Hauser helena (64 resultados)

Paperback. Condición: new. Paperback. From Madeline Millers The Song of Achilles (2011) to Pat Barkers The Voyage Home (2024), there has been a huge rise in womens rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in womens reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritagein a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the great men of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renee Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

paperback. Condición: Fine.

Paperback. Condición: New. From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in women's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.…

Condición: New.

Paperback. Condición: new. Paperback. In the last few years, there has been a major and unmissable surge in womens retellings and re-creations of ancient myths and texts that has put womens re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular nowand considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogythus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of womens re-creations of Classics to the contemporary shaping of the field. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. In the last few years, there has been a major and unmissable surge in women's retellings and re-creations of ancient myths and texts that has put women's re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular now-and considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogy-thus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of women's re-creations of Classics to the contemporary shaping of the field. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. From Madeline Miller's The Song of Achilles (2011) to Pat Barker's The Voyage Home (2024), there has been a huge rise in women's rewritings of ancient myths and texts in recent years. Women writers are looking back to the classical past more than ever before, and there is serious public interest in women's reworkings of the ancient world. But at the same time, this is nothing new: women have been responding to the worlds of Greece and Rome for hundreds of years, across many different time periods, and multiple cultures and languages. This first volume in a two-volume set explores the different ways that women have retold and responded to Classics across the ages, as well as how these responses might resist or unpack the tensions inherent in notions of gender, race, canonicity, class and cultural heritage-in a context in which classical education and scholarship have been confined to the ivory tower, studied by men in pursuit of an understanding of the 'great men' of history. Looking at extraordinary women writers across thousands of years, from Sappho, Marguerite de Navarre, Lucrezia Marinella and Renée Vivien to Tayari Jones, Roz Kaveney, Zadie Smith and Anne Carson, from ancient Greece to the Venezuelan diaspora, this volume demonstrates the urgency and the centrality of women's creations in the world of Classics.…

Paperback. Condición: New. In the last few years, there has been a major and unmissable surge in women's retellings and re-creations of ancient myths and texts that has put women's re-creations of Classics centre-stage. Drawing together an interdisciplinary range of creative and scholarly voices, this volume asks why classical creative retellings by women are so popular now-and considers what creativity can do to foster new ways of thinking and writing about Classics, thus blurring the boundary between the creative and the critical. Contributors engage with debates on how to make Classics more accessible through the medium of creative works, so that it is not just a discipline for the select few.This second volume in a two-volume set brings together original creative work by some of the many women writers who are pushing forward changes in the landscape of re-creating Classics, from Madeline Miller to Jennifer Saint, Emily Hauser, Caroline Lawrence, Roz Kaveney, Nikita Gill, Fiona Benson, Anne Carson and many more. These are set alongside discussions and interviews between writers and academics, roundtable conversations among poets and critics, and reflections on creative and inclusive pedagogy-thus offering a cutting-edge collaboration between practitioners and researchers, and underlining the centrality of women's re-creations of Classics to the contemporary shaping of the field. …

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 336 pages. 9.21x6.14x1.00 inches. In Stock.

Paperback. Condición: Brand New. 336 pages. 9.21x6.14x1.00 inches. In Stock.

paperback. Condición: New.

paperback. Condición: New.

Condición: New.

Condición: New.

Condición: New. In English.

Condición: New. In English.

Condición: New.