Introduction robert rosenblum (26 resultados)

Paperback. Condición: Very Good. 128 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Note: The covers show shelf wear / dulling and longer show as glossy as when new. With 94 illustrations with 91 in color. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

92 pages. Paperback: H 28cm x L 21.5cm. White paper covers lightly rubbed and soiled, museum bookstore price/bar code sticker still affixed at rear cover's lower right, some bumping at book's top spine corners. Interior pages are clean. Binding is firm. A very good copy. With b/w and color illustrations, Acknowledgments and Introduction by Elizabeth Armstrong, Foreword by Martin Friedman, and concluding Lenders to the Exhibition and Reproduction Credits. Features five essays: "Jasper Johns: The Magic of Numbers" by Robert Rosenblum; "Encaustic and Lead in the Work of Jasper Johns" by John Yau; "An Interview with Jasper Johns about Silkscreening" by Katrina Martin; "Translation and Transformation in 'Target with Four Faces': The Painting, the Drawing, and the Etching" by Charles W. Haxthausen; "Reading the Seasons" by James Cuno. Published as the accompanying catalog for an exhibition held at the Walker Art Center, Minneapolis, Minnesota from February 18 to May 13, 1990 and touring to six other museums in the United States and Canada through November 10, 1991. ISBN 0935640320.…

Soft cover. Condición: Fine. 1st. The catalogue of an exhibition at seven venues during 1991 and 1992. 60 works are described and illustrated in color. 174pp 1.87lb 10.0x9.0x0.5in.

Condición: Very Good. First Edition.

Softcover. First Edition; First Printing. Book condition is Very Good in wraps. Some creasing and wear at spine. Crease to bottom corner of front panel. A few small scuffs and scratches to rear panel. Text is unmarked, illustrated throughout. ; 4to 11" - 13" tall.

Condición: Very Good. Very well kept copy, tight and unmarked, little wear. Fast Shipping - Safe and Secure Bubble Mailer.

Paperback. Condición: Near Fine. 1st. 181 pages, illustrations (some colour); 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Profusely illustrated. *** CONTENTS: Notes on Sol LeWitt, by Robert Rosenblum; The structures, the structures and the wall drawings, the structures and the wall drawings and the books, by Lucy R. Lippard; Sol LeWitt and drawing, by Bernice Rose. Size: 4to. Collectible.…

First Very good.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. Crisp new-looking book but for light spotting to front endpapers; in rubbed dust jacket with some surface impressions. Unmarked and crisp text including gateway illustrations.; 24.6 x 23.9 x 8.1 cm; 144 pages.

Cloth. Condición: Near Fine. Near Fine. First Edition. 144 pages 113 illustrations 92 in full color. Select Biography and Bibliography. Book.

Paperback. Condición: Brand New. 128 pages. 10.00x8.50x0.50 inches. In Stock.

Hardcover. Condición: Fine. Quarto, 77 pages, illustrated throughout in black and white and in colour. Black illustrated cloth with printed spine. Illustrated wrappers. Fine. - First edition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 63 pages, illustrations (some colour); 34 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. With 54 illustrations, 20 in colour. *** "'Two sculptors, one stick, one glove, one song' - The singing sculpture was first mounted in 1969 and then toured the UK, Europe, and Australia, finishing at the opening of New York's Sonnabend Gallery. In 1991, Gilbert & George staged a reprise. The book explores the resonance of this work within Gilbert & George's output and the art world generally." - Publisher. *** CONTENTS: Revisiting the Singing sculpture, by Robert Rosenblum; The words to "Underneath the arches"; The Singing sculpture: photographs, by Jon & Anne Abbott; Gilbert & George: the fabric of their words, by Carter Ratcliff; Photographs, statements, documents, reviews: 1969-1973; Chronology of the Singing sculpture. Size: Folio. Collectible. …

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condición: very good. From the Library of Tim Llewellyn, OBE.

Couverture souple. Condición: Neuf.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condición: Near Fine. Original softcover with thick card covers, original string/sewn binding. Plates and illustrations throughout in both color and b + w. Additional historical b + w photographs. Very light wear along edges and corners. Solid and bright.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Book is as new, still in sealed original cardboard box. Photos on request.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Fine. Thick square folio, 279 pages, illustrated throughout in black and white and in color + 262 illustrations among which one fold out page. Red blind stamped cloth. Illustrated wrappers. Near mint. - First edition.

Oversized Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. (1990). Oblong 8vo. 1st edition. SIGNED by Mike and Doug Starn. Slight toning to edges of leaves and textblock. Slight soiling, wear, and discoloration to edges, forecorners, and spine ends of barely rubbed cloth covered boards. Light bumping and scraping to edges, forecorners, and spine ends of rubbed and lightly scratched dust jacket with wear resulting in tiny hole to rear panel bottom forecorner. Previous seller's price sticker on d.j. rear panel. Uneven fading along d.j. spine. VG/VG. Author.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 686pp, lavishly illustrated in fill colour. Cloth-covered boards. Grey endpapers. Very large and heavy 4to. There is some smudged soiling on the text block edges else volume is neat and clean, bright and tight throughout. Dust wrapper, now protected in a clear plastic sleeve, is just gently bumped at edges.…

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. ] Quarto (8 1/4 x 11 1/2 inches) in very stiff card covers, tan background dustjacket overprinted with black & white titling and b&w halftone illustrations (1 front, 1 back), Near Fine in Fine dj (dj to be fitted with protective clear removable mylar). Single flaw is tiny fold crease of little notice top corner first interior page (title page). Paper stock used for the dustjacket has tiny black dot inclusions as well as the appearance of a light back cover smudge, but these are in the character of the paper used and are not flaws. Due to size, weight and the need to provide adequate protection for this item in the mail, Priority or International order will require additional shipping charges. RWR5 Art Sculpture Exhibition.…

Rizzoli International Publications, Whitney Museum of American Art - 1986 - Petit In-4, broché couverture illustrée à rabats - 157 pages - Nombreuses illustrations en couleur, in et hors-texte dans l'ouvrage. Texte en anglais. Bon état. Texte au stylo sur la page de garde.

First Edition. First Edition. INSCRIBED on the front endpaper by the photographers to noted curator Brenda Richardson and SIGNED and dated by the photographs along bottom of front endpaper. From her collection. One of the most distinguished art curators and historians of the twentieth century, Brenda Richardson began her career at the University Art Museum in Berkeley (1964-1975), and went on to become the chief curator at the Baltimore Museum Art between 1975 and 1998. An unapologetic champion of contemporary art, she curated well over 70 major exhibitions for the BMA, the high spots being notable stagings for Frank Stella, Brice Marden, Barnett Newman, and Bruce Nauman. She also curated the 1985 exhibition of the Cone Collection, the BMA's prized centerpiece, which contains over 3000 works, including 600 pieces by Matisse, as well as work by Picasso, Cezanne, Gauguin, and others. She has authored and contributed to dozens of books on contemporary art, and John Waters, one of the most significant thinkers in the world of contemporary art, considers Richardson to be his mentor. Fine and unread in a Near Fine dust jacket. Jacket with light rubbing and scratching overall. Signed. …