Holte michael (90 resultados)

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark - NICE! Standard-sized.

Soft cover. Condición: Very Good. Oblong softcover, with dust jacket. 38 pgs (one fold-out). Essay, color illus. Light wear.

Hardcover. Condición: Very Good. tight and solid with a few dots of discoloration to front, three lightly bumped corners.

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: USED Good. Front board bent at center text is as new.

Hardcover. Condición: Very Good. National Gallery of Victoria, Published 2009. Hardcover, 87 pp.; 22 cm; First Edition (with full number line); illustrated with color and black-and-white plates. In Very Good condition, no jacket as issued. Illustrated pale green linen cloth boards (front reproduces Swallow's sculpture Flying on the Ground is Wrong, 2006); mild soiling to back cover, light shelf wear. Binding tight. Otherwise unmarked. Exhibition catalog for Ricky Swallow: The Bricoleur, the fifth show in the Macquarie Group Series at the Ian Potter Centre, NGV Australia (16 October 2009 to 28 February 2010), and the first major showing of the Australian sculptor's work at home since 2006. Curator Alex Baker and critic Michael Ned Holte consider Swallow (born 1974, Australia's representative at the 2005 Venice Biennale) and his hand-carved limewood and jelutong sculptures, cast bronzes, and watercolors, work that turns everyday objects into meditations on time, mortality, and craft. Contents: Sponsor's Message; Director's Foreword; Acknowledgements; Ricky Swallow: The Bricoleur (Alex Baker); The Grit and the Oyster (Michael Ned Holte); Plates; Artist's Biography; Selected Bibliography; Exhibition Checklist.…

Hardcover. Condición: Fine. 1st. Pictorial boards, 216 pages, colour illustrations; 24 cm. Published in conjunction with an exhibition held at the Rubell Family Collection in Miami, Fla., December 6, 2006 to May 31, 2007. Firm binding, clean inside copy. *** "The inspiration for this book began at the Los Angeles Museum of Contemporary Art with Paul Schimmel's seminal 1992 exhibition Helter Skelter, which introduced to the world the wide-ranging, dissident influence of Los Angeles art. Upon seeing that show, Miami's Rubell family began to collect important L.A. artists of the 1980s and 90s. Recently, the Rubells added a new group of Los Angeles artists to their storied collection. This volume examines juxtapositions and interrelationships between the two generations." - Publisher. *** Includes: Doug Aitken - John Baldessari - Frank Benson - Amy Bessone - Mark Bradford - Chris Burden - Brian Calvin - Aaron Curry - Brian Fahlstrom - Mark Grotjahn - Karl Haendel - Richard Hawkins - Evan Holloway - Violet Hopkins - Thomas Houseago - Mike Kelley - Barbara Kruger - Nathan Mabry - Paul McCarthy - Jason Meadows - Matthew Monahan - Kristen Morgin - Catherine Opie - Kaz Oshiro - Laura Owens - Raymond Pettibon - Charles Ray - Jason Rhoades - Ry Rocklen - Sterling Ruby - Lara Schnitger - Jim Shaw - Yutaka Sone - Catherine Sullivan - Ricky Swallow - Henry Taylor. Size: 8vo. Collectible.…

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condición: Very Good. 2 volume set. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Softcover with dustjacket, 144 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Pamphlet/Poster. This is not a book. The catalogue/brochure/poster for an exhibition of work by Jedediah Caesar, Case Calkins, and Patrick Hill, held at the D'Amelio Terras gallery, NYC, September 6 - October 1, 2005. The Los Angeles based writer, Michael Ned Holte, wrote a post-historical fiction that accompanied the exhibition and which is reproduced here. Single sheet of heavy stock, folded to produce 4 pages on one side and a poster for the exhibition on the other; 5.75 x 8.5 inches, folds out to 11.5 x 17. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

hardbound. Condición: Very Good tight clean copy. Catalogue for the exhibition of works by Ricky Swallow, National Gallery of Victoria October 2009 - Feb 2010; text by Alex Baker and Michael Ned Holte; colour plates, b&w illustrations throughout; includes artist's biography, select bibliography; 1st Edition/1st printing (10 9 8 7 6 5 4 3 2 1). no dustwrapper. 87pp. 8vo. Very Good tight clean copy. profusely illustrated (ilustrador).…

Hardcover. Condición: Very Good.

Condición: As New. Unread book in perfect condition.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardcover. Condición: Good. 2 volume set with slipcase. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: New.

Hardcover. Condición: Fine. Hammer exhibition catalog for 2014 focusing on artists in Los Angeles, California. Includes slip cover and reader. Sunning on the spine, otherwise in immaculate condition.

Trade Paperback. Condición: Used - Very Good. Very nice clean, tight copy free of any marks.

Soft cover. Condición: Very Good+. Book is slightly bumped at bottom spine edge; very light wear to wraps; pages are clean; binding is sound. Published 2005 in conjunction with solo exhibitions at Solway Jones, Los Angeles, May 2005 and Toomey Tourell Fine Art, San Francisco, August/September 2005. 38 pages. 10.75 x 7.5 inches. Introductory essay by Michael Ned Holte. In pictorial glossy, card wraps. …

Hardcover. Condición: Very Good. No Dust Jacket. The cover has a little wear, with a few small tears in the cloth along the top-edge. The page edges are lightly foxed. 87 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Condición: As New. Unread book in perfect condition.

Hardcover. flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Photo is of a previous copy; copy is not sealed in publisher's wrap. "Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09.-12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat. VG-/VG- (may have bump w/ small divet to spine top; may have bump & bruise to tail. may have light indentations to edges; corners bumped. remains tightly bound. dustjacket scuffed, & scratched; may have creasing to spine ends; scattered scoring.…

Hardcover. Condición: Near Fine. 1st Edition. Small 4to in paper-covered boards. In color. Near Fine. Please inquire about overseas shipping prior to purchase. [OJ].

Hardcover. Condición: In shrinkwrap. Flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09.-12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat.…