Publicado por Hp Books, 1979
ISBN 10: 0912656980 ISBN 13: 9780912656984
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Condición: USED_GOOD. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Nuevo desde EUR 96,30
Usado desde EUR 5,33
Encuentre también Tapa blanda Original o primera edición
Publicado por Allan L. Horvath Publications, 1996
ISBN 10: 0965415201 ISBN 13: 9780965415200
Librería: SecondSale, Montgomery, IL, Estados Unidos de America
Condición: Good. Photographs By Author Ilustrador. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Nuevo desde EUR 25,17
Usado desde EUR 6,49
Encuentre también Tapa dura Original o primera edición Ejemplar firmado
Publicado por Horvath Sculpture & Graphics, c.1986,, 1986
ISBN 10: 0961635908 ISBN 13: 9780961635909
Librería: Harry Alter, Sylva, NC, Estados Unidos de America
hardcover, Condición: Good, Horvath Sculpture & Graphics, c.1986, 1st., 9"x11-1/2", cloth, 64pp., many color photos., G/G $.
Publicado por Independently published, 2019
ISBN 10: 1799272966 ISBN 13: 9781799272960
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: NEW. 337 pages. 9.00x6.00x0.85 inches. In Stock.
Publicado por Stated first edition, published by Allan L. Horvath Publications, 1996., 1996
ISBN 10: 0965415201 ISBN 13: 9780965415200
Librería: Jerry Merkel, XENIA, OH, Estados Unidos de America
Miembro de asociación: MWABA
Original o primera edición
Condición: UNSPECIFIED. Photographs By Author Ilustrador. Near fine with near fine dust jacket. Dust jacket is very lightly bumped at top of spine and at top corners. 64 pages with 64 illustrations. 4to size.
Publicado por Cesco Ciapanna Editore, 1982
Librería: Genesis Books, Fonte Nuova, RM, Italia
libro cartaceo. Condición: Buono. La copertina presenta minimi segni del tempo.
Publicado por Ciapanna, 1982
Librería: Miliardi di Parole, Pietra Marazzi, AL, Italia
Condición: USED_GOOD. italiano Condizioni dell'esterno: leggermente logorata Condizioni dell'interno: Molto buone.
Publicado por Ciapanna Editore,, Roma, 1982
Librería: Bergoglio Libri d'Epoca, RIVALBA, TO, Italia
(Codice FO/0781) In 8° 287 pp. Prima edizione. Com moltissime illustrazioni e foto in nero e a colori. Brossura editoriale, Ottimo, freschissimo volume. Euro 10.00 All books are in stock in fine condition or described meticulously. Very safe packaging.
Publicado por Dodd, Mead & Company, New York, 1930
Librería: Ray Boas, Bookseller - Established 1980, Walpole, NH, Estados Unidos de America
HC. B&W ill. by Horvath Ilustrador. 22pp text The twenty-two pages of "Philosophy." precede THE RAVEN stanzas and illustrations. CONDITION NOTE: NO DUSTJACKET and NO SLIPCASE. LIGHT WEAR TOP AND BOTTOM OF SPINE, LOWER CORNER BUMP TO BOARDS. OWNER'S SIGNATURE DIAGONNALY ACROSS BOTH FRONT AND REAR PASTEDOWNS. Happy to provide images. good, black cloth (hardcover) NO dustjacket NO slipcase SEE NOTE.
Publicado por Dodd, Mead & Company, New York, 1930
Librería: The BiblioFile, Rapid River, MI, Estados Unidos de America
Original o primera edición
Hard Cover. Condición: Good. Horvath, Ferdinand Ilustrador. First Edition. First edition thus. 1930 date at title and copyright pages. Large 8" x 10.5" design. Deep black full cloth boards, impressed black raven in sharp gilt relief surrounded by titles w/decoration, moderate shelf wear, rub, bump. Pages good w/moderate fox to front, back few pages. Moderate page roll throughout. Antiquarian bookplate inside cover of cowboy on horseback in simple modernist silhouette design: "Frances Johnston." Pallid green endpapers, moderate toning. Stylized frontispiece illustration of Poe by Horvath. Bind fine; hinges intact. Intriguing art nouveau monochromatic imagery at every page. Includes "The Philosophy of Composition" which elucidates Poe's approach to writing well. Intriguing geometrical near chiaroscuro art nouveau-like full-page illustration by Ferdinand Horvath throughout. The results are rich in tone and detail. Printed in the United States of America at The Plimpton Press, Norwood, Massachusetts. Good solid example of this thoroughly enjoyable and rare volume. Edgar Allan Poe's hazy narrative begins on a night in December when "The Raven" haunts the unnamed narrator who sits reading "forgotten lore" to sublimate the loss of his love, Lenore. A "rapping at his chamber door" reveals nothing, yet excites his soul to "burning". A similar rapping, slightly louder, is heard at his window. When he investigates, a raven enters his chamber. Paying no attention, the raven perches atop a bust of Pallas high above the door. Amused by the raven's comically serious disposition, the man asks that the bird tell him its name. The raven's only answer is "Nevermore". The narrator is surprised that the raven can talk, though at this point it has said nothing further. The narrator remarks to himself that his "friend" will soon fly out of his life, just as "other friends have flown before". The raven responds again with "Nevermore". The narrator reasons that the bird learned the word "Nevermore" from some "unhappy master" and that it is the only word it knows. Regardless, the narrator pulls his chair directly in front of the raven, determined to learn more. He thinks for a moment, and his mind wanders to his lost Lenore. He thinks the air grows denser and feels the presence of angels, and wonders if God is sending him a sign that he is to forget Lenore. The bird again replies in the negative, suggesting that he can never be free of his memories. The narrator becomes angry, calling the raven a "thing of evil". Finally, he asks whether he will be reunited with Lenore in Heaven. When the raven responds with its typical "Nevermore", he is enraged, and, calling it a liar, commands the bird to return to the "Plutonian shore", - but it does not move. The narrator's final admission is that his soul is trapped beneath the raven's shadow and shall be lifted "Nevermore". Size: 4to - over 9¾" - 12" tall.
