gramit david (40 resultados)

Cloth. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. A nice, crisp copy. ; 9.2 X 6.2 X 1.1 inches; 324 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Dustjacket included. First Edition. ISBN 0520229703. Hardback. First Printing. Very Good condition book in a Very Good condition dustjacket with some fade to spine, minor rubs and creases around its edges. Tight, sound, unmarked copy. No Signature.

, Gramit, David. Cultivating music : the aspirations, interests, and limits of German musical culture, 1770-1848. Berkeley : University of California Press, 2002, xi, 272pp., very good dust-jacket, very good red cloth, fresh copy. Introduction : Cultivating music -- Scholarship and the definition of musical cultures -- The dilemma of the popular : the Volk, the composer, and the culture of art music -- Education and the social roles of music -- Performing musical culture : the concert. 9780520229709 ISBN 0520229703.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Hardcover in dust jacket. Jacket mildly faded at spine. Otherwise clean and tight. Very neat -- a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. 272 pages. Book and Jacket appear to have hardly been read and are both in Fine condition throughout.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. hbk 272pp an unread copy excellent clean tight unmarked in sleeve-protected dj as new.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0520229703.

ISBN 0-520-22970-3. Hardback. First Printing. Near Fine Condition book in aNear Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. Copy One.

ISBN 0-520-22970-3. Hardback. First Printing. Near Fine Condition book in aNear Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. Copy Two.

Condición: Good. Original cloth, gilt lettered spine, dust jacket, 8vo.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Uni. of California Press hb 2002 with dj - minor wear, spine and top of back cover faded, otherwise tight binding and clean text.

gr-8°. XI, 272 S. OLn. Sehr gutes Exemplar.

Hardback. Condición: New. German and Austrian music of the late eighteenth and nineteenth centuries stands at the heart of the Western musical canon. In this innovative study of various cultural practices (such as music journalism and scholarship, singing instruction, and concerts), David Gramit examines how music became an important part of middle-class identity. He investigates historical discourses around such topics as the aesthetic debates over the social significance of folk music, various comparisons of the musical practices of ethnic 'others' to the German 'norm', and the establishment of the concert as a privileged site of cultural activity. "Cultivating Music" analyzes the ideologies of German musical discourse during its formative period. Claiming music's importance to both social well-being and individual development, proponents of musical culture sought to secure the status of music as an art integral to bourgeois life. They believed that 'music' referred to the autonomous musical work, meaningful in and of itself to those cultivated to experience it properly.The social limits to that cultivation ensured that boundaries of class, gender, and educational attainment preserved the privileged status of music despite (but also by means of) their claims for the 'universality' of their canon. Departing from the traditional focus on individual musical works, Gramit considers the social history of the practice of music in Austro-German culture. He examines the origins of the privileged position of the Western canon in musicological discourses and argues that we cannot fully understand the role that canon has played without considering the interests that motivated its creators.

Condición: New. In.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No dust jacket. xiii, 280 p. ill. 24 cm. (alk. paper) ; small nick at bottom corner of cover. Includes bibliographical references and index. Box number: ST0007. ; 1st printing.

Hardcover. Condición: Brand New. 324 pages. 9.25x6.00x1.00 inches. In Stock.

Hardback. Condición: New. German and Austrian music of the late eighteenth and nineteenth centuries stands at the heart of the Western musical canon. In this innovative study of various cultural practices (such as music journalism and scholarship, singing instruction, and concerts), David Gramit examines how music became an important part of middle-class identity. He investigates historical discourses around such topics as the aesthetic debates over the social significance of folk music, various comparisons of the musical practices of ethnic 'others' to the German 'norm', and the establishment of the concert as a privileged site of cultural activity. "Cultivating Music" analyzes the ideologies of German musical discourse during its formative period. Claiming music's importance to both social well-being and individual development, proponents of musical culture sought to secure the status of music as an art integral to bourgeois life. They believed that 'music' referred to the autonomous musical work, meaningful in and of itself to those cultivated to experience it properly.The social limits to that cultivation ensured that boundaries of class, gender, and educational attainment preserved the privileged status of music despite (but also by means of) their claims for the 'universality' of their canon. Departing from the traditional focus on individual musical works, Gramit considers the social history of the practice of music in Austro-German culture. He examines the origins of the privileged position of the Western canon in musicological discourses and argues that we cannot fully understand the role that canon has played without considering the interests that motivated its creators.

Condición: New. German and Austrian music of the late eighteenth and nineteenth centuries stands at the heart of the Western musical canon. This book studies various cultural practices (such as music journalism and scholarship, singing instruction, and concerts). It examin.

Condición: New.

Hardback. Condición: New. The first English-language book on Czerny, and the broadest survey of his activity in any language.Within the history of European music, Carl Czerny (1791-1857) is simultaneously all too familiar and virtually invisible. During his lifetime, he was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music, which recent performances and recordings have shown to hold real musical interest. Beyond "The Art of Finger Dexterity" explores Czerny's multifaceted career and its legacy and provides the first broad assessment of his work as a composer. Prominent North American and European musicians and scholars explore topics including Czerny's life and its context; his autobiographical writings and efforts to promote his teacher, Beethoven; his activity as a pedagogue, both as teacher of Liszt and as the authority held up to innumerable amateur women pianists; his role in shaping performance traditions of classical music; the development of his image during and after his lifetime; and his work in genres including the Mass, the symphony, the string quartet, and the piano fantasy. This is the first English-language book on Czerny, and the broadest survey of his activity in any language. Contributors: George Barth, Otto Biba, Attilio Bottegal, Deanna C. Davis, James Deaville, Ingrid Fuchs, David Gramit, Alice M. Hanson, Anton Kuerti, Marie Sumner Lott, James Parakilas, Michael Saffle, Franz A. J. Szabo, Douglas Townsend, and John Wiebe. DavidGramit [University of Alberta] is the author of Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848.

Condición: As New. Unread book in perfect condition.

Condición: New. In.

Condición: New.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware - A historical study of the social institutions that supported the cultivation of music as a morally and socially worthy accomplishment in German-speaking lands in the 18th and 19th centuries. The formation of the canon of classical music during this period is related to the social trends Gramit describes.

Hardback. Condición: New. The first English-language book on Czerny, and the broadest survey of his activity in any language.Within the history of European music, Carl Czerny (1791-1857) is simultaneously all too familiar and virtually invisible. During his lifetime, he was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music, which recent performances and recordings have shown to hold real musical interest. Beyond "The Art of Finger Dexterity" explores Czerny's multifaceted career and its legacy and provides the first broad assessment of his work as a composer. Prominent North American and European musicians and scholars explore topics including Czerny's life and its context; his autobiographical writings and efforts to promote his teacher, Beethoven; his activity as a pedagogue, both as teacher of Liszt and as the authority held up to innumerable amateur women pianists; his role in shaping performance traditions of classical music; the development of his image during and after his lifetime; and his work in genres including the Mass, the symphony, the string quartet, and the piano fantasy. This is the first English-language book on Czerny, and the broadest survey of his activity in any language. Contributors: George Barth, Otto Biba, Attilio Bottegal, Deanna C. Davis, James Deaville, Ingrid Fuchs, David Gramit, Alice M. Hanson, Anton Kuerti, Marie Sumner Lott, James Parakilas, Michael Saffle, Franz A. J. Szabo, Douglas Townsend, and John Wiebe. DavidGramit [University of Alberta] is the author of Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848.

Hardcover. Condición: Brand New. 280 pages. 9.25x6.25x1.00 inches. In Stock.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.