Graaf melissa (30 resultados)
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Librería: Kennys Bookstore, Olney, Estados Unidos de AmericaKennys Bookstore
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EUR 6,01
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Condición: New. 2013. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 6,19
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Condición: New. 2013. hardcover. . Not a first edition copy. . . .
Blackness in Opera [Paperback] Andre, Naomi; Bryan, Karen M.; Saylor, Eric; Ramsey, Guthrie; Delius, Frederick; Still, William Grant; Shirley, George; André, Naomi; Boyd, Melinda; Brown, Gwynne Kuhner; de Graaf, Melissa J.; Gauthier, Christopher R.; McFarlane-Harris, Jennifer; Schmalenberger, Sarah; Sears, Ann; White, Clarence Cameron; Murchison, Gayle and Wipplinger, Jonathan O.
Andre, Naomi [Editor]; Bryan, Karen M. [Editor]; Saylor, Eric [Editor]; Ramsey, Guthrie [Foreword]; Delius, Frederick [Contributor]; Still, William Grant [Contributor]; Shirley, George [Contributor]; André, Naomi [Contributor]; Boyd, Melinda [Contributor]; Brown, Gwynne Kuhner [Contributor]; Bryan, Karen M. [Contributor]; de Graaf, Melissa J. [Contributor]; Gauthier, Christopher R. [Contributor]; McFarlane-Harris, Jennifer [Contributor]; Ramsey, Guthrie [Contributor]; Saylor, Eric [Contributor]; Schmalenberger, Sarah [Contributor]; Sears, Ann [Contributor]; White, Clarence Cameron [Contributor]; Murchison, Gayle [Contributor]; Wipplinger, Jonathan O. [Contributor];
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Librería: Lost Time Books, Brattleboro, Estados Unidos de AmericaLost Time Books
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EUR 20,37
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Paperback. Condición: New.
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Librería: CURIO, Cleethorpes, North East Lincolnshire, Reino UnidoCURIO
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EUR 52,47
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Hardcover. Condición: New. No Jacket. Brand New. First Edition / First Print. Hardback copy in pictorial boards, no dustjacket as issued. 290pp. The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern Americ…an composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. (48/4).
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Librería: Brook Bookstore On Demand, Napoli, ItaliaBrook Bookstore On Demand
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EUR 94,07
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Librería: PBShop.store UK, Fairford, Reino UnidoPBShop.store UK
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EUR 100,79
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: GreatBookPrices, Columbia, Estados Unidos de AmericaGreatBookPrices
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EUR 125,02
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Librería: GreatBookPrices, Columbia, Estados Unidos de AmericaGreatBookPrices
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EUR 125,02
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Librería: PBShop.store US, Wood Dale, Estados Unidos de AmericaPBShop.store US
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EUR 135,16
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Librería: Rarewaves.com USA, London, Reino UnidoRarewaves.com USA
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EUR 135,50
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Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.
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Librería: Grand Eagle Retail, Bensenville, Estados Unidos de AmericaGrand Eagle Retail
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EUR 138,83
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Hardcover. Condición: new. Hardcover. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works…Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts.This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today.Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Rarewaves USA, OSWEGO, Estados Unidos de AmericaRarewaves USA
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EUR 139,23
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Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 125,96
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 125,96
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Condición: New.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 128,62
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 135,13
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Condición: New. In.
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 158,87
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Hardcover. Condición: New.
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Librería: Rarewaves USA United, OSWEGO, Estados Unidos de AmericaRarewaves USA United
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EUR 142,49
Envío por EUR 43,08Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 191,91
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Hardcover. Condición: Brand New. 290 pages. 9.00x6.25x1.00 inches. In Stock.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 128,07
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Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.
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Librería: AussieBookSeller, Truganina, AustraliaAussieBookSeller
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EUR 207,99
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Hardcover. Condición: new. Hardcover. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works…Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts.This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today.Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Mooney's bookstore, Den Helder, HolandaMooney's bookstore
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EUR 126,43
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Condición: Very good.
Het diëtistisch consult
Baauw, Marjolein; Waal, Annemarie; Zevenhoven, Melissa; van Dijk, Marianne; de Graaf-Spikmans, Femke; Verbeyst, Laura
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Librería: Buchpark, Trebbin, AlemaniaBuchpark
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EUR 79,78
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Condición: Hervorragend. Zustand: Hervorragend | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 117,66
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Condición: New. Print on Demand pp. 304 414:B&W 6 x 9 in or 229 x 152 mm Case Laminate on White w/Matte Lam.
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Librería: Books Puddle, New York, Estados Unidos de AmericaBooks Puddle
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EUR 125,05
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Condición: New. Print on Demand pp. 304.
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Librería: Biblios, frankfurt am main, AlemaniaBiblios
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EUR 118,33
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Condición: New. PRINT ON DEMAND pp. 304.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 133,41
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Hardcover. Condición: Brand New. 290 pages. 9.00x6.25x1.00 inches. In Stock. This item is printed on demand.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 126,17
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisIntroduction: The Significance of the Composers ForumThe Composers Forum in Context: Modernism and Diversity in the 1930sReactions to Modernist Style and IdeasThe Gendered Reception of Modern MusicOr…ientalism, Jew.
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Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 130,85
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Buch. Condición: Neu. The New York Composers' Forum Concerts, 1935-1940 | Melissa de Graaf (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2013 | University of Rochester Press | EAN 9781580464260 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu P…rint on Demand.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 156,34
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Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell…, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts.This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that 'modern' aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today.Melissa J. de Graaf is associate professor of musicology at the University of Miami.
