auping michael contributor (16 resultados)

paperback. Condición: Very Good. Very good oversize paperback from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy. Light shelfwear. Interior is free of previous owner markings save single 1.5" stray mark to first page. Ships same or next day from Dinkytown, Minneapolis, Minnesota; due to size/weight of this book additional shipping charges may apply.

Hardcover. Condición: New. Gorgeous oversized hardcover with silver fabric and photo inset with black lettering to spine and front cover. Folio (10.02 x 1.18 x 12.82 inches). Clean text free of marks or underlining. Full color photos and illustrations on heavy paper. Art exhibition catalog from Modern Art Museum of Fort Worth. 262 pp. Fast shipping in a secure book box mailer with tracking. Accompanying a major survey of the American artist Laurie Simmons, this generously illustrated book features every important step of her ever-evolving career--from small black-and-white photographs of miniature furniture to large-scale, full color images featuring life-sized Japanese dolls. Gender roles and identity, reality and its distortion, and the psychologically loaded myth of "normal life" are recurrent themes in Laurie Simmons's work. Taken chronologically, her career has followed a trajectory from miniature to full size, black-and-white to color, mechanical to human. Over more than four decades, the artist's authentic gaze has remained unflinching, whether she is composing tableaux of plastic figurines and props, or painting the eyelids of glamorous models and transforming them into doll-like humans with an unsettling stare. Her well-known series, such as "Walking and Lying Objects" and "The Instant Decorator," are featured here along with lesser-known series that explore underwater photography, self-portraiture, and a feature film starring Meryl Streep and a plastic dummy. The book includes an essay on Simmons's early iconic photographs, while other writings take closer looks at specific and more recent series. Renowned art historian and curator Michael Auping's interview with Simmons rounds out this book. Copublished by the Modern Art Museum of Fort Worth and DelMonico Books.

hardcover. Condición: Fair. Back of dust jacket a little warped from water damage. About half of the pages also a little warped at corner. Binding is strong. No marks in text.

hardcover. Condición: Very Good. clean well kept hardcover copy with dust jacket, fast shipping with tracking number.

Hardcover. Condición: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

hardcover. Condición: Good. Clean, sturdy, and unmarked copy in good condition. Dust jacket included, with some minor wear. DM.

Hardcover. Condición: Brand New. 336 pages. 7.00x7.00x7.17 inches. In Stock.

First edition. 12 x 9 inches. 250 pages. Profusely illustrated in color. Original printed boards; original slipcase. "This landmark catalogue presents a retrospective study of Frank Stella (b. 1936), one of the most important figures in 20th-century American art. Showcasing works from all of his major series, the book surveys the full sweep of Stella's career, from his artistic beginnings in high school and college to today. The book's spectacular plate section comprises more than 100 works, including paintings, sculptures, reliefs, and works on paper. Notable inclusions are his seminal Black Paintings, recent high-relief aluminum works, and a selection of drawings, maquettes, and digital renderings--many of which are reproduced here for the first time--that offer fresh insight into Stella's thinking and process. Essays discuss topics such as the artist's early years at Phillips Academy in Andover and Princeton University, and his late-career architectural pieces created with the aid of computer software. An interview with Stella conducted by American painter Laura Owens allows Stella to illuminate his artistic practice in his own words. Additional resources include a chronology with extensive bibliographic and exhibition references. This definitive publication is the most thorough examination to date of Stella's astounding contributions in all media, which cement his role as one of the most important practitioners of modern abstraction" (the publisher). A clean copy.

Hardcover. Condición: Brand New. 208 pages. 12.50x9.75x1.25 inches. In Stock.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Brand New. 336 pages. 7.00x7.00x7.17 inches. In Stock.

Hardcover. Condición: Brand New. 256 pages. 9.75x11.75x1.25 inches. In Stock.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Brand New. 166 pages. 12.50x10.75x0.75 inches. In Stock.

Hardcover. Condición: Brand New. 616 pages. 11.37x9.87x2.20 inches. In Stock.

First edition. 12 x 9.6 inches. 96 pages. Profusely illustated in color. Original pictorial boards. "This publication examines how Flavin's light works, which he described as "situations," function in space, occupying key positions that highlight how the rooms themselves are constructed. The exhibition is not only historically significant, as it mines early explorations in Flavin's practice, but many of the works are reproduced for the first time in plates that accurately capture their colors. Published on the occasion of the 2015 eponymous exhibition at David Zwirner, New York, Corners, Barriers and Corridors takes as its point of departure the artist's influential show, corners, barriers and corridors in fluorescent light from Dan Flavin, presented at the Saint Louis Art Museum in 1973. Above all, the photography reveals the unexpected and powerful interplay between the light of neighboring pieces and the space--the way the walls, floor, and various hues mingle to form unpredicted palettes that reveal what Michael Auping, following Donald Judd, calls the "exoskeleton." These works, with their immediate relationship to architecture, not only function as color experiments but as structural explorations in light, and in his essay, Auping explores how Flavin's investigations of corners, barriers, and corridors became an essential part of the way the artist understood space. This publication also features rarely seen photographs of Flavin installing his historic 1973 exhibition, as well as detailed notes by Alexandra Whitney about the works included in the St. Louis presentation. Designed by McCall Associates, in close collaboration with the Estate of Dan Flavin, this catalogue presents an especially significant body of work in a completely new way and offers a vital historical perspective on Flavin's practice" (the publisher). New in shrinkwrap.