Hein hilde s (37 resultados)

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condición: good. Signs of wear and consistent use.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover, 204 pages; very good condition; clean and crisp; owner's name; no other internal marks. Foreign shipping may be extra.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: acceptable.

Hardcover, Yellow Cloth. Condición: Good Solid Ex. Library Copy. Estado de la sobrecubierta: Dust Jacket (c) Price Clipped. Copyright Date: 1971 Octavo, , PP.180, First Edition The History Of Science SEries.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781560983965. …

paperback. Condición: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Condición: Good. tight, uncreased spine, shelf and edge wear, corners bumped, highlighting, packaged in cardboard box for shipment, tracking on U.S. orders.

Paperback. Condición: new. Paperback. Since 1970, museums of all kinds have tried to become more responsive to the interests of a diverse public by shifting from the presentation of real things to the production of experiences. With exhibitions becoming people-centred, idea-oriented, and contextualized, the boundaries between museums and the "real" world are becoming eroded, and museum professionals now admit to having a hand in the creation of reality. In this work, the author contends that glorifying the museum experience at the expense of objects deflects the museum's educative, ethical, and aesthetic roles. Referring to institutions ranging from art museums to theme parks, she shows how deployment has replaced amassing as a goal and discusses how museums now actively shape and create values. She is critical of the dominating influence on all museums of an aesthetic of art works in art museums and proposes a more integrative museum aesthetic. Since 1970, museums have tried to become more responsive to the interests of a diverse public by shifting from the presentation of real things to the production of experiences. This work contends that glorifying the museum experience at the expense of objects deflects the museum's educative roles. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condición: New. First Edition. E14.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

VG, clean HB; no DJ. 180 pp. 1st. edition.

Paperback. Condición: near fine. First printing of paperback ed. Small quarto in pale blue-grey illus wraps; xxii, 256 pages, 22 pages of plates: illustrations; 24 cm; bibliographical references (pages 235-249) and index. Museums -- California -- San Francisco. Mus?es -- Californie -- San Francisco. Organization of science and culture. Museums. Experiment Museum Exploratorium (San Francisco) Techniek. Musea. Wetenschap. Exposicao museologica. Museus. Mus?es -- Californie (?tats-Unis) Heimatmuseum der Gemeinde Grundau alifornia -- San Francisco. Children's Museums. Education, Science. Tactile Dome. Persoanl donation sticker to front wrap verso; light edge-wear; else overall near fine. Tight and clean within. …

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. small prev owner sig on F.E.P.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Edited by Daniel A. Greenberg, History of Science Series. Stated first edition. Orange cloth, black eps. 8vo. pp. 180, [2] colophon. Near Fine/In like jacket/Clipped price in clear archival cover. Trace wear and cover soil. Includes original erratum card. Examines the theories of "vitalism, mechanism, spontaneous generation & biopoesis and their implications". ISBN:07027892-x. German born Hein was the first female tenured member at The College of the Holy Cross, Worcester MA. …

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Since 1970, museums of all kinds have tried to become more responsive to the interests of a diverse public by shifting from the presentation of real things to the production of experiences. With exhibitions becoming people-centred, idea-oriented, and contextualized, the boundaries between museums and the "real" world are becoming eroded, and museum professionals now admit to having a hand in the creation of reality. In this work, the author contends that glorifying the museum experience at the expense of objects deflects the museum's educative, ethical, and aesthetic roles. Referring to institutions ranging from art museums to theme parks, she shows how deployment has replaced amassing as a goal and discusses how museums now actively shape and create values. She is critical of the dominating influence on all museums of an aesthetic of art works in art museums and proposes a more integrative museum aesthetic. Since 1970, museums have tried to become more responsive to the interests of a diverse public by shifting from the presentation of real things to the production of experiences. This work contends that glorifying the museum experience at the expense of objects deflects the museum's educative roles. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware - During the past thirty years, museums of all kinds have tried to become more responsive to the interests of a diverse public. With exhibitions becoming people-centered, idea-oriented, and contextualized, the boundaries between museums and the "real" world are eroding. Setting the transition from object-centered to story-centered exhibitions in a philosophical framework, Hilde S. Hein contends that glorifying the museum experience at the expense of objects deflects the museum's educative, ethical, and aesthetic roles. Referring to institutions ranging from art museums to theme parks, she shows how deployment has replaced amassing as a goal and discusses how museums now actively shape and create values.…

Condición: New. Hilde S. Hein is an associate professor emerita of philosophy at the College of the Holy Cross and the author of The Exploratorium: The Museum as Laboratory.During the past thirty years, museums of all kinds have tried to become more respo.

Condición: New.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.