Horowitz gregg (70 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Softcover, 204 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: New.

Paperback or Softback. Condición: New. Sustaining Loss: Art and Mournful Life. Book.

Condición: New.

Paperback. Condición: New. Sustaining Loss explores the uncanny, traumatic weaving together of the living and the dead in art, and the morbid fascination it holds for modern philosophical aesthetics. Beginning with Kant, the author traces how aesthetic theory has been drawn back repeatedly to the moving power of the undead body of the work of art. He locates the most potent expressions of this philosophical compulsion in Hegel's thesis that art is a thing of the past, and in Freud's view that the work of art is the haunting of the present by the endless suffering of what is dead but still has claims over the living. The book asserts that modern aesthetics holds the key to unlocking the tortured relation of modernity to the past it is perpetually leaving behind. As the capacity to withstand the inescapable force of a past that is dead for us becomes the supreme test for a fully modern, fully secular philosophy, aesthetics moves to the center of philosophical reflection. But, the author argues, this secular philosophical orientation can be sustained only if aesthetic theory remains oriented by intimate contact with modernist works of art. Sustaining Loss examines not only Kant, Hegel, and Freud, but also the contemporary artists Gerhard Richter and Ilya Kabakov, whose art turns fruitfully against art's own past. To live as a modern, the author asserts, is to live with the dead past that modernist art ceaselessly disgorges. Overall, the book aims to articulate an aesthetic theory suitable to the task of living in a time when, in Flannery O'Connor's words, "The blind don't see and the lame don't walk, and what's dead stays that way.".…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New. pp. 256.

Condición: New. This book explores the uncanny, traumatic weaving together of the living and the dead in art, and the morbid fascination it holds for modern philosophical aesthetics. Beginning with Kant, the author traces how aesthetic theory has been drawn back repeatedly to the moving power of the undead body of the work of art. Series: Atopia: Philosophy, Political Theory, Aesthetics. Num Pages: 256 pages, illustrations. BIC Classification: HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 16. Weight in Grams: 358. . 2002. Illustrated. Paperback. . . . .…

Condición: New.

Condición: New. In English.

Condición: New. pp. 256.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 1st edition. 256 pages. 9.00x6.00x0.75 inches. In Stock.

Condición: New. This book explores the uncanny, traumatic weaving together of the living and the dead in art, and the morbid fascination it holds for modern philosophical aesthetics. Beginning with Kant, the author traces how aesthetic theory has been drawn back repeatedly to the moving power of the undead body of the work of art. Series: Atopia: Philosophy, Political Theory, Aesthetics. Num Pages: 256 pages, illustrations. BIC Classification: HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 16. Weight in Grams: 358. . 2002. Illustrated. Paperback. . . . . Books ship from the US and Ireland.…

Hardcover. Condición: Very Good. 2016 De Gruyter hardcover edition. Unread copy in very good condition. Contents: 1. The Art of Dreams: An Introduction, 2. The Authority of Dreams, 3. Sensible Dreams: Irrationality and the Philosophy of the Mind in the Seventeenth and Eighteenth Centuries, 4. Representation of Dreams - Representation of Theater, 5. The Logic of Writing, the Logic of Dreams: Reading Gottfried Keller's Green Henry, 6. 'And I had to write it to you' Franziska zu Reventlow and Else Lasker-Schuler: Dreaming in Public, 7. 'Chaque epoque reve la suivante' Or: How to Read a 'Bilderatlas' of the Twentieth Century?, 8. Dream Bodies: On the Iconography of the Dreamer, 9. 'Dance-Work' and the Art of Walking in Benjamin, Valery, Rilke, Jensen, and Nijinsky, 10. Dreaming of the Mother: Notes on Love and Photography, 11. Dreamtime: The Specter of Cinema. …

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 240.

Paperback. Condición: Brand New. 288 pages. 9.25x6.00x0.75 inches. In Stock.

Condición: New. pp. 240.

Paperback. Condición: New. Sustaining Loss explores the uncanny, traumatic weaving together of the living and the dead in art, and the morbid fascination it holds for modern philosophical aesthetics. Beginning with Kant, the author traces how aesthetic theory has been drawn back repeatedly to the moving power of the undead body of the work of art. He locates the most potent expressions of this philosophical compulsion in Hegel's thesis that art is a thing of the past, and in Freud's view that the work of art is the haunting of the present by the endless suffering of what is dead but still has claims over the living. The book asserts that modern aesthetics holds the key to unlocking the tortured relation of modernity to the past it is perpetually leaving behind. As the capacity to withstand the inescapable force of a past that is dead for us becomes the supreme test for a fully modern, fully secular philosophy, aesthetics moves to the center of philosophical reflection. But, the author argues, this secular philosophical orientation can be sustained only if aesthetic theory remains oriented by intimate contact with modernist works of art. Sustaining Loss examines not only Kant, Hegel, and Freud, but also the contemporary artists Gerhard Richter and Ilya Kabakov, whose art turns fruitfully against art's own past. To live as a modern, the author asserts, is to live with the dead past that modernist art ceaselessly disgorges. Overall, the book aims to articulate an aesthetic theory suitable to the task of living in a time when, in Flannery O'Connor's words, "The blind don't see and the lame don't walk, and what's dead stays that way.".…