Graaf melissa (32 resultados)

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 6,03
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Condición: New. 2013. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 6,19
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Condición: New. 2013. hardcover. . Not a first edition copy. . . .

Blackness in Opera [Paperback] Andre, Naomi; Bryan, Karen M.; Saylor, Eric; Ramsey, Guthrie; Delius, Frederick; Still, William Grant; Shirley, George; André, Naomi; Boyd, Melinda; Brown, Gwynne Kuhner; de Graaf, Melissa J.; Gauthier, Christopher R.; McFarlane-Harris, Jennifer; Schmalenberger, Sarah; Sears, Ann; White, Clarence Cameron; Murchison, Gayle and Wipplinger, Jonathan O.
Andre, Naomi [Editor]; Bryan, Karen M. [Editor]; Saylor, Eric [Editor]; Ramsey, Guthrie [Foreword]; Delius, Frederick [Contributor]; Still, William Grant [Contributor]; Shirley, George [Contributor]; André, Naomi [Contributor]; Boyd, Melinda [Contributor]; Brown, Gwynne Kuhner [Contributor]; Bryan, Karen M. [Contributor]; de Graaf, Melissa J. [Contributor]; Gauthier, Christopher R. [Contributor]; McFarlane-Harris, Jennifer [Contributor]; Ramsey, Guthrie [Contributor]; Saylor, Eric [Contributor]; Schmalenberger, Sarah [Contributor]; Sears, Ann [Contributor]; White, Clarence Cameron [Contributor]; Murchison, Gayle [Contributor]; Wipplinger, Jonathan O. [Contributor];
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Librería: Lost Time Books, Brattleboro, VT, Estados Unidos de AmericaLost Time Books
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EUR 20,43
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Paperback. Condición: New.

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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
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EUR 57,66
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Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

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Librería: CURIO, Cleethorpes, North East Lincolnshire, Reino UnidoCURIO
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EUR 52,99
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Hardcover. Condición: New. No Jacket. Brand New. First Edition / First Print. Hardback copy in pictorial boards, no dustjacket as issued. 290pp. The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern Americ…an composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. (48/4).

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 94,45
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Condición: new.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 104,85
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Condición: New.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 102,41
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 111,23
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Condición: As New. Unread book in perfect condition.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 102,39
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 112,82
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Condición: As New. Unread book in perfect condition.

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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 135,60
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 137,48
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Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 139,28
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works…Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts.This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today.Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 139,69
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 129,88
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 137,51
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Condición: New. In.

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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 160,44
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Hardcover. Condición: New.

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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 142,28
Envío por EUR 43,22Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 192,41
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Hardcover. Condición: Brand New. 290 pages. 9.00x6.25x1.00 inches. In Stock.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 129,34
Envío por EUR 76,00Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 3 disponibles
Hardback. Condición: New. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Adm…inistration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 207,24
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Hardcover. Condición: new. Hardcover. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works…Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts.This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today.Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami. The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books
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EUR 264,96
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Hardcover. Condición: New. New .Ships From Multiple Locations. book.

Het diëtistisch consult
Baauw, Marjolein; Waal, Annemarie; Zevenhoven, Melissa; van Dijk, Marianne; de Graaf-Spikmans, Femke; Verbeyst, Laura
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Librería: Buchpark, Trebbin, AlemaniaBuchpark
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EUR 79,78
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Condición: Hervorragend. Zustand: Hervorragend | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Het diëtistisch consult 7e editie
Baauw, Marjolein; Waal, Annemarie; Zevenhoven, Melissa; Van Dijk, Marianne; De Graaf-Spikmans, Femke; Verbeyst, Laura
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Librería: Chloe Books, Madrid, M, EspañaChloe Books
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EUR 125,00
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Condición: Good.

Het diëtistisch consult Baauw, Marjolein; Waal, Annemarie; Zevenhoven, Melissa; van Dijk, Marianne; de Graaf-Spikmans, Femke; Verbeyst, Laura
Baauw, Marjolein; Waal, Annemarie; Zevenhoven, Melissa; van Dijk, Marianne; de Graaf-Spikmans, Femke; Verbeyst, Laura
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Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AlemaniaBUCHSERVICE / ANTIQUARIAT Lars Lutzer
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EUR 229,90
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Hardcover. Condición: gut. 2024. Het diëtistisch consult In deutscher Sprache. pages.

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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 123,32
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Condición: New. Print on Demand pp. 304.

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 119,90
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Condición: New. PRINT ON DEMAND pp. 304.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 134,73
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Hardcover. Condición: Brand New. 290 pages. 9.00x6.25x1.00 inches. In Stock. This item is printed on demand.

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Librería: moluna, Greven, Alemaniamoluna
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EUR 126,17
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisIntroduction: The Significance of the Composers ForumThe Composers Forum in Context: Modernism and Diversity in the 1930sReactions to Modernist Style and IdeasThe Gendered Reception of Modern MusicOr…ientalism, Jew.