemble was born, this one modelled by Cate Blanchett and Andrew Upton. It is with comment on the Residents and a look to the future that the essay concludes. In late 2005, the Sydney Theatre Company announced the formation of an ensemble of 12 special actors to work for five years within the broader framework of the company's activities. However, soon family tensions began to show, and a quarter of the members were gone. Not long after, the ensemble was dead. What went wrong? What went right? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condición: New.

paperback. Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. 264 pages. The cover has a little wear, with light foxing. The page edges are a lightly foxed. The title page appears to be signed by two contributors, Neil Armfield and Raph Myers (?). Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Signed By 2 Authors (?).

Paperback. Condición: new. Paperback. 'If there is one Australian production that deserves to be seen by the rest of the world, it is this one. [.It] alone makes me grateful that the Actors Company-however painful its birth-pangs, and regardless of the tantrums and tears along the way-was brought into existence.'So wrote James Waites of Benedict Andrews' radical reinterpretation of Patrick White's The Season at Sarsaparilla.The Actors Company was the visionary initiative of Robyn Nevin, Director of the Sydney Theatre Company, who in 2004 persuaded NSW Premier, Bob Carr, to fund an experimental ensemble. It had been Nevin's dream but her major responsibilities soon drew her away and left the group to the mercy of itinerant directors. Personal crises, accident and frustration dissipated the original ensemble; they became hostage to crippling costs and the demands of the mainstage.Those involved account Sarsaparilla, the eight-hour epic, The Lost Echo and The War of the Roses as their most rewarding experiences. Although the Actors Company gave their final performance in March 2009, within months a new ensemble was born, this one modelled by Cate Blanchett and Andrew Upton. It is with comment on the Residents and a look to the future that the essay concludes. In late 2005, the Sydney Theatre Company announced the formation of an ensemble of 12 special actors to work for five years within the broader framework of the company's activities. However, soon family tensions began to show, and a quarter of the members were gone. Not long after, the ensemble was dead. What went wrong? What went right? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. 'If there is one Australian production that deserves to be seen by the rest of the world, it is this one. [.It] alone makes me grateful that the Actors Company-however painful its birth-pangs, and regardless of the tantrums and tears along the way-was brought into existence.'So wrote James Waites of Benedict Andrews' radical reinterpretation of Patrick White's The Season at Sarsaparilla.The Actors Company was the visionary initiative of Robyn Nevin, Director of the Sydney Theatre Company, who in 2004 persuaded NSW Premier, Bob Carr, to fund an experimental ensemble. It had been Nevin's dream but her major responsibilities soon drew her away and left the group to the mercy of itinerant directors. Personal crises, accident and frustration dissipated the original ensemble; they became hostage to crippling costs and the demands of the mainstage.Those involved account Sarsaparilla, the eight-hour epic, The Lost Echo and The War of the Roses as their most rewarding experiences. Although the Actors Company gave their final performance in March 2009, within months a new ensemble was born, this one modelled by Cate Blanchett and Andrew Upton. It is with comment on the Residents and a look to the future that the essay concludes. In late 2005, the Sydney Theatre Company announced the formation of an ensemble of 12 special actors to work for five years within the broader framework of the company's activities. However, soon family tensions began to show, and a quarter of the members were gone. Not long after, the ensemble was dead. What went wrong? What went right? Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Combined Continuity script for the 1986 film. A young girl in Paleolithic Europe is separated from her tribe and subsequently attacked by a cave lion. When she is taken in by a clan of Neanderthals she must prove herself worthy of being a member of their community. Set in Europe, shot on location in Canada. Tall white titled self-wrappers, with back wrapper missing, noted as Combined Continuity on the front wrapper, with credits for director Michael Chapman. 123 leaves, with last page of text numbered 123. Xerographic duplication, rectos only. Pages Fine, wrapper Fine, unbound.