herb a lightman (27 resultados)

Trade Paperback. Condición: Very Good. Estado de la sobrecubierta: None. Cover story: The Photography of "Patton". Also, very early article on IMAX.

Soft cover. Condición: Good. No Jacket. AMERICAN CINEMATOGRAPHER Vol. 61, No. 6 (June 1980) [Behind the Scenes of the movie THE EMPIRE STRIKES BACK], edited by Herb A. Lightman, softcover, illustrated with numerous B/W and color photos, 1980. ITEM CONDITION: good. The text block and illustrations are in fine condition with no dog-ears, tears, or marks. There is no bookplate nor signature of a prior owner. This is not a remainder, but it was discarded by a college library which has two stamped spots on front wrap. The photo-illustrated wraps are in good condition (slight curling of corners, rubbing, smudge on back cover). 11 3/4 x 8 1/2, 112 pages, 10 ounces. XX The American Society of Cinematographers is not a labor union or a guild, but is an educational, cultural and professional organization. Membership is by invitation to those who are actively engaged as Directors of Photography and have demonstrated outstanding ability. Not all cinematographers can place the initials A.S.C. after their names. A.S.C. membership has become one of the highest honors that can be bestowed upon a professional cinematographer, a mark of prestige and distinction. Contents of this issue: Behind the Scenes of THE EMPIRE STRIKES BACK, The Photography of EMPIRE, Special Visual Effects for EMPIRE, "O Pioneers!" or "Inside I.L.M.", Through the Galaxy from Ice Planet to Bog Planet, Composite Optical Photography for EMPIRE, Effects Photography for EMPIRE, Creating the Matte Paintings for EMPIRE, Filming the Aerials for EMPIRE. ON THE COVER: Production design renderings by Conceptual Artist Ralph McQuarrie for two sequences from THE EMPIRE STRIKES BACK, produced by Gary Kurtz, directed by Irvin Kershner, photographed by Peter Suschitzky, BSC, with George Lucas as Executive Producer. A Lucasfilm Ltd. Production. A Twentieth Century-Fox Release.

Trade Paperback. Condición: Very Good. Estado de la sobrecubierta: None. Cover story: On Location with The Deep.

soft cover. Condición: as new. In-4 broché. L'Écran fantastique est un magazine mensuel de cinéma fantastique créé en 1969 par Alain Schlockoff. Au départ simple fanzine en noir et blanc, il devient rapidement un magazine professionnel tiré au début à 5 000 exemplaires et de parution trimestrielle. SOMMAIRE : --- 5 Télévision La télé fantastique du mois (autre) Auteur : GIRES Pierre --- 6 Enfant sacré du Tibet (L') (critique, article sur un film) Auteur : SCOTTO Daniel --- 6 Manhattan Project (critique, article sur un film) Auteur : SCOTTO Daniel --- 7 Froid comme la mort (critique, article sur un film) Auteur : KARANI Cathy --- 9 Fievel et le Nouveau Monde (critique, article sur un film) Auteur : BORIE Bertrand --- 14 RITCHIE Michael (entretien) Auteur : RABKIN William --- 16 Enfant sacré du Tibet (L') Les effets spéciaux de l'I.L.M. (critique, article sur un film) Auteur : MAGID Ron --- 21 PHILLIPS Maurice (entretien) Auteur : SALZA Giuseppe --- 27 SHOSTROM Mark (entretien) Auteur : BOUZEREAU Laurent --- 30 Freddy 3, les griffes du cauchemar (critique, article sur un film) Auteur : BOUZEREAU Laurent --- 33 Manhattan Project (autre) --- 34 Froid comme la mort (autre) --- 51 Enfant sacré du Tibet (L') (autre) --- 52 Amie mortelle (L') (autre) --- 54 Manhattan Project (critique, article sur un film) Auteur : SWIRES Steve --- 58 Télévision Fantastique à la télévision américaine (autre) Auteur : GOLDBERG Lee --- 62 King Kong 2 (critique, article sur un film) Auteur : GREENBERG Jack --- 64 Kongfrontation (autre) Auteur : LIGHTMAN Herb A. --- 67 Cinéma fantastique Le mythe de King Kong à l'écran (cinémas nationaux ou genre) Auteur : GIRES Pierre --- 76 La gazette de l'Écran fantastique (autre) Auteurs : PERRET Xavier , CAMPOS Élisabeth , WERHNER Charlotte , COMBALLOT Richard --- 79 Vidéodrome (dvd) Auteur : KARANI Cathy --- 80 Dernier survivant (Le) (dvd) --- 80 Short circuit (dvd) --- 80 Future cop (dvd) --- 80 Poltergeist 2 (dvd) --- 80 Monstres de la mer (Les) (dvd) --- 81 Vampires du docteur Dracula (Les) (dvd) --- 81 Fantômes à louer (dvd) --- 81 Blacula, le vampire noir (dvd) --- 81 Planète terre (dvd) --- 81 Vindicator (The) (dvd) --- 81 Of pure blood (dvd) --- 81 Formula for a murder (dvd) --- 81 Creepers (dvd).

