grant b romer (50 resultados)

Hardcover. Condición: Fine. No Jacket. 1st Edition. Oversize. Still in shrink wrap. Text in German.

Wraps. Condición: Very Good+. Grant B. Romer Cover Photo Ilustrador. English Edition. English Edition, February 1979, Number 2. Textblock clean and very tight, Covers scuffed at the spine tips, else light wear; In this issue: The Camera Handbook of Antiquated Techniques Used By Contemporary Photographers; Introduction and Chronology, by Robert Bretz; Daguerreotype, by Grant B. Romer; Printing-Out Paper, by Jeffrey A. Wolin; The Albumen Print, by James M. Reilly; The Gum-Bichromate Photographic Process, by Alida Fish Cronin; Palladium Printing, by Carlos Richardson; Apropos: Le Camp de Chalons, A Report by Gustave Le Gray, and more. 48p. Size: 4to - Over 9 ¾" -12" Tall. Periodical.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Fine. 1st Edition. In fine condition. Published by Fundacion Pedro Barrie de la Maza, Spain, 2000, around 100 pages, softcover in thick wraps, 11" by 8.5". Text in Spanish. Scarce anthology of Coburn's genius photography, from Pictorialism to Vorticism. 25 full-page duotones and 148 thumbnail plates in the rear, along with extensive bibliography and several textual illustrations. Exceptional printing on this uncommon book.

Condición: New.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Hardback. Condición: New. Published to accompany the first museum exhibition of scenic daguerreotypes, this beautiful catalogue showcases a private collection of extremely rare outdoor views, offering a unique insight into mid-nineteenth-century America as it started to become an industrial power The atmospheric illustrations capture the rich tonal nuance of daguerreotypes, reclaiming their rightful place in the American visual arts of the period. Scenic daguerreotypes, made over 175 years ago, are extremely rare today. Named after Louis Daguerre (1787-1851), daguerreotypes are the first widely practised type of photography, quite unlike any other: the result it is both an image and object, a unique vestige of its time and place. The selection presented here is almost entirely drawn from the private collection of American collector Greg French, who built it over a 40-year period into probably the largest of its kind. The types of scenery captured in these beautiful outdoor views are not limited to traditional landscapes: they include storefronts, hotels, cityscapes and cemeteries; rivers, waterfalls, ships and shipyards; schools, churches, houses and backyards; landscapes, farms, factories and gold mines; but also daguerreotype studios, railroads, marching bands and more. Together, these images build the fascinating picture of a young country not yet invaded by asphalt and concrete, metal poles, wires, cell-phone towers, traffic signs and cars. Highlights include a Cincinnati street scene by the African American daguerreotypist James Presley Ball, his only known surviving outdoor view; the only outdoor daguerreotype taken by a woman, Charlotte Prosch; a California gold-mining scene by George H. Johnson; and a rare view of 1850 San Francisco taken from Telegraph Hill. The selection also includes what can be considered the earliest pure landscape photograph in America, a whole plate daguerreotype made in 1840-41 by Samuel Bemis.The original aim of many of these views is not always clear. Though many were probably taken for documentary or commercial purposes, their complexity and mystery warrant more careful, in-depth observation. What appear at first glance to be simple records of places or buildings are, in fact, windows into the daguerreotypists' unique visual perspective as they explored this innovative technique. The daguerrean process was central to the finished image, and the results are a significant Nativist phenomenon in the American visual arts, well worthy of being considered along with the paintings and sculpture of the 1840s and '50s. With an essay by the preeminent daguerrean scholar Grant Romer and notes on the plates by the exhibition curator Allen Phillips, the catalogue aims to bring about an advanced understanding of this significant manifestation of nationality in the pictorial arts. Despite the dearth of surviving evidence, the rare and splendid pictures presented here illustrate how the daguerreotype process creates works that are amazing in their deli.

Condición: NEW.

Einführung Grant B. Romer. Übersetzt aus dem Englischen von Christian Auffhammer. München: Orbis Verlag für Publizistik, 1997. Farb. illustr. OHardc. 112 Seiten mit ca. 90 meist ganzs. u. farbigen Fotografien. - 29 x 21. * Farbig getönte Akt-Daguerreotypien aus der Frühzeit der Photographie aus einer der weltgrößten Privatsammlungen - Tadellos erhalten !

