James archer abbott (24 resultados)

hardcover. Condición: Very Good. Illustrated. Used - Very Good.

Condición: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Nice copy with dust jacket. Just minor shelfwear. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***. Book. …

Condición: Very Good. Very Good condition. (art, textiles, exhibition).

Condición: New. This volume will appeal to art collectors and lovers of historic houses, museums, and libraries, as well as readers fascinated by the intersection of art and architecture, literature and history, and the history of ideas and collecting. Num Pages: 272 pages, 198, 164 colour illustrations, 31 black & white halftones, 3 black & white line drawings. BIC Classification: 1KBBFM; AGC. Category: (P) Professional & Vocational. Dimension: 305 x 229 x 23. . . 2017. Hardcover. . . . .…

Hardback. Condición: New. Evergreen-the long-time home of the Garrett family in north Baltimore-offers a preeminent example of antebellum-American Italianate architecture. It also houses a remarkably diverse collection of over 50,000 objects, including paintings, furniture, sculpture, ceramics, and rare books. Acquired by two generations of the prominent Garrett family, self-described "collectors by instinct and by education," the assemblage of fine and decorative arts is remarkable in scope and inventiveness. Now part of the Johns Hopkins University, the mansion endures as a rare visual encyclopedia, representative of nearly all major architectural and design movements indicative of America's transition from a predominantly agrarian society to a world industrial power. This meticulously researched and handsomely illustrated volume honors the distinct and richly layered collections that characterize Evergreen. The book opens with a history of the philanthropic family itself, which helped run the Baltimore and Ohio Railroad and develop many of the Monument City's most important civic and cultural institutions.Tracing their evolution as collectors and philanthropists, the book charts the family's artistic tastes and aesthetic sensibilities from the Gilded Age to the World Wars while also describing the physical landscape and architecture of Evergreen. The Asian Art section explores the world renowned Garrett Collection of Chinese and Japanese art. As one of the earliest American collections of Japanese art assembled, it provides an important insight into collecting habits of the late nineteenth and early twentieth centuries. Among its highlights is one of only a half dozen examples of blue lacquer known to exist, as well as examples of Chinese Imperial porcelain. The Decorative Arts section highlights the furniture, textiles, and other applied arts largely commissioned or collected by the Garretts. Beginning with the Aesthetic Movement of the 1880s and the talents of renowned design firms such as Herter Brothers, Liberty and Company, and Louis C. Tiffany and Company, Evergreen's interiors have embraced each succeeding decorative trend-including the Bourbon, Colonial, Empire, and Renaissance revivals, the Arts and Crafts movement, and European modernism.The Fine Arts section showcases modernist art assembled by Alice Warder Garrett and her husband, Ambassador John Work Garrett. Credited as the first Baltimore "gallery" to exhibit a Picasso, Evergreen's collection of drawings, paintings, and sculpture document the couple's aesthetic appreciation and connoisseurship, which began at the threshold of World War I. Included are works by such artists as Pierre Bonnard, Jean-Edouard Vuillard, Leon Bakst, Miguel Covarrubias, Raoul Dufy, Herbert Haseltine, Amedeo Modigliani, and Ignacio Zuloaga. Evergreen's John Work Garrett Library, built between the years immediately following the American Civil War and World War II, ranks among the most extensive private American collections of.…

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: As New. Softcover. Good binding and cover. Light edge wear. Clean, unmarked pages.

Condición: New. This volume will appeal to art collectors and lovers of historic houses, museums, and libraries, as well as readers fascinated by the intersection of art and architecture, literature and history, and the history of ideas and collecting. Num Pages: 272 pages, 198, 164 colour illustrations, 31 black & white halftones, 3 black & white line drawings. BIC Classification: 1KBBFM; AGC. Category: (P) Professional & Vocational. Dimension: 305 x 229 x 23. . . 2017. Hardcover. . . . . Books ship from the US and Ireland.…

Soft cover. Condición: Fair. some moisture exposure to back cover and last page, reading copy only.

Condición: New. In English.

Hardcover. Condición: Brand New. 272 pages. 12.00x9.00x0.93 inches. In Stock.

Condición: New. This volume will appeal to art collectors and lovers of historic houses, museums, and libraries, as well as readers fascinated by the intersection of art and architecture, literature and history, and the history of ideas and collecting.&Uumlber den.