Magazine. Condición: Good. Single-issue magazine. Staple-bound in glossy wraps; 30cm x 21.5cm. Binding remains sturdy and fully intact; text, photos, illustrations very good throughout; light to moderate amount of wear to edges; light rubbing to wraps. Ships from Dinkytown in Minneapolis, Minnesota.

Magazine. Condición: Good. Single-issue magazine. Staple-bound in glossy wraps; 30cm x 21.5cm. Binding remains sturdy and fully intact; text, photos, illustrations very good throughout; light to moderate amount of wear to edges; light rubbing to wraps. Ships from Dinkytown in Minneapolis, Minnesota.

Magazine. Condición: Good. Single-issue magazine. Staple-bound in glossy wraps; 29.5cm x 21cm. Binding remains sturdy and fully intact; text, photos, illustrations very good throughout; light to moderate amount of wear to edges; light rubbing to wraps. Ships from Dinkytown in Minneapolis, Minnesota.

Magazine. Condición: Good. Single-issue magazine. Staple-bound in glossy wraps; 30cm x 22.4cm. Binding remains sturdy and fully intact; text, photos, illustrations very good throughout; light to moderate amount of wear to edges; light rubbing to wraps. Ships from Dinkytown in Minneapolis, Minnesota.

Magazine. Condición: Good. Single-issue magazine. Staple-bound in glossy wraps; 30cm x 22.4cm. Binding remains sturdy and fully intact; text, photos, illustrations very good throughout; light to moderate amount of wear to edges; light rubbing to wraps. Ships from Dinkytown in Minneapolis, Minnesota.

