Graham ellard (17 resultados)

Paperback. Condición: New. New copy.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: New. The form, function and future of the artist's studio is the central focus of the collaboration and of this publication. Studios for Artists presents, through a series of written and visual essays, the design and construction of an award-winning studio building and the establishment of a sustainable graduate studio program. Editor(s): Ellard, Graham; Harvey, Jonathan. Num Pages: 128 pages, illustrations. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 278 x 218 x 20. Weight in Grams: 644. . 2015. paperback. Not a first edition copy. . . .…

Condición: New. The form, function and future of the artist's studio is the central focus of the collaboration and of this publication. Studios for Artists presents, through a series of written and visual essays, the design and construction of an award-winning studio building and the establishment of a sustainable graduate studio program. Editor(s): Ellard, Graham; Harvey, Jonathan. Num Pages: 128 pages, illustrations. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 278 x 218 x 20. Weight in Grams: 644. . 2015. paperback. Not a first edition copy. . . . Books ship from the US and Ireland.…

Paperback. Condición: New. The form, function and future of the artist's studio is the central focus of the collaboration and of this publication. The subject of studio provision is approached from the partners? different but entirely complementary roles and perspectives, as is their shared commitment to creating new models of support for students after graduation. Studios for Artists presents, through a series of written and visual essays, how the partners formalized and intensified their work, resulting in amongst other initiatives, the design and construction of an award-winning studio building and the establishment of a sustainable graduate studio program. Including a photo?essay by Hugo Glendinning, the book provides a remarkable insight into the world of art education and the artist in London at the beginning of the twenty-first century. It reveals not just the ongoing challenges faced by art education, but also the threat to affordable studio provision where spiraling property prices threaten this vital, but generally unacknowledged, part of the contemporary visual arts ecology.…

Condición: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Softcover, staple-bound, 20 pages, very good condition; clean and crisp; no internal marks.

Soft cover. Condición: Near Fine. Slight rubbing to edges otherwise in excellent condition. Appears unread. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condición: Very Good. Studios for Artists: Concepts and Concrete This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardback. Condición: Very Good+. Illustrated boards are bright and unmarked, corners sharp; binding is tight; pages are unmarked. No marks from previous owners. ; 7.09 X 0.9 X 10.5 inches; 192 pages.

Black Dog Publishing, 2015. Paperback, 4to, 134pp, illust. A good copy. 9781910433089.

Hardcover. Condición: new. Hardcover. Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade between McCall and the artists Graham Ellard and Stephen Johnstone.Anthony McCall is known for his 'solid-light' installations, a series that he began in 1973 with his seminal Line Describing a Cone, in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Since creating this ground-breaking piece, McCall has had work exhibited at museums and galleries throughout the world, including the Museum of Modern Art, New York; Tate; Whitney Museum of American Art; Serpentine Gallery; Centre Pompidou; Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin.Examining McCall's work of the 1970s and the pieces developed since his return to making art in 2003, the conversations explore McCall's over-riding preoccupations as an artist whose work occupies a space between sculpture, cinema and drawing. In doing so, the book also narrates how McCall has transformed the way he understands his own practice, particularly in relation to notions of performance, the body, projected installation, durational structure and spectatorship.Emphasising both the continuities and shifts in McCall's working methods in the studio over the last 40 years, Anthony McCall: Notebooks and Conversations presents unique insights into his extraordinary body of work. Charting the development of the studio practice of artist Anthony McCall (b. 1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: new. Hardcover. Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade between McCall and the artists Graham Ellard and Stephen Johnstone.Anthony McCall is known for his 'solid-light' installations, a series that he began in 1973 with his seminal Line Describing a Cone, in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Since creating this ground-breaking piece, McCall has had work exhibited at museums and galleries throughout the world, including the Museum of Modern Art, New York; Tate; Whitney Museum of American Art; Serpentine Gallery; Centre Pompidou; Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin.Examining McCall's work of the 1970s and the pieces developed since his return to making art in 2003, the conversations explore McCall's over-riding preoccupations as an artist whose work occupies a space between sculpture, cinema and drawing. In doing so, the book also narrates how McCall has transformed the way he understands his own practice, particularly in relation to notions of performance, the body, projected installation, durational structure and spectatorship.Emphasising both the continuities and shifts in McCall's working methods in the studio over the last 40 years, Anthony McCall: Notebooks and Conversations presents unique insights into his extraordinary body of work. Charting the development of the studio practice of artist Anthony McCall (b. 1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condición: New.

Hardcover. Condición: New.