Publicado por Dodd, Mead & Company, New York, 1930
Librería: The BiblioFile, Rapid River, MI, Estados Unidos de America
Original o primera edición
Hard Cover. Condición: Good. Estado de la sobrecubierta: Fair. Horvath, Ferdinand Ilustrador. First Edition. First edition thus. 1930 date at title and copyright pages. Large 8" x 10.5" design. Deep black full cloth boards, impressed black raven in sharp gilt relief surrounded by titles w/decoration, moderate shelf wear. Pages very good; no writing. Pallid green matte endpapers. Stylized frontispiece illustration of Poe by Horvath. Bind good, square; hinges intact. Scarce original pictorial dust wrapper, some edge wear, toning, some chip, missing material; protected in new clear sleeve. Front panel features titles in a unique out-of-time deco font over the silhouette of the black raven over light grey silhouette of Pallas bust, surrounded by dark charcoal haze. Front flap features short bio of Horvath and book description. Intriguing art nouveau monochromatic imagery at every page. Truly dynamic and enthralling in detail, symbology, and flourishes. Begins with "The Philosophy of Composition" which elucidates Poe's approach to writing well. Intriguing geometrical near chiaroscuro art nouveau-like full-page illustration by Ferdinand Horvath throughout. The results are rich in tone and detail. Near very good scarcity in solid original wrapper. With 19 full-page illustrations by Ferdinand Huszti Horvath, author of "Captured!" etc., etc. Horvath was born in Budapest in 1891. His enthusiasm for Poe's masterpiece dates from his schoolboy introduction to it, but it was not until the artist's captivity in Russia, graphically described in his recent novel, "Captured", that the idea for The Raven developed into a series of rough outline sketches. some of these Lieutenant Horvath carried with him at the time of his escape across the Swedish border and these formed the nucleus of the drawings done since the artist's arrival in this country. Edgar Allan Poe's hazy narrative begins on a night in December when "The Raven" haunts the unnamed narrator who sits reading "forgotten lore" to sublimate the loss of his love, Lenore. A "rapping at his chamber door" reveals nothing, yet excites his soul to "burning". A similar rapping, slightly louder, is heard at his window. When he investigates, a raven enters his chamber. Printed in the United States of America at The Plimpton Press, Norwood, Massachusetts. Near fine example of this thoroughly enjoyable and rare volume in the ultra rare haunting wrapper. Insured post. Size: 4to - over 9¾" - 12" tall.
Publicado por Dodd, Mead & Company, New York, 1930
Librería: The BiblioFile, Rapid River, MI, Estados Unidos de America
Original o primera edición
Hard Cover. Condición: Fine. Estado de la sobrecubierta: Good. Horvath, Ferdinand Ilustrador. First Edition. First edition thus. 1930 date at title and copyright pages. Large 8" x 10.5" design. Deep black full cloth boards, impressed black raven in sharp gilt relief surrounded by titles w/decoration, light shelf wear. Pages near fine; no writing. Pallid green matte endpapers. Stylized frontispiece illustration of Poe by Horvath. Bind fine; hinges intact. Rare original pictorial dust wrapper, moderate edge wear, toning; protected in new clear sleeve. Front panel features titles in a unique out-of-time deco font over the silhouette of the black raven over light grey silhouette of Pallas bust, surrounded by dark charcoal haze. Front flap features short bio of Horvath and book description. Also, includes remaining front cover panel and back panel of black case; one of eight sides remains w/case. Case possibly restorable contains gold label w/matching front board cover art, and, gold label to the one side remaining with vertical titles: "The Raven". Intriguing art nouveau monochromatic imagery at every page. Truly dynamic and enthralling in detail, symbology, and flourishes. Begins with "The Philosophy of Composition" which elucidates Poe's approach to writing well. Intriguing geometrical near chiaroscuro art nouveau-like full-page illustration by Ferdinand Horvath throughout. The results are rich in tone and detail. Near fine rarity in even more rare good wrapper. With 19 full-page illustrations by Ferdinand Huszti Horvath, author of "Captured!" etc., etc. Horvath was born in Budapest in 1891. His enthusiasm for Poe's masterpiece dates from his schoolboy introduction to it, but it was not until the artist's captivity in Russia, graphically described in his recent novel, "Captured", that the idea for The Raven developed into a series of rough outline sketches. some of these Lieutenant Horvath carried with him at the time of his escape across the Swedish border and these formed the nucleus of the drawings done since the artist's arrival in this country. Edgar Allan Poe's hazy narrative begins on a night in December when "The Raven" haunts the unnamed narrator who sits reading "forgotten lore" to sublimate the loss of his love, Lenore. A "rapping at his chamber door" reveals nothing, yet excites his soul to "burning". A similar rapping, slightly louder, is heard at his window. When he investigates, a raven enters his chamber. Printed in the United States of America at The Plimpton Press, Norwood, Massachusetts. Near fine example of this thoroughly enjoyable and rare volume in the ultra rare haunting wrapper. Insured post. Size: 4to - over 9¾" - 12" tall.