h wolfflin (82 resultados)

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0714814679.

Soft cover. Condición: Very Good. Illustrations Ilustrador. First American Edition. 230 Pp. Salmon Wrappers. First Printing. Very Good, No Creasing, Tiny Chip At Lower Front Tip, Tiny Price Inked Out On Rear Panel, Ink Price Handwritten On Front Free Endpaper, No Other Marks.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Year unknown. Backstrip detached. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With usual stamps and markings, With owner's name inside cover. In fair condition, suitable as a study copy. Blue cloth covers, corners bumped, spine worn, torn down back edge. Decorative gilt border on front board and spine. Binding loose at front hinge,front endpaper torn at top of hinge 5cm, all other pages frimly attached. Gothic script. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen markings. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:

Softcover. Condición: Bon. Traces d'usure sur la couverture. Salissures sur la tranche. Edition 1967. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Signs of wear on the cover. Stains on the edge. Edition 1967. Ammareal gives back up to 15% of this item's net price to charity organizations.

13623 WOLFFLIN H. 1950?? PRINCIPLES OF ART HISTORY. THE PROBLEM OF THE DEVELOPMENT OF STYLE IN LATER ART. 237PP. ILLUSTRATED. DOVER SOFT EDITION. VERY GOOD CONDITION., (BS-492).

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:

Condición: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

hardback octavo, lacks d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

hardcover. 78 plates. Slim 4to, beige boards, linen back. Munchen: Piper & Co., 1923. Very good (+).

Condición: Very Good. Reprint. Very good plus.

Condición: Good. Tear dust jacket repaired; name on endpaper.

Hardback. Condición: Fine Fine. Estado de la sobrecubierta: Fine. Reprint. Illustrated with over 200 plates, a study of Italian renaissance art. This copy is in FINE condition in a FINE unclipped dustwrapper.

Condición: Gebraucht / Used. Or.hardcover. 289pp. 8°.

Hardcover. Condición: Good. 296 pages. Dj chipped and worn.

Condición: Gebraucht / Used. Hardcover. Good. 287pp. Some handwriting on first fly leaf.

Hardcover. Condición: Good. No Jacket. Revised edition. Shelf and handling wear to cover and binding, with general signs of previous use. Moderate wear to boards due to age and use. All pages are intact, binding is sound. Clean and unmarked. Secure packaging for safe delivery.

1986 edición ESTE LIBRO TIENE SUBRAYADOS A LÁPIZ. El presente texto, que se pretende una contribución a la historia de los estilos y no a la historia de los artistas, adopta como tema la disolución del Renacimiento, es decir, el tránsito del Renacimiento al Barroco. Su propósito es observar los síntomas de la decadencia y reconocer, si es posible, la ley que permita vislumbrar la vida interna del arte. Cómo pudo apagarse aquella luz que presidía todas las manifestaciones artísticas del Renacimiento? Qué espacio de relajamiento, qué arbitrariedad se apoderó de las principales manifestaciones de la cultura para que pudiera ésta abandonar un camino tan gloriosamente comenzado? Son cuestiones que Wölfflin intenta responde a través de su estudio de este proceso, de esta transformación estilística que reside en el paso de un arte riguroso a un arte , de una forma estricta a una ausencia de forma. Así pues, partiendo de esta hipótesis de trabajo, y preferentemente desde el punto de vista arquitectónico, el autor crea los fundamentos para el desarrollo de un análisis científico de la obra de arte, tomando como base ese grupo de obras que han suscitado la admiración de la posteridad, que las ha calificado desde hace mucho tiempo como las creaciones de la Edad de Oro. páginas/pasges.

Hardcover. Condición: Very Good. New York: Chelsea Publishing Company, 1958. First English language edition. Black cloth binding is very clean and tight with bright silver stamping to spine. From the library of sociologist Daniel Bell (with his name on the FFEP). Otherwise no internal markings. Mylar-protected DJ has chips and tears and some toning. Overall, an above-average copy in a worn dust jacket. Book.

Condición: Nuevo. El presente texto, que se pretende una contribución a la historia de los estilos y no a la historia de los artistas, adopta como tema la disolución del Renacimiento, es decir, el tránsito del Renacimiento al Barroco. Su propósito es observar los síntomas de la decadencia y reconocer, si es posible, la ley que permita vislumbrar la vida interna del arte. ¿Cómo pudo apagarse aquella luz que presidía todas las manifestaciones artísticas del Renacimiento? ¿Qué espacio de relajamiento, qué arbitrariedad se apoderó de las principales manifestaciones de la cultura para que pudiera ésta abandonar un camino tan gloriosamente comenzado? Son cuestiones que Wölfflin intenta responde a través de su estudio de este proceso, de esta transformación estilística que reside en el paso de un arte riguroso a un arte , de una forma estricta a una ausencia de forma. Así pues, partiendo de esta hipótesis de trabajo, y preferentemente desde el punto de vista arquitectónico, el autor crea los fundamentos para el desarrollo de un análisis científico de la obra de arte, tomando como base ese grupo de obras que han suscitado la admiración de la posteridad, que las ha calificado desde hace mucho tiempo como las creaciones de la Edad de Oro.