Hilliard howard (12 resultados)

Condición: Acceptable. PLEASE NOTE: FORMER LIBRARY COPY, MAY HAVE STICKERS AND INDENTIFYING STAMPS AND/OR MARKERS ON IT BUT BOOK REMAINS IN ACCEPTABLE READING CONDITION. Former Library book. paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.…

Paperback. Condición: Good. Estado de la sobrecubierta: no dust jacket present. First Edition. This copy of "Celebrated Luckenbach Texas" is in excellent condition, with no dust jacket. The cover shows minimal wear, and the binding is tight and intact. The pages are clean, with no inscriptions or library markings, making it a well-preserved first edition from 1974.…

Hard cover. First edition. MED SOFTCOVER AND HARDCOVERS WITH DJ, 1968. First edition. . Good in good dust jacket. Ex-library. 300 p. Good in good dust jacket. Ex-library.

Soft cover. Condición: G+. No Jacket. 2nd Edition. 123 pages, illustrations 23 cm. ; tan wraps. Stains on front wrap. Involvement on upper top front corner where price label was removed.

Condición: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Paperback. Condición: Brand New. 48 pages. 12.25x9.00x0.25 inches. In Stock.

Paperback. Condición: Brand New. 48 pages. 11.75x8.75x0.25 inches. In Stock.

Paper Back. Condición: Near Fine. No Jacket. Second Edition. 129+pp.; SC lt.brwn.w/brwn.(no title on spine) some rub w/some lt.stain; spine sunned w/clean,tight pgs. A collection of essays & photos celebrating Lukenbach, TX. illus. Heck, Bryan & Hilliard, Howard (photos) (ilustrador).

Hardcover. Condición: Fine. Near Fine. First edition. Octavo. 188pp. Publisher's promotional letter laid in. Fine in a very good or better dust jacket with a little creasing and small tears.

Condición: Good. 4to. 21x 29.7cm. Sheets loose as issued in original silver printed chemise and box. 28pp. text; poster and 50 signed broadsides, folded from 59.5 x 42cm. to 8 pages. Fine condition. .The deluxe portfolio, 2000-01, comprising 50 offset lithographs, on smooth wove paper, with title-page and text, each signed by the respective artist, the sheets folded (as issued), within the original silver Solander box with debossed cover and spine.Richard Hamilton, Gavin Turk, Tim Stoner, Philip Treacy, Caruso St John, John Hilliard, Liam Gillick, Georgie Hopton & Josephine Soughton, Jake & Dinos Chapman, Mark Hosking, Grayson Perry, Simon Patterson, Runa Islam, Anish Kapoor, Bella Freud, Tacita Dean, Antony Gormley, Carey Young, Marine Hugonnier, Will Self, Fiona Rae, Tracey Emin, Christopher Le Brun, Liam Gillick, Douglas Gordon, Carsten Holler, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, Nigel Shafran, Anya Gallaccio, James White & Tim Sheward, Mark Lewis, Richard Deacon & Martin Kreyssig, Wolfgang Tillmans, Joao Penalva, Matthew Higgs, Oliver Payne & Nick Relph, John Latham, Gilbert & George, Enrico David, Mona Hatoum, Andrew Lewis, Cerith Wyn Evans, Howard Hodgkin, Tom Gidley, Sam Taylor-Wood, Harland Miller, Peter Doig, Hussein Chalayan, Patti Smith, Darren Almond, Michael Craig-Martin, Jeremy Deller, Bridget Riley."fig-1" was a project initiated by Mark Francis and White Cube founder Jay Jopling, who held 50 one-week exhibitions at a disused venue in Soho, London.The project called together 49 British artists of different generations, from veterans such as Richard Hamilton, Howard Hodgkin, Anish Kapoor, and Bridget Riley, to established YBAs including Jake & Dinos Chapman, Tracey Emin, and Gavin Turk, and up and coming, soon to be illustrious names, such as Peter Doig, Grayson Perry and Harland Miller - each one of them exhibiting for one week, with Richard Hamilton showing twice in the first and last week.Divided into 50 sections, the book chronicles each project in the words of the participants through interviews, essays and visual documentaries. .Arrangment of the prints: 01. Richard Hamilton02. Gavin Turk03. Tim Stoner04. Philip Treacy05. Caruso St. John06. John Hilliard07. Liam Gillick08. Georgie Hopton + Josephine Soughan09. Jake + Dinos Chapman10. Mark Hisking11. Grayson Perry12. Simon Patterson13. Runa Islam14. Anish Kapoor15. Bella Freud16. Tacita Dean17. Antony Gormley18. Carey Young19. Marine Hugonnier20. Will Self21. Fiona Rae22. Tracey Emin23. Christopher Le Brun24. Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija25. Nigel Shafran26. Anya Gallaccio27. James White + Tim Sheward28. Mark Lewis29. Richard Deacon + Martin Kreyssig30. Wolfgang Tillmans31. João Penalva32. Matthew Higgs, Oliver Payne + Nick Relph33. John Latham34. Gilbert + George35. Enrico David36. Mona Hatoum37. Andrew Lewis38. Cerith Wyn Evans39. Howard Hodgkin40. Tom Gidley41. Sam Taylor-Wood42. Harland Miller43. Peter Doig44. Hussein Chalayan45. Patti Smith46. Darren Almond47. Michael Craig-Martin48. Jeremy Deller49. Bridget Riley50. Richard Hamilton.…

