irene below (39 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation.

Paperback. Condición: New. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation.

Condición: New. 2025. hardcover. . . . . .

hardcover. Condición: New.

Condición: New.

hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New.

Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 208 pages. 10.82x8.94x10.51 inches. In Stock.

Paperback. Condición: Brand New. 208 pages. 10.82x8.94x10.51 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware -Im Werk Irma Sterns treffen Motive ihrer südafrikanischen Heimat auf den Expressionismus der Brücke-Künstler. In Berlin wurde sie ab 1918 für ihre 'exotischen' Bilder gefeiert, in Südafrika später zur Nationalkünstlerin gekürt. Der reich bebilderte Band legt einen Fokus auf ihre ausdrucksstarken Porträts und thematisiert Fragen von Entstehungskontexten und Rezeption bis heute. Die deutsch-südafrikanische Künstlerin Irma Stern (1894-1966) etablierte sich nach dem Ersten Weltkrieg erfolgreich in der Berliner Kunstszene, bis sie 1933 aufgrund der Verfolgung der Juden durch die Nationalsozialisten ihre Aufenthalte in Deutschland vollständig einstellen musste. Marginalisiert als Frau und vom Antisemitismus bedroht, war sie als Weiße zugleich Nutznießerin des südafrikanischen Apartheidregimes. Sie brachte ein komplexes Werk hervor, das zugleich von Emanzipation und kultureller Aneignung geprägt ist. 208 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Im Werk Irma Sterns treffen Motive ihrer südafrikanischen Heimat auf den Expressionismus der Brücke-Künstler. In Berlin wurde sie ab 1918 für ihre 'exotischen' Bilder gefeiert, in Südafrika später zur Nationalkünstlerin gekürt. Der reich bebilderte Band legt einen Fokus auf ihre ausdrucksstarken Porträts und thematisiert Fragen von Entstehungskontexten und Rezeption bis heute. Die deutsch-südafrikanische Künstlerin Irma Stern (1894-1966) etablierte sich nach dem Ersten Weltkrieg erfolgreich in der Berliner Kunstszene, bis sie 1933 aufgrund der Verfolgung der Juden durch die Nationalsozialisten ihre Aufenthalte in Deutschland vollständig einstellen musste. Marginalisiert als Frau und vom Antisemitismus bedroht, war sie als Weiße zugleich Nutznießerin des südafrikanischen Apartheidregimes. Sie brachte ein komplexes Werk hervor, das zugleich von Emanzipation und kultureller Aneignung geprägt ist. 208 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her 'exotic' paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation.

Unbekannt. Condición: Gut. 1. Aufl. 183 S. Versand am folgenden Arbeitstag mit Rechnung daily shipping wordwide with invoice ex library Bibl.-Hardcover Sprache: Deutsch Gewicht in Gramm: 550.

Paperback. Condición: New. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Included are Two Cards (Invites). Publication of 56 pages. The dust jacket and boards are in near fine condition. Internally the pages are clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Taschenbuch. Condición: Neu. Neuware -In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her 'exotic' paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation.Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München 208 pp. Englisch.

Paperback. Condición: New. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation.

Condición: Sehr gut. 238 S. : Mit zahlr. Farbabb. ; 31 cm; Frisches, sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1800 Org.-Pappb. mit blauem Org.-Umschlag.

Hardcover. Condición: Fine. No Jacket. Limited. 180 pages (complete). In German throughout. Hand-numbered as 132 of a limited edition of 500 copies. The frontispage has inscription by or on behalf of the Vice President of the Deutsche Exlibris-Gesellschaft : "Dedication to the Irma Stern Museum from Klaus Thoms . Jan 2005". (Irma Stern was a prolific contributor of ex-libris plates for the foundation). Four tipped in ORIGINAL Ex-libris plates from: Leo Bednárik (signed by), a print of a Manfred Baumuller plate (signed by Rudolf Riess), Andreas Raub (signed and dated by him, marked as a limited plate: 141/500), another plate of Manfred Baumüller exlibris plate from Hanns Studer. A beautiful copy. The boards are most handsome and supremely healthy. The plates are in extraordinarily fresh condition. They are serene and elegant. The contents are in near immaculate condition. The pages are bright, clean, clear - as if new throughout. fk. Our orders are shipped using tracked courier delivery services. Signed.

Condición: sehr gut. 238 S., Abb., 29 cm, Schutzumschlag mit Läsuren, Rücken leicht gestoßen. Sprache: Deutsch.

broschiert. Condición: Sehr gut. 1. Aufl. 247 S. : Ill., graph. Darst. ; 21 cm sehr guter Zustand, wirkt ungelesen, Einband leicht lichtrandig und minimal knickspurig, Seiten zart nachgedunkelt Sprache: Deutsch Gewicht in Gramm: 400.

8° , Broschur, 239 Seiten, obere Ecke leicht bestoßen, sonst in einem guten Zustand. 9783869163734 Sprache: Deutsch Gewicht in Gramm: 317.

Gebundene Ausgabe. (Lager 504) FFC604EC0FBE Sprache: Deutsch Gewicht in Gramm: 1499.

Condición: New. 2021. Paperback. . . . . .

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. 1st Edition. 8vo (medium). Brown cloth, gilt lettered spine, 56pp, illustrated in color. As New in Fine, unclipped d/w.

31x24cm. 238 pages. Hardcover with dust jacket. In good condition. The book is in : German.