Hardback. Condición: New. Evergreen-the long-time home of the Garrett family in north Baltimore-offers a preeminent example of antebellum-American Italianate architecture. It also houses a remarkably diverse collection of over 50,000 objects, including paintings, furniture, sculpture, ceramics, and rare books. Acquired by two generations of the prominent Garrett family, self-described "collectors by instinct and by education," the assemblage of fine and decorative arts is remarkable in scope and inventiveness. Now part of the Johns Hopkins University, the mansion endures as a rare visual encyclopedia, representative of nearly all major architectural and design movements indicative of America's transition from a predominantly agrarian society to a world industrial power. This meticulously researched and handsomely illustrated volume honors the distinct and richly layered collections that characterize Evergreen. The book opens with a history of the philanthropic family itself, which helped run the Baltimore and Ohio Railroad and develop many of the Monument City's most important civic and cultural institutions.Tracing their evolution as collectors and philanthropists, the book charts the family's artistic tastes and aesthetic sensibilities from the Gilded Age to the World Wars while also describing the physical landscape and architecture of Evergreen. The Asian Art section explores the world renowned Garrett Collection of Chinese and Japanese art. As one of the earliest American collections of Japanese art assembled, it provides an important insight into collecting habits of the late nineteenth and early twentieth centuries. Among its highlights is one of only a half dozen examples of blue lacquer known to exist, as well as examples of Chinese Imperial porcelain. The Decorative Arts section highlights the furniture, textiles, and other applied arts largely commissioned or collected by the Garretts. Beginning with the Aesthetic Movement of the 1880s and the talents of renowned design firms such as Herter Brothers, Liberty and Company, and Louis C. Tiffany and Company, Evergreen's interiors have embraced each succeeding decorative trend-including the Bourbon, Colonial, Empire, and Renaissance revivals, the Arts and Crafts movement, and European modernism.The Fine Arts section showcases modernist art assembled by Alice Warder Garrett and her husband, Ambassador John Work Garrett. Credited as the first Baltimore "gallery" to exhibit a Picasso, Evergreen's collection of drawings, paintings, and sculpture document the couple's aesthetic appreciation and connoisseurship, which began at the threshold of World War I. Included are works by such artists as Pierre Bonnard, Jean-Edouard Vuillard, Leon Bakst, Miguel Covarrubias, Raoul Dufy, Herbert Haseltine, Amedeo Modigliani, and Ignacio Zuloaga. Evergreen's John Work Garrett Library, built between the years immediately following the American Civil War and World War II, ranks among the most extensive private American collections of.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Excellent copy with dust jacket and just very minor signs of wear. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***. …

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Signed and warmly inscribed by author Abbott on title page. Covers have minor rubbing and minor wear to corners, edges, crown, and heel. Owner inscription on FFEP, interior else clean, tight, and unmarked. DJ has moderate creasing and rubbing, moderate wear to edges, some small areas of loose laminate coating. International shipping billed at cost. Photos upon request. Please note that the buyer is responsible for any customs duties, tariffs, or import fees levied by the destination country.; 4to 11" - 13" tall; 323 pages.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Small dent at spine heel, small wrinkle to DJ at same o/w clean unmarked in NF/NF condition. BP/Interior Designers.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 2006 Acanthus Press, hardcover with dust jacket, As New in original publisher's shrink-wrap.

4°, cloth, dustjacket. 384 pp Fine copy, dustjacket faded on back. Pre-owners mark on first inner page. Sprache: Englisch Gewicht in Gramm: 0.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Very good condition. Barely browsed. Binding is firm and very good. Paper cover is in very good condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Very good condition. In a plastic cover so the books is very well preserved.

HARD BACK. Condición: Very Good. Estado de la sobrecubierta: Very Good. First. 384pp. Fully illustrated in colour & b&w archive photographs. Jansen furniture was used in many of the most fashionable houses in the middle of the 20th century.Has the book-plate of Thomas Messel. Heavy item , please ask for a quote for postage.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. A fine hardcover copy in a fine jacket/brodart covered. A very nice, clean and tight copy. No bumped corners to book and no tears, no chips to jacket. = WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. = WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 34 YEARS.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. ABBOTT, James Archer [323] pp. Acanthus Press 2006 12 1/4" x 10 1/2" JANSEN is the first comprehensive study of Maison Jansen - the most celebrated decorating house of the 20th century. the book documents the evolution of this legendary Paris-based company from family firm to global enterprise. It showcases over 30 of the firm's most alluring commissions, including rooms for the Duke and Duchess of Windsor, the Shah and Shahbanou of Iran, and President and Mrs. John F. Kennedy for whom Jansen renovated and redecorated the White House. Over 300 illustrations in color and duotone. Maison Jansen (French: [mɛzɔ̃ ʒɑ̃sɑ̃]; English: House of Jansen) was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. Jansen is considered the first truly global design firm, serving clients in Europe, Latin America, North America and the Middle East. This House was located at 23, rue de l'Annonciation, Paris, and closed in 1989. History From its beginnings Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antiques gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father Alexandre Boudin, and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Furniture Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Work Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle in Kent, England. The firm's most published work was a project by Boudin and Paul Manno, the head of Jansen's New York office, for the U.S. White House during the administration of John F. Kennedy. At the same time, Jansen completed the interior of the motor yacht Chambel IV, now renamed Northwind II. Northwind II is one of the few remaining complete Jansen commissions. After Stéphane Boudin's death in 1967, colleague Pierre Delbée took over the business. Maison Jansen came under new ownership in 1979 and finally closed in 1989.[1].…