soft cover. Condición: as new. In-4 broché. L'Écran fantastique est un magazine mensuel de cinéma fantastique créé en 1969 par Alain Schlockoff. Au départ simple fanzine en noir et blanc, il devient rapidement un magazine professionnel tiré au début à 5 000 exemplaires et de parution trimestrielle. SOMMAIRE : --- 4 Éditorial (autre) --- 8 Esprit de Caïn (L') (critique, article sur un film) Auteur : GAUTHIER Alain --- 8 Main sur le berceau (La) (critique, article sur un film) Auteur : MARTIN Hugues --- 9 Universal soldier, le combat absolu (critique, article sur un film) Auteur : VANDISTE Jean-Luc --- 9 Obsession fatale (critique, article sur un film) Auteur : MARTIN Hugues --- 9 Vampire au Paradis (Un) (critique, article sur un film) Auteur : PITON Jean-Pierre --- 10 Alien 3 (critique, article sur un film) Auteurs : ALBIN Olivier , MOUTIER Norbert --- 17 GILLER David (entretien) --- 19 WOODRUFF Tom (entretien) --- 19 GILLIS Alec (entretien) Auteur : ALBIN Olivier --- 23 BERGER Howard (entretien) Auteur : ALBIN Olivier --- 26 VOGT Mary (entretien) Auteur : ALBIN Olivier --- 26 RINGWOOD Bob (entretien) --- 29 MUNRO Alan (entretien) --- 31 HANEY Kevin (entretien) --- 33 HART Christopher (entretien) --- 36 58 minutes pour vivre (dvd) Auteur : MOUTIER Norbert --- 40 WILLIS Bruce (entretien) --- 42 Backdraft (dvd) Auteur : LIGHTMAN Herb A. --- 47 McCALLUM Rick (entretien) Auteur : QUÉLOU --- 47 Young Indiana Jones chronicles (The) (critique, article sur un film) --- 50 CARRIER Corey (entretien) --- 51 CARDONE Nathalie (entretien) --- 52 BOCQUET Gavin (entretien) --- 54 Young Indiana Jones chronicles (The) (critique, article sur un film) Auteurs : QUÉLOU , SAINZ Salvador --- 56 MARHOUL Vaclav (entretien) --- 57 MANZOR René (entretien) Auteur : SCHLOKOFF Alain --- 60 GILLIAM Terry à propos de : Fisher King (The) (entretien) Auteur : SALZA Giuseppe --- 64 Ciné musique (autre) Auteur : DELÉLÉE Cedric --- 65 PALANCE Jack Jack Palance fascinant monstre sacré de l'écran (article d'ensemble) Auteur : PITON Jean-Pierre --- 71 PALANCE Jack (filmographie) Auteur : PITON Jean-Pierre --- 74 La gazette (autre) Auteurs : KARANI Cathy , CAMPOS Élisabeth , ANDREVON Jean-Pierre --- 76 Bandes dessinées (autre) Auteur : ANDREVON Jean-Pierre --- 77 Electric dreams (autre) Auteur : GIORDANO Patrick --- 78 American Gothic (dvd) Auteur : KARANI Cathy --- 78 Body parts (dvd) --- 78 Dangerous game (dvd) --- 79 Perfect bride (The) (dvd) --- 79 Possession of Joel Delaney (The) (dvd) --- 79 Gate 2 (dvd) --- 79 Love kills (dvd) --- 79 Dead boyz can't fly (dvd) --- 80 Puppet master 3 : Toulon's revenge (dvd) --- 80 Black magic (dvd) --- 80 Star slammer (dvd) --- 80 Lightning incident (The) (dvd) --- 80 Waxwork 2 : lost in time (dvd) --- 81 Lower level (dvd) --- 81 Dance with death (dvd) --- 81 Sous-sol de la peur (Le) (dvd) --- 81 Backdraft (dvd) --- 81 Extrême limite (dvd) --- 81 Ricochet (dvd).

Condición: Good. Good condition. Volume 56, No. 4. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years. (periodicals, film ).

Soft cover. Condición: Good. July 1974 American Cinematographer magazine. Covers show moderate soiling/scratches with mailing label on front. Bookseller since 1995 (LL-Base2-BS-12-L-Bottom) rareviewbooks.

Magazine. Condición: Very Good. (Vol. 48, No. 11). [moderate edgewear to covers, minor deterioration along spine, light discoloration around edges of rear cover]. (B&W and color photographs, ads) Feature articles in this issue include: the cover story, examining "how M-G-M Studios Laboratory and Sound technicians overcame all-but-impossible technical odds to create 'fully dimensional' version" of GWTW for its then-current re-release (which no doubt seemed like an amazing feat at the time, although viewed in a somewhat different light was a desecration); "The Challenges of Filming Commercials for Color TV"; a behind-the-scenes production report on filming puppets for the British TV series THE THUNDERBIRDS; an article about a UCLA film student who got a job filming a kayaking expedition along the coast of Japan; "More Facts About Vidtronics," a color tape-to-film transfer process; "How Cinematography is Used to Monitor the Apollo 4 Moon Shot.

Magazine. Condición: Very Good+. (Vol. 60, No. 6). [light external wear, original subscriber's mailing label on rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. This issue features an article on the production of Terrence Malick's DAYS OF HEAVEN (written by its d.p., the great Nestor Almendros) and two articles about the Frank Lagella-starring DRACULA (directed by John Badham, shot by Gilbert Taylor). In the "60th Anniversary" theme, there is a historical survey of the ASC and an additonal article about the history of its distinctive Hollywood clubhouse. Finally, there are articles about the shooting of two documentaries: ROCKY MOUNTAIN REUNION, an ABC-TV special starring John Denver, and THE CHESSIE STEAM SPECIAL, a filmed celebration of the 150th anniversary of the Baltimore & Ohio Railroad. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).

