Jaleh mansoor (116 resultados)

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Hardcover. Condición: New. First Edition; First Printing. New unread pictorial hardback first edition. 160 pages, unmarked ; DD0719 OVR62-2; 4to 11" - 13" tall; 160 pages.

paperback. Condición: Good. Duke University Press, 2009, 1st.trade paperbk.prtg., 370pp., 2 articles heavily pencilled, ow VG $.

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Paperback. Condición: New. In Universal Prostitution and Modernist Abstraction, Jaleh Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution-a conceptual device through which Marx allegorized modern labor-to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life.…

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Paperback. Condición: new. Paperback. In Universal Prostitution and Modernist Abstraction, Jaleh Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marxs concept of prostitution-a conceptual device through which Marx allegorized modern labor-to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Edouard Manets Olympia and Georges Seurats The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of values impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. Provides a counter-narrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marxs concept of prostitutiona conceptual device through which Marx allegorized modern laborto think about the confluences of generalized and gendered labor in modern art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today's globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Rancière's theorization of democratic politics to suggest that aesthetics, traditionally defined as the "science of the sensible," is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and politics are mutually implicated in the construction of communities of visibility and sensation through which political orders emerge.The first of the collection's three sections explicitly examines the links between aesthetics and social and political experience. Here a new essay by Rancière posits art as a key site where disagreement can be staged in order to produce new communities of sense. In the second section, contributors investigate how sense was constructed in the past by the European avant-garde and how it is mobilized in today's global visual and political culture. Exploring the viability of various models of artistic and political critique in the context of globalization, the authors of the essays in the volume's final section suggest a shift from identity politics and preconstituted collectivities toward processes of identification and disidentification. Topics discussed in the volume vary from digital architecture to a makeshift museum in a Paris suburb, and from romantic art theory in the wake of Hegel to the history of the group-subject in political art and performance since 1968. An interview with Étienne Balibar rounds out the collection.Contributors. Emily Apter, Étienne Balibar, Carlos Basualdo, T. J. Demos, Rachel Haidu, Beth Hinderliter, David Joselit, William Kaizen, Ranjanna Khanna, Reinaldo Laddaga, Vered Maimon, Jaleh Mansoor, Reinhold Martin, Seth McCormick, Yates McKee, Alexander Potts, Jacques Rancière, Toni Ross.…

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Paperback. Condición: Brand New. 264 pages. 9.00x6.00x8.90 inches. In Stock.

Paperback. Condición: New. In Universal Prostitution and Modernist Abstraction, Jaleh Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution-a conceptual device through which Marx allegorized modern labor-to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life.…

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Focusing on the work of Italian artists Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting in post-WWII Italy critiqued the economic violence of the Marshall Plan and American hegemony, broke with fascist-associated futurism, and anticipated Italian social unrest in the 1960 and 1970s. Series: Art History Publication Initiative. Num Pages: 288 pages, 26 illustrations, incl. 8 in color. BIC Classification: 1D; ACBS. Category: (G) General (US: Trade). Dimension: 153 x 230 x 29. Weight in Grams: 448. . 2016. Reprint. Paperback. . . . . …

Condición: New. Argues for a fresh understanding of the relations between politics and aesthetics in a globalized and image-saturated world. Editor(s): Hinderliter, Beth; Kaizen, William; Mansoor, Jaleh; McCormick, Seth; Maimon, Vered. Num Pages: 384 pages, 28 illustrations. BIC Classification: ABA. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 23. Weight in Grams: 504. . 2009. Paperback. . . . . …

Condición: As New. Unread book in perfect condition.