heholt ruth (293 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 288 pages. 7.80x5.12x0.67 inches. In Stock.

Paperback. Condición: Near Fine. A nice, solid copy. ; 6 X 0.8 X 9 inches; 283 pages.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Cornwall as Strange Fiction is focused on written and visual culture that is made in, or made about, Cornwall and where there is affinity with Gothic. Cornwall and the Scilly Isles (known as 'Kernow' in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic. In 1998, Avril Horner and Sue Zlosnik coined the term 'Cornish Gothic' in relation to the work of Daphne du Maurier. Since then, however, there have been few discussions of the distinctive types of Gothic engendered by cultural and imaginative re-creations of Cornwall or where it has played a generative role within creative practice. Cornwall as Strange Fiction argues that a persistent imaginative romance with the peninsular has produced a specific and distinctive set of Gothic fictions and creative outputs that mark an exciting new departure in the discussion of regional and media-aware Gothic studies. Offering new insights into the relationships between place and Gothic, this book aims to engender and encourage greater debate through our argument that Cornwall plays a potent role in the landscape of regional Gothic and argues that it needs to be considered more fully as a major catalyst in the Gothic imagination.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Cornwall as Strange Fiction is focused on written and visual culture that is made in, or made about, Cornwall and where there is affinity with Gothic. Cornwall and the Scilly Isles (known as 'Kernow' in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic. In 1998, Avril Horner and Sue Zlosnik coined the term 'Cornish Gothic' in relation to the work of Daphne du Maurier. Since then, however, there have been few discussions of the distinctive types of Gothic engendered by cultural and imaginative re-creations of Cornwall or where it has played a generative role within creative practice. Cornwall as Strange Fiction argues that a persistent imaginative romance with the peninsular has produced a specific and distinctive set of Gothic fictions and creative outputs that mark an exciting new departure in the discussion of regional and media-aware Gothic studies. Offering new insights into the relationships between place and Gothic, this book aims to engender and encourage greater debate through our argument that Cornwall plays a potent role in the landscape of regional Gothic and argues that it needs to be considered more fully as a major catalyst in the Gothic imagination.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Good. PAPERBACK Standard-sized.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Cornwall as Strange Fiction is focused on written and visual culture that is made in, or made about, Cornwall and where there is affinity with Gothic. Cornwall and the Scilly Isles (known as 'Kernow' in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic. In 1998, Avril Horner and Sue Zlosnik coined the term 'Cornish Gothic' in relation to the work of Daphne du Maurier. Since then, however, there have been few discussions of the distinctive types of Gothic engendered by cultural and imaginative re-creations of Cornwall or where it has played a generative role within creative practice. Cornwall as Strange Fiction argues that a persistent imaginative romance with the peninsular has produced a specific and distinctive set of Gothic fictions and creative outputs that mark an exciting new departure in the discussion of regional and media-aware Gothic studies. Offering new insights into the relationships between place and Gothic, this book aims to engender and encourage greater debate through our argument that Cornwall plays a potent role in the landscape of regional Gothic and argues that it needs to be considered more fully as a major catalyst in the Gothic imagination. Focussing on written and visual culture that is made in or made about Cornwall, this book argues that Cornwall and the Scilly Isles (known as 'Kernow' in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. A bold study on the very epicentre of Victorian ideology: the white, male body The Victorian Male Body examines some of the main expressions and practices of Victorian masculinity and its embodied physicality. The white, and frequently middle class, male body was often normalised as the epitome of Victorian values. Whilst there has been a long and fruitful discussion around the concept of the 'too-visible' body of the colonised subject and the expectations placed on women's bodies, the idealised male body has received less attention in scholarly discussions. Through its examination of a broad range of Victorian literary and cultural texts, this new collection opens up a previously neglected field of study with a scrutinising focus on what is arguably the ideologically most important body in Victorian society. This collection provides a wide variety of essays on different aspects of Victorian literature and culture, considering the variety of forms that this 'idealised' male body actually encompassed: fat, starving or disabled bodies, the ghostly figure, the 'othered' body, and the developing body of the schoolboy. The chapters in this book offer a detailed and clear reassessment of the Victorian concepts of manliness, masculinity, homosociality, morality, action, and adventure.Key FeaturesProvides a wide variety of essays on different aspects of Victorian literature and culture with subjects ranging from nature poetry, disability and pirates, fat and thin men, ghost soldiers and popular magazinesOpens up a neglected field of study with a scrutinizing focus on the ideologically most important body in Victorian societyAllows a re-evaluation of other areas of Victorian culture such as colonialism and debates about class, religion and scienceEnables a detailed and clear reassessment of the Victorian concepts of manliness, masculinity, homosociality, morality, action, and adventure.

Paperback. Condición: new. Paperback. A bold study on the very epicentre of Victorian ideology: the white, male bodyThe Victorian Male Body examines some of the main expressions and practices of Victorian masculinity and its embodied physicality. The white, and frequently middle class, male body was often normalised as the epitome of Victorian values. Whilst there has been a long and fruitful discussion around the concept of the 'too-visible' body of the colonised subject and the expectations placed on women's bodies, the idealised male body has received less attention in scholarly discussions. Through its examination of a broad range of Victorian literary and cultural texts, this new collection opens up a previously neglected field of study with a scrutinising focus on what is arguably the ideologically most important body in Victorian society. This collection provides a wide variety of essays on different aspects of Victorian literature and culture, considering the variety of forms that this 'idealised' male body actually encompassed: fat, starving or disabled bodies, the ghostly figure, the 'othered' body, and the developing body of the schoolboy. The chapters in this book offer a detailed and clear reassessment of the Victorian concepts of manliness, masculinity, homosociality, morality, action, and adventure.Key FeaturesProvides a wide variety of essays on different aspects of Victorian literature and culture with subjects ranging from nature poetry, disability and pirates, fat and thin men, ghost soldiers and popular magazinesOpens up a neglected field of study with a scrutinizing focus on the ideologically most important body in Victorian societyAllows a re-evaluation of other areas of Victorian culture such as colonialism and debates about class, religion and scienceEnables a detailed and clear reassessment of the Victorian concepts of manliness, masculinity, homosociality, morality, action, and adventure The Victorian Male Body examines some of the main expressions and practices of Victorian masculinity and its embodied physicality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. While the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror's geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.

Paperback. Condición: new. Paperback. The first scholarly exploration of the history and resurgence of folk horror. While the undisputed heyday of folk horror was 1960-70s Britain, the genre has both a rich literary prehistory and a vibrant contemporary presence. This book rethinks the assumptions that have guided critical writing on the genre in the face of these expansions. Chapters explore a range of subjects including E. F. Bensons fiction, Scooby-Doo, Lancashire witches, and video games. Beyond Britain, the collection examines folk horrors wide geographic appeal in Italy, Ukraine, Thailand, Mexico, and Appalachia, mapping new conceptualizations of the genre that emerge from these places. The essays in Folk Horror: New Global Pathways explore the cultural and political significance of the darker and more violent manifestations of folkloric stories, from Britain to Ukraine and Italy, and from Thailand to Mexico and the Appalachian US. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: New. In.

Condición: new.

Paperback. Condición: Brand New. 280 pages. 8.50x5.50x0.90 inches. In Stock.

PF. Condición: New.

Condición: New.

Condición: New. pp. 272.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.