Magazine. Condición: Very Good+. (Vol. 59, No. 1). [covers moderately rubbed, a bit of scarring and paper remnants on rear cover (probably from removal of subscriber's mailing label), light soiling to rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. Virtually the entirety of this issue is devoted to the production of the film CLOSE ENCOUNTERS OF THE THIRD KIND, with the magazine's usual "behind the scenes" feature accompanied by articles by cinematographer Vilmos Zsigmond, production designer Joe Alves, supervising sound editor Frank Warner, producers Julia and Michael Phillips, director Steven Spielberg (writing about the production's "unsung heroes"), visual effects supervisor Douglas Trumbull. There's also a lengthy interview with Spielberg, and all of this material is of course profusely illustrated. One of the more sought-after and collectable issues of A.C. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).

Soft cover. Condición: Very Good. No Jacket. 11 x 6.25 inches approx. Vol.62 No.1. Light cover wear. No tears or creasing. Unmarked. VERY GOOD+.

Soft cover. Condición: Near Fine. No Jacket. 11 x 8.25 inches approx. Vol.63 No.5. No tears or creasing. Unmarked. NEAR FINE.

Soft cover. Condición: Near Fine. No Jacket. 11 x 8.25 inches approx. Vol.63 No.4. No tears or creasing. Unmarked. NEAR FINE.

Magazine. Condición: Near Fine. (Vol. 51, No. 4). [nice clean copy with minor handling wear, small remnants of removed mailing label at left edge of front cover, one-time owner's name and date stamp at upper right corner of front cover; slight musty odor from long-term storage]. (B&W and color photographs, ads) The cover story, examining the challenging on-location shooting of the film THE MOLLY MAGUIRES by the great cinematographer James Wong Howe, puts special emphasis on his "radical departure from conventional technique" via the use of quartz "clusters" to replace traditional arc lights. Lighting, in fact, seems to be something of a theme of this issue, as there are two additional articles on aspects of the same subject: one about xenon lighting for location filming, the other an evaluation of quartz vs. other methods of set-lighting.) Also of interest in this issue: "Maintaining the Modern Motion Picture Camera," by a "staff of skilled technicians"; "A Computer You Could Learn to Love," about "an electronic brain that generates images within itself, or does amazing things with an artist's designs" (the emphasis here is on its usefulness for low-budget animation, but it's easy for us to see the seeds of the future in this article); an article discussing (briefly) the five films nominated for that year's Academy Award in Cinematography (ANNE OF THE THOUSAND DAYS, BUTCH CASSIDY AND THE SUNDANCE KID; HELLO, DOLLY!; MAROONED; BOB & CAROL & TED & ALICE), along with a rather detailed explanation of how the Oscar nominations are detemined; an article about Summit Films, "a company made up of small teams of highly individualistic young film-makers is applying imaginative ideas and techniques to film," mostly of skiing, it seems.

Magazine. Condición: Very Good+. (Vol. 49, No. 3). [modest edgewear to covers, tiny tear and associated horizontal crease at top of front cover, minor scarring and residue on rear cover from removal of mailing label]. (B&W and color photographs) The cover story is "Creating the 'Psychedelic' visual effects for 'THE TRIP'," explaining how "translation into cinematic terms of the far-out hallucinations inducted by LSD required skilled application of intricate 'light show' and optical technology." Also in this issue: an article lauding the achievements of ASC Associate Member Kemp R. Niver in re-photographing the Library of Congress paper prints onto 16mm film, using a process of his own devising, for which he was awarded an Honorary Oscar in 1955. (Ironically, however, with ever-evolving and improving technology in the world of film preservation, Niver's work eventually came to be regarded as substandard, and in the 1990s the Library of Congress began a project to re-photograph the entire Paper Print Collection onto 35mm film.).

Soft cover. Condición: Near Fine. No Jacket. 11 x 8.25 inches approx. Vol.56 No.6. No tears or creasing. Unmarked. NEAR FINE.