Hardback. Condición: New. Published to accompany the first museum exhibition of scenic daguerreotypes, this beautiful catalogue showcases a private collection of extremely rare outdoor views, offering a unique insight into mid-nineteenth-century America as it started to become an industrial power The atmospheric illustrations capture the rich tonal nuance of daguerreotypes, reclaiming their rightful place in the American visual arts of the period. Scenic daguerreotypes, made over 175 years ago, are extremely rare today. Named after Louis Daguerre (1787-1851), daguerreotypes are the first widely practised type of photography, quite unlike any other: the result it is both an image and object, a unique vestige of its time and place. The selection presented here is almost entirely drawn from the private collection of American collector Greg French, who built it over a 40-year period into probably the largest of its kind. The types of scenery captured in these beautiful outdoor views are not limited to traditional landscapes: they include storefronts, hotels, cityscapes and cemeteries; rivers, waterfalls, ships and shipyards; schools, churches, houses and backyards; landscapes, farms, factories and gold mines; but also daguerreotype studios, railroads, marching bands and more. Together, these images build the fascinating picture of a young country not yet invaded by asphalt and concrete, metal poles, wires, cell-phone towers, traffic signs and cars. Highlights include a Cincinnati street scene by the African American daguerreotypist James Presley Ball, his only known surviving outdoor view; the only outdoor daguerreotype taken by a woman, Charlotte Prosch; a California gold-mining scene by George H. Johnson; and a rare view of 1850 San Francisco taken from Telegraph Hill. The selection also includes what can be considered the earliest pure landscape photograph in America, a whole plate daguerreotype made in 1840-41 by Samuel Bemis.The original aim of many of these views is not always clear. Though many were probably taken for documentary or commercial purposes, their complexity and mystery warrant more careful, in-depth observation. What appear at first glance to be simple records of places or buildings are, in fact, windows into the daguerreotypists' unique visual perspective as they explored this innovative technique. The daguerrean process was central to the finished image, and the results are a significant Nativist phenomenon in the American visual arts, well worthy of being considered along with the paintings and sculpture of the 1840s and '50s. With an essay by the preeminent daguerrean scholar Grant Romer and notes on the plates by the exhibition curator Allen Phillips, the catalogue aims to bring about an advanced understanding of this significant manifestation of nationality in the pictorial arts. Despite the dearth of surviving evidence, the rare and splendid pictures presented here illustrate how the daguerreotype process creates works that are amazing in their deli.

Hardcover. Condición: Brand New. 160 pages. 11.01x9.44x11.26 inches. In Stock.

hardcover. Condición: New.

Condición: New. In.

Gebundene Ausgabe. Condición: Gut. Genehmigte Sonderausg. 112 S. B1663-90 9783572008469 Sprache: Deutsch Gewicht in Gramm: 500.

Condición: New.

Gebunden. Condición: Neu. Neu -Mit einhundert Akt-Daguerreotypien aus der Mitte des 19. Jh.'s wird ein photo-, kunst-, kultur- und sittengeschichtliches Panorama ausgebreitet, das qualitativ und quantitativ weltweit einmalig ist. Erotische Daguerreotypie sind die frühesten photographischen Abbildungen des nackten Körpers. Da die ersten Lichtbildner zumeist Maler und meist akademisch ausgebildet waren, ist die künstlerische Kraft dieser Aktbildnisse beeindruckend. Die unvergleichliche Ausstrahlung und Ästhetik, die zauberhafte Kolorierung faszinieren den Betrachter von heute genauso wie den von dazumal. 112 pp. Deutsch.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: Neuf.

(Lizenzausgabe mit Genehmigung des Kunstverlag Weingarten), 4° (28x21), 112 S., mit zahlr. Abb. von Daguerreotypien, sowie einige dokumentarischen Abb., fotoill OKart (Brosch), minimalst berieben, nahezu ungelesen, schönes gepflegtes Exemplar, * * * BTC on-chain & lightning accepted * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.

Hardcover. Condición: Brand New. 160 pages. 11.01x9.44x11.26 inches. In Stock.

28x22 cm, 112 S., OPbd., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

4°, 112 Seiten mit vielen Abb. (meist farbig), Orig.-Pappband (Hardcover). - Zustand: sehr gut.

Hardback. Condición: New. Published to accompany the first museum exhibition of scenic daguerreotypes, this beautiful catalogue showcases a private collection of extremely rare outdoor views, offering a unique insight into mid-nineteenth-century America as it started to become an industrial power The atmospheric illustrations capture the rich tonal nuance of daguerreotypes, reclaiming their rightful place in the American visual arts of the period. Scenic daguerreotypes, made over 175 years ago, are extremely rare today. Named after Louis Daguerre (1787-1851), daguerreotypes are the first widely practised type of photography, quite unlike any other: the result it is both an image and object, a unique vestige of its time and place. The selection presented here is almost entirely drawn from the private collection of American collector Greg French, who built it over a 40-year period into probably the largest of its kind. The types of scenery captured in these beautiful outdoor views are not limited to traditional landscapes: they include storefronts, hotels, cityscapes and cemeteries; rivers, waterfalls, ships and shipyards; schools, churches, houses and backyards; landscapes, farms, factories and gold mines; but also daguerreotype studios, railroads, marching bands and more. Together, these images build the fascinating picture of a young country not yet invaded by asphalt and concrete, metal poles, wires, cell-phone towers, traffic signs and cars. Highlights include a Cincinnati street scene by the African American daguerreotypist James Presley Ball, his only known surviving outdoor view; the only outdoor daguerreotype taken by a woman, Charlotte Prosch; a California gold-mining scene by George H. Johnson; and a rare view of 1850 San Francisco taken from Telegraph Hill. The selection also includes what can be considered the earliest pure landscape photograph in America, a whole plate daguerreotype made in 1840-41 by Samuel Bemis.The original aim of many of these views is not always clear. Though many were probably taken for documentary or commercial purposes, their complexity and mystery warrant more careful, in-depth observation. What appear at first glance to be simple records of places or buildings are, in fact, windows into the daguerreotypists' unique visual perspective as they explored this innovative technique. The daguerrean process was central to the finished image, and the results are a significant Nativist phenomenon in the American visual arts, well worthy of being considered along with the paintings and sculpture of the 1840s and '50s. With an essay by the preeminent daguerrean scholar Grant Romer and notes on the plates by the exhibition curator Allen Phillips, the catalogue aims to bring about an advanced understanding of this significant manifestation of nationality in the pictorial arts. Despite the dearth of surviving evidence, the rare and splendid pictures presented here illustrate how the daguerreotype process creates works that are amazing in their deli.