Hirschler erica e (22 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Light brown cloth, lettered in gold foil. As issued. Color illus. dust jacket shows a few slight surface marks to rear panel, essentially as issued, now in mylar. 470 pp., 319 illus. including 113 color plates. Size: 4to - over 9¾" - 12" tall. Profusely Illustrated (ilustrador). Book. …

Softcover. Blue and illustrated wraps, blue spine with white lettering. 172 pp. 30 bw, 57 color plates. This lovely catalogue features an extensive biographical chronology, three insightful essays, and a checklist of 42 works, as well as very nice illustrations. The catalogue was organized by Susan Strickler, with contributions by Linda J. Docherty and Erica E. Hirshler. Published in conjunction with the exhibition held at the Currier Gallery of Art, Oct. 13, 2001 - Jan. 13, 2002; the Delaware Art Museum, Wilmington, Feb. 15 - Apr. 28, 2002; the Terra Museum of American Art, Chicago, May 11 - July 21, 2002. VG. May have owner's name written on first page, corners lightly bumped.…

Paperback. Condición: VG. Glossy forest green and color-illustrated softcover with white lettering. 190 pp. Color and BW illustrations, 46 full-color plates. Catalogue lists 46 works. A stunning and lavish examination of this extraordinarily gifted Boston artist who died prematurely. Includes essays by Erica E. Hirshler and David Park Curry, and contributions by Theodore Stebbins, Efrat Adler Porat and Deanna M. Griffin. Bunker was one of the first Americans to adopt the Impressionist methods according to the reviews. Published to accompany the exhibition held at the MFA from MFA, Jan. 13 to June 4, 1995, and then two other locations.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Near fine/Near fine. Bright and attractive cloth hardcover with dust jacket. Nice copy. Color Illustrations (ilustrador).

Hardcover. Condición: Used - Good. The Museum of Fine Arts in Boston possesses one of the world's finest collections of 19th-century French and American art, with works by Degas, Manet, Pissarro, Renoir, Sisley, and Sargent. This colorful book, the first published on the collection, illustrates many of its highlights. Author Erica Hirshler outlines the history of the collection and considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters like Childe Hassam to Monet's door. Their willingness to embrace Impressionism helped to popularize this style of painting throughout the United States. All the high points of Boston's 19th-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts. Book has minor shelf wear.…

Hardcover. Condición: New. The Museum of Fine Arts in Boston possesses one of the world's finest collections of 19th-century French and American art, with works by Degas, Manet, Pissarro, Renoir, Sisley, and Sargent. This colorful book, the first published on the collection, illustrates many of its highlights. Author Erica Hirshler outlines the history of the collection and considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters like Childe Hassam to Monet's door. Their willingness to embrace Impressionism helped to popularize this style of painting throughout the United States. All the high points of Boston's 19th-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts.…

Hardcover. Condición: Used - Very Good. The Museum of Fine Arts in Boston possesses one of the world's finest collections of 19th-century French and American art, with works by Degas, Manet, Pissarro, Renoir, Sisley, and Sargent. This colorful book, the first published on the collection, illustrates many of its highlights. Author Erica Hirshler outlines the history of the collection and considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters like Childe Hassam to Monet's door. Their willingness to embrace Impressionism helped to popularize this style of painting throughout the United States. All the high points of Boston's 19th-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts. Book has minor shelf wear.…

Hardcover. Condición: Brand New. 200 pages. 11.00x9.50x11.50 inches. In Stock.

Soft cover. Condición: Very Good. No Jacket. Text loaded with color and black-and-white illustrations. Firm spine with light wear. Clean, whole cover with some creasing and edgewear.

Condición: New.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: VG+/VG. Green cloth, gilt letters on spine & front cover. Green & color illus. dust jacket. 190 pp. 55 color, 89 bw plates. Issued in conjunction with several 1995 exhibitions featuring works by American impressionist Dennis Miller Bunker (1861-1890). Catalogue lists 46 works. A stunning and lavish examination of this extraordinarily gifted Boston artist who died prematurely. Includes essays by Erica E. Hirshler and David Park Curry, and contributions by Theodore Stebbins, Efrat Adler Porat and Deanna M. Griffin. Published to accompany the exhibition held at the MFA from MFA, Jan. 13 to June 4, 1995, and then two other locations. …

Hardcover. Condición: Brand New. 200 pages. 11.00x9.50x11.50 inches. In Stock.

Hardcover. Condición: Brand New. 200 pages. 11.00x9.50x11.50 inches. In Stock.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Qto., 297 pages, colour illustrated. A New copy in dust jacket.

hardcover. Condición: near fine. near fine. Profusely illustrated in color. 225 pages. Square 4to, blue cloth, d.w. Boston: New York Graphic Society, (1987). Remainder mark, else near fine. SHEELER, Charles. (ilustrador).

10 x 11, softcover, 190 pp, well illustr in color and b&w, bib, index, 0878464239, fine, clean, sound, uncreased. FIRST ED.

Couverture rigide. Condición: Neuf. Estado de la sobrecubierta: Très bon. Au XIXe siècle, Paris était le centre du monde de l'art. Surtout après les années 1860, il exerça son magnétisme sur les étudiants en art et les artistes américains, qui envahirent les ateliers de peintres comme Gérôme et Bouguereau, aspirant à exposer au Salon annuel et contemplant le déploiement de l'impressionnisme avec une fascination parfois mêlée d'horreur. Rares furent les artistes américains qui restèrent indifférents à l'effervescence parisienne, et même ceux qui choisirent de ne pas faire leurs études dans la capitale française cherchèrent souvent la confirmation de leur talent auprès du public français. Ce superbe ouvrage, qui rassemble des uvres iconiques signées Sargent, Whistler, Mary Cassatt et Winslow Homer, rend également justice à des peintres peu connus en dehors des Etats-Unis. Il évoque le rôle des artistes américains à Paris, depuis le Salon des Refusés, en 1863, jusqu'à l'émergence d'un style pictural typiquement américain. Dans leurs essais abondamment illustrés, Kathleen Adler, Erica E. Hirshler et H. Barbara Weinberg se penchent sur plus de 100 tableaux de l'exposition. Elles étudient les raisons de l'attirance des artistes pour Paris et s'interrogent sur leurs réactions et ce qu'ils ont retenu de leur expérience. Des textes plus courts, dus à David Park Curry, Rodolphe Rapetti et Christopher Riopelle, sont centrés sur les Expositions universelles de Paris, l'attitude des Français face aux visiteurs d'Outre-Atlantique et la participation des artistes américains à la constitution des collections américaines de peinture française moderne. Les essais sont suivis d'une biographie de chaque artiste et d'une liste illustrée et commentée des uvres.…

Condición: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.