Magazine. Condición: Very Good+. (Vol. 60, No. 8). [moderate wear along spine, slight bumping to corners, faint rubbing to front cover, subscription mailing label on rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. A substantial part of this issue is devoted to the production of Ridley Scott's ALIEN, with a general "behind the scenes" feature plus separate articles by Scott, cinematographer Derek Vanlint, and production designer Michael Seymour. Also in this issue: an article about the creation of the special visual effects for THE CONCORDE--AIRPORT '79, by Abe Milrad; an interview with director Bob Giraldi and cinematographer Eddie Barnett about their "formula for creating award-winning TV commercials"; an article by Tom Frei about techniques for filming tracking shots inside a moving automobile; an article by Stanley Mindel about filming in London's East End; and an account of a visit paid to the film industry in China by a delegation of American film technicians. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).

Paperback. Condición: Good. > Edition/Printing: Vol. 5 | Color/BW Illus. Male oriented peek magazine of the early 60's. Stories, art, photos. etc. Shelf wear, corner and edge wear. Creasing/curling to corners. Mature Content. Year 1966. Oversize/Overweight, No International shipping, No Expedited shipping. Standard shipping only.

Magazine. Condición: Near Fine. [light handling wear, a touch of age-toning along the spine, small remnants of removed mailing label at edge of rear cover, one-time owner's name and date stamp just below title on front cover; slight musty odor from long-term storage]. (B&W and color photographs, ads) The dual cover story of this issue has to do with filming the Vietnam War -- both for real ("As Filmed by U.S. Air Force Cameramen") and for Hollywood ("As Filmed for THE GREEN BERETS"), the latter of course the John Wayne topliner which presented a decidedly hawkish viewpoint on the war. Also in this issue: an article about the filming of the documentary film THE REDWOODS, that year's Academy Award winner; "Recent Trends in Location Lighting"; "Mexico Plans Massive Filming Project for the Olympic Games"; and an article about how the relatively new Super-8 format, "having proved its worth in the professional arena, has spurred a vast tide of new production.".

Magazine. Condición: Near Fine. (Vol. 49, No. 3). [nice and clean, faint handling wear, slight bump to lower right corner]. (B&W and color photographs) Befitting the scale of the enterprise, this issue contains no fewer than four articles about various aspects of the production of HEAVEN'S GATE: "On Location with HEAVEN'S GATE"; "Behind the Cameras on HEAVEN'S GATE"; an interview with director Michael Cimino, presented under the title "The Film That Took on a Life of Its Own"; and "Introducing the 'Little Big Crane'.".

Magazine. Condición: Near Fine. (Vol. 48, No. 10). [very nice copy, minimal wear, light age-toning at page edges; no subscription label or other markings]. (B&W photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. The cover story and primary article is a 4-page piece, illustrated with numerous photographs, about the filming of THE ST. VALENTINE'S DAY MASSACRE, directed by Roger Corman and photographed by Milton Krasner -- which was, as the article details, shot not at all in its Chicago settings but entirely on sound stages and street sets at 20th Century-Fox and M-G-M. Perhaps of greater interest in retrospect, however, is the other behind-the-scenes production article, entitled "Out-of-this-world Special Effects for 'Star Trek'," in which their companies' individual contributions to the show are discussed by three of the top special-effects experts in the business -- Howard A. Anderson, Linwood G. Dunn, and Joseph Westheimer -- who "worked separately but in a spirit of cordial collaboration to produce some of the most stunning and literally 'far out' visual effects ever to be recorded on color film.".

Magazine. Condición: Very Good+. [light handling wear, a touch of age-toning along the spine, small remnants of removed mailing label at left edge of front cover, one-time owner's name and date stamp at upper right corner of front cover; slight musty odor from long-term storage]. (B&W and color photographs, ads) An important issue of this periodical, containing no fewer than five articles related to the technical and logistical challenges of filming the Woodstock festival, including an article by director Michael Wadleigh and a scholarly analysis of cinema verità by a "former professor-turned-soundman" who had worked with Wadleigh on that film and other projects.