gregory spears (34 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 20 pages. 12.00x9.00x0.10 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. (Piano Solo). SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to "do" - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: 1. for soprano and piano Noten. Sopran und Klavier. Partitur 8 S. . .

Taschenbuch. Condición: Neu. Neuware.

Taschenbuch. Condición: Neu. Neuware.

Taschenbuch. Condición: Neu. Toccata Troika for Solo Piano | Gregory Spears | Taschenbuch | Buch | Englisch | 2019 | Schott | EAN 9781540041425 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. Toccata (Wild Horses) for Piano | Gregory Spears | Taschenbuch | Buch | Englisch | 2019 | Schott | EAN 9781540041432 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. Neuware.

Taschenbuch. Condición: Neu. Walden: For Baritone and Piano | Gregory Spears | Taschenbuch | Partitur | Englisch | 2019 | Schott | EAN 9781540055279 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condición: new. Paperback. (Piano Solo). SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to "do" - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - (Choral Large Works). The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the collection 'Cables to the Ace,' was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ's disciples slept on the eve of his crucifixion. Merton compares their slumber to society s indifference to the destruction of our natural world by potentially dangerous new technologies and war. The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendencyfor technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain. The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued bythe role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable inhis film The Garden, which was shot on location in Dungeness. Gregory Spears.

Condición: 1. for solo piano. solo Klavier. Einzelausgabe .

Condición: 1. for solo piano. Noten. Klavier. 12 S. .

Condición: 1. from Fellow Travelers, an opera in two acts. Bariton und Klavier. Partitur .

Condición: 1. Bariton und Klavier . .

Condición: 1. for soprano and piano Noten. für Sopran und Klavier. Partitur 12 S. . .

Condición: 1. Mezzosopran und Klavier . .

Condición: 1. for soprano and piano Noten. Sopran und Klavier. Partitur 12 S. A long overdue family reunion finds two African American cousins at odds over the fate of a historic parcel of land they have inherited in the American South. Castor is eager to sell the land to pay off his crushing debt, but Patience is determined to fig .

Condición: 1. Sopran und Klavier . .

Condición: 1. from Fellow Travelers, an opera in two acts. Tenor und Klavier. Partitur .

Condición: 1. from Fellow Travelers, an opera in two acts. Noten. Sopran und Klavier. Partitur 12 S. .

Condición: 1. Bariton und Klavier . .

Condición: 1. Mezzosopran (bzw. Sopran) und Klavier . .

Condición: 1. for soprano (or mezzo-soprano) and piano Noten. Sopran (bzw. Mezzosopran) und Klavier. Partitur 8 S. . .

Condición: 1. for countertenor and piano Noten. Countertenor und Klavier. Partitur 8 S. . .

Condición: 1. for baritone and piano Noten. Bariton und Klavier. Partitur 8 S. . .