james thomas screenwriter (14 resultados)

Vintage full-color still British front-of-house card from the 1970 UK film. A doctor is in love with a woman but doesn't have time to propose to her before she leaves on a cruise to the Mediterranean. The doctor decides to join the cruise, but getting the opportunity to romance the woman of his dreams proves difficult. 8 x 10 inches, with no borders as issued. Tiny creases, else Near Fine.

Two vintage full-color British front-of-house cards from the 1961 UK film. A group of students at an elite music school decide to share a flat in order to cut their living costs and have somewhere to practice together. 8 x 10 inches. Light creasing to the extremities, else Near Fine.

Vintage full-color British front-of-house card from the 1966 UK film. Leslie Phillips stars as a doctor looking for love and romance from the hospital nurses, much to the annoyance of the main administrator (James Robertson Justice). Based on Richard Gordon's 1960 novel. 8 x 10 inches, with no borders as issued. Very Good plus, with light creasing overall.

Vintage reference photograph from the seminal 1955 Western. 8 x 10 inches. Fine. Pitts 2525.

Combined Continuity script for the 1986 film. A young girl in Paleolithic Europe is separated from her tribe and subsequently attacked by a cave lion. When she is taken in by a clan of Neanderthals she must prove herself worthy of being a member of their community. Set in Europe, shot on location in Canada. Tall white titled self-wrappers, with back wrapper missing, noted as Combined Continuity on the front wrapper, with credits for director Michael Chapman. 123 leaves, with last page of text numbered 123. Xerographic duplication, rectos only. Pages Fine, wrapper Fine, unbound.

Two vintage studio still photographs from the 1958 film. Provenance stamp on the versos. Based on the 1955 novel by Thomas Wakefield Blackburn. A brother-sister duo must protect their land rights in California from a real estate agent who hired a gunfighter to kill them. Set in California, shot on location in Mexico. 10 x 8 inches. Very Good, with some pin holes in one photograph at the corners.

Draft script for the 48th episode of season six of the 1950-1957 television series, which originally aired on September 6, 1956 on NBC. Copy belonging to actor Johnny Crawford, with his name in manuscript pencil to the title page, and his manuscript annotations throughout. A woman must make a difficult decision when the exposure of her husband's criminal activities threatens to drive the family out of town and into hiding. Brown titled wrappers. Title page present, dated August 15, 1956, with credits for screenwriter Thomas Patrick Cullinan. 110 leaves, with last page of text numbered III - 40. Mimeograph duplication on eye-rest green stock, rectos only, with yellow revision pages throughout, dated 8/28/56. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.

Final Draft script for the 1960 film. Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series, and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow (although Bogarde would return for the next film in the series, "Doctor in Distress" in 1963). The series follows the frequently romantic, comic antics of a group of young doctors. Set and shot on location in London. Green titled wrappers, noted as Semi-final Script on the front wrapper, dated 14-12-59. Title page present, dated December 1959, with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves, with last page of text numbered 127. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with a silver prong.

Draft script for the 1966 British film. Based on the 1960 novel by Richard Gordon. The sixth film in the Rank Organisation's comic "Doctor" series, and the second to star Leslie Phillips in the title role. OCLC locates no holdings. AMPAS shows no holdings. Shot on location at Carnaby Street and Wormwood Scrubs. Tall blue titled wrappers, dated 2nd September, 1965, with an annotation in manuscript ink on the front wrapper, noting copy No. 44. Title page present, dated 27th August, 1965, with credits for novelist Richard Gordon and screenwriter Jack Davies. 100 leaves, with last page of text numbered 97. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with a silver prong.

Draft script for Season One, episode 25 of the 1954-1955 television series, originally broadcast on March 8, 1955 on the DuMont Television Network. Script belonging to Lyn Thomas, who played Val in the episode, with her manuscript name in ink on the front wrapper, and her lines circled in manuscript ink throughout, shooting schedule laid in. Circus drama involving a brother and sister aerial act and their new partner. "Studio 57," also known as "Heinz Studio 57," was an American anthology series broadcast on the now-defunct DuMont Television Network from September 1954 to July 1955, and in syndication from 1955 to 1958. Notably, "It's a Small World," the pilot episode for the iconic series "Leave It to Beaver," was broadcast on the show on April 23, 1957. White titled self wrappers, production No. 1324, with credits for screenwriter James Gunn and story by Nancy Moore. Title page integral with front wrapper. 38 leaves, with last page of text numbered 36. Mechanical duplication. Pages Near Fine, wrapper Very Good plus, bound with single staple.

Final Draft script for the 1977 film, here under working title "9/30/55". Based on the 1966 play, "How Many Times Have You Seen East of Eden?' by James Bridges. A college student who idolizes James Dean tries to cope with Dean's sudden death on September 30, 1955. Set in and shot on location in Conway, Arkansas. Red titled self wrappers, noted as FINAL DRAFT SCREENPLAY on the front wrapper, production No. 02088, dated March 12, 1976. Title page present, noted as Final Draft Screenplay, with credits for director, screenwriter, and playwright James Bridges. 100 leaves, with last page of text numbered 97. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads. Weldon, 1996.

Draft rainbow script for the 1996 film. The second installment in "The Crow" (1994) film series, based on the comic book series by James O'Barr. A superhero resurrects a murder victim to help him avenge his own death and the death of his son. Pink titled self-wrappers, noted as Original Draft on the front wrapper, dated 11/17/95, with credits for screenwriter David S. Goyer and comic books writer James O'Barr. Title page integral with front self-wrapper. 101 leaves, with last page of text numbered 93. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 9/01/95 and 11/17/95. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Carlson and Connolly, Destroy All Movies. McPadden, Heavy Metal Movies.

Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner, with his name in manuscript ink on the front wrapper. A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal, sacrificing his relationships with his wife and stepson in the progress. Shot on location in Elkhart Lake, Wisconsin and Indianapolis, Indiana. Yellow titled Universal Studios wrappers, noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper, noted as production No. 02017, dated April 16, 1968. Title page present, noted as Second Revised Final Screenplay, with credit for screenwriter Howard Rodman. 152 leaves, with last page of text numbered 130. Xerographic duplication, rectos only, with pink and blue revision pages throughout, dated variously between 4/26/68 and 5/14/68. Pages Very Good plus, wrapper Very Good plus, moderately soiled, with a dampstain on the fore-edges, bound with three gold brads.

Two vintage studio still photographs from the 1967 film. Director Herschell Gorden Lewis' take on 1960s suburbia, wherein a newlywed couple moves into an ideal suburban neighborhood, only to be drawn into a dangerous game of parties and spouse swapping. Shot on location in Wood Dale and Addison, Illinois. 8 x 10 inches. One photograph with an ink annotation to the lower right margin, else Near Fine.