hecker judith b (13 resultados)

Paperback. Condición: VG. BW-illustrated and white wraps with red and yellow lettering. 96 pp. Color and BW illlustrations. Catalogue of an exhibition from March 23 - August 14, 2011.

hardcover. Condición: Very Good. clean well kept hardcover copy with dust jacket, fast shipping with tracking number.

Hardcover with dustjacket, pages, very good condition, clean and crisp; owner's name; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition.

Estado de la sobrecubierta: dj. First Edition. First edition. Hardcover. First printing. 72 pages. Essay by Judith B. Hecker and with an artist's talk by Kentridge. Includes numerous illustrations with many of them on translucent sheets. A fine copy in a fine dust jacket. A nicely printed book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. White hardcover with title in black and red on front cover and spine, translucent dustjacket. Condition: Fine, binding sound, no inscriptions. Dustjacket condition: Very good, with just a hint of shelfwear. 72pp. Unusually produced publication with many illustrations, several printed onto translucent paper. This book is a catalogue of the Museum of Modern Arts' collection of nearly fifty of Kentridges' prints and books and is also and artists book in itself.

Paperback. Condición: Very Good. Softcover. Spanish and English text. Shelf wear. Binding bent. Pages unmarked. 56 pages : chiefly illustrations (all color) ; 31 cm. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. William Kentridge's art brings together drawing, film animation, sculpture and performance. He also applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his earliest forays into artmaking in the 1970s to his recent operas. ?Printmaking has been not just an edge to or a side journey from the work that I've been making over the last 30 years or so,? the artist has said, ?but is very much a key to it.? Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between past and present. The book also includes a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice.

Hardcover. Condición: Very good. Estado de la sobrecubierta: very good. Hardcover/dust jacket Octavo. printed white covers, black and red lettering to front, spine and back, translucent dust jacket, 72 pp.

103; 30.5 x 32.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph / exhibition catalogue published in conjunction with show "Open Ends" held September 28, 2000 - January 30, 2001, the third and final exhibition in MoMA's series of exhibitions MoMA2000 drawing from works from the collection across curatorial departments and historical categories. Edited by Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. Introduction by Kirk Varnedoe. Essays by Kirk Varnedoe, Paola Antonelli, Joshua Siegel, M. Darsie Alexander, Mary Lea Bandy, Fereshteh Daftari, Judith B. Hecker, Susan Kismaric, Roxana Marcoci, Terence Riley, and Lilian Tone. Artists include Cindy Sherman, Vito Acconci, Rainer Werner Fassbinder, Philip Guston, Peter Hujar, Ingmar Bergman, William Wegman, Richard Prince, Francesco Clemente, Frank Stella, Robert Ryman, Robert Frank, Susan Rothenberg, Andy Warhol, David Wojnarowicz, Annette Messager, Louise Bourgeois, Carrie Mae Weems, John Baldessari, Jean-Luc Godard, Matthew Barney, and many, many others. Includes checklist of illustrations and an index of illustrations. Fine. Light yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

HARDCOVER. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Heavy Square 4to in black embossed grey cloth covered boards, 261pp on thick gloss art paper, numerous illustrations in text, etc. Text in French / Texte en Francais . [CONDITION: An AS NEW unmarked copy in an AS NEW complete Dust Jacket ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 264 pp., 294 ills. hardcover, with DVD - South African artist William Kentridge (*1955 in Johannesburg) works with a variety of media, such as drawing, sculpture, film, and theater.This publication examines five of the fundamental themes Kentridge examines in his work. Aside from projects that reflect the tensions, conflicts, and transitions in South Africa, the artist s home, the book also focuses on his most well-known characters, the domineering businessman Soho Eckstein, and his alter ego, Felix Teitlebaum, as well as on his stage designs for productions of Mozart s Magic Flute and Shostakovich s The Nose. Kentridge has created a DVD especially for this book. It provides a fascinating look at the artist at work in his studio and includes excerpts from his major film projects.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Z : 264 Seiten, 294 Abb. gebunden mit Schutzumschlag, mit DVD - Die Publikation erforscht fünf grundlegende Themen, mit denen sich Kentridge in seinen Arbeiten auseinandersetzt. Neben Projekten, die die Spannungen, Konflikte und den Wandel in Südafrika der Heimat des Künstlers reflektieren, liegen weitere Schwerpunkte auf den von Kentridge geschaffenen Charakteren, dem herrschsüchtigen Geschäftsmann Soho Eckstein und seinem Alter Ego Felix Teitlebaum, sowie auf seinen Bühnenbildern für die Inszenierungen von Mozarts Zauberflöte und Die Nase von Dmitri Schostakovtisch. Speziell für diesen Band hat Kentridge eine DVD erstellt, die einen faszinierenden Einblick in die Arbeitsweise des Künstlers gibt, indem sie Studioaufnahmen, die den Künstler bei der Arbeit zeigen, sowie Ausschnitte aus bedeutenden Filmprojekten vereint.