Hardcover. Condición: Near Fine. Photo album, consisting of 38 color photos, belonging to Charles V. Hamilton. In 1967, with cowriter Stokely Carmichael, Hamilton published the groundbreaking book, *Black Power: The Politics of Liberation*. Part of the book's, and Hamilton's legacy is solidifying the term "institutional racism* in public discourse. From 1969 until his retirement in 1998, Hamilton was the Wallace S. Sayre professor of government and political science at Columbia University. This photo album documents the three years Hamilton spent working for the Study Commission on U.S. Policy Toward Southern Africa, spanning the years 1979 to 1981. The findings of this study were compiled into a book by Allison Drew titled *South Africa: Time is Running Out* (1981). A review of the book published in the peer reviewed journal *Ufahamu: A Journal of African Studies* states that the goal of the report was "to create a policy framework based on United States interests in the South African context." However, the review's conclusion is rather critical of the commission's results, stating: "Although taking a firm stance against petty apartheid and effectively challenging South Africa's view of its own strategic importance, the commission's economic policy recommendations amount to a carte blanche for continued United States investments. In essence, therefore, the commission's suggestions support the status quo. Its recommendation of continued United States investment is, in fact, a vote of confidence for apartheid . Moderation and maximization of interests within a nonviolent framework are the main themes of this book, and moderation is what it seeks from the reader." This apparently unsuccessful attempt to bridge the gap between public interests and business interests is partially illustrated in the mix of individuals who were involved. Hamilton was appointed as one of 11 commissioners on the study along with other academics and activists such as Ruth Simms Hamilton (no relation), Aileen C Hernandez, and Constance Hilliard. Other members included businessmen, such as Alan Pifer, the acting president of the Carnegie Corporation at the time; C. Peter McColough, the CEO of Xerox; businessman and philanthropist Frank A. Thomas; and J. Irwin Miller, a businessman known for his civic activism. We have confirmed photographs featuring both Charles V. Hamilton and Frank A. Thomas, and we believe that there are also photos of Ruth Simms Hamilton, Aileen C. Hernandez, J. Irwin Miller, C. Peter McColough, and Howard D. Samuel. The photos show them having talks and meeting locals. One shows Hamilton and we believe McColough at a talk on DWEP (The Domestic Workers and Employers Project); one shows Thomas with four locals, one of them holding an umbrella over Thomas' head; one shows Thomas outside of what appears to be a church, speaking to a man with a crowd of children surrounding them; and one shows a large gathering of people (Hamilton included) in hardhats and jumpsuits. There are also six photos taken at what we believe to be a mansion known as "Graceland" located in Muizenberg, Cape Town, South Africa. One is a view of what looks to be the back of the house taken from afar, then we see exterior shots of commissioners and others drinking coffee and chatting, and interior shots of them working. Later in the album, perhaps at Graceland, a curious photo shows three people looking from a second story railing and displaying a large cartoon. It's very hard to make out the caption in full but it mentions "the press." Also included is a bag of personal mementos: four home photographs of a child, two including a man, and one including a woman, a copy of *Pages of Time: 1929* (the year Hamilton was born) given to him for his 74th birthday, a card with a newspaper clipping announcing him being appointed professor of government at Columbia University, his daughter's (Carol) ID card from when she worked in the Office of the Secretary at the Department of Commerce as well as her business card from when she was the president of Cooper Hamilton Associates; and three other business cards, perhaps of associates. Based on the presentation we suspect that this album was a gift given to each of the eleven commissioners, though we cannot find another example of it. The album consists of 38 color photographs affixed to thick cardstock pages bound within an album of blue leather boards stamped in silver print on the front board with two lines of silver tooling on the spine. Boards worn, but overall a near fine album with the photos clean and bright. A behind the scenes look at the Study Commission on U.S. Policy Toward Southern Africa in the time of Apartheid.…

First edition, first printing. Edition of 50 signed by the artists. Fig-1 was 50 projects in 50 weeks initiated by Mark Francis and Jay Jopling, set in a small warehouse building in Soho, each project lasting one week. Each poster is signed by the relevant artist or artists. The projects embraced a broad range of contemporary creative productions including fine art, with 13 Turner Prize nominees, as well as literature, film and video, fashion, design, and architecture. Quarto, 32 page stapled booklet, A1 folded poster with photo-portraits of all the artists, 50 A2 folded posters. With the original silver card clamshell box. Box lightly rubbed to edges, else fine.…