Gordenker e (45 resultados)

Condición: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Wrappers. Condición: Fine Condition. 246 pages 138 illustrations 80 in color. Foreword by Max Hollein, Michael Clarke and Ian A. C. Dejardin. Published on the occasion of the exhibition from the National Galleries of Scotland, Edinburgh 23 June-3 September 2006 and the Dulwich Picture Gallery, London 20 September-3 December 2006. Bibliography. Chronology. Book. …

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 246 pp colour illustrated, bound in black with gilt title to spine. Book and dust wrapper show minor shelf wear HEAVY BOOK WILL NEED EXTRA POSTAGE OUTSIDE UK.

Cloth. Condición: New. Fine Condition. 245 pp., 240 illustrations 130 in full color. Published on the occasion of the exhibition from the Städelsches Kunstinstitut und Stadtische Galerie, Frankfurt 17 March-5 June 2006, The National Gallery of Scotland, Edinburgh 23 June-3 September 2006 and Dulwich Picture Gallery, London 20 September-3 December 2006. Book.…

Gr.-8°, Softcover/Paperback. Condición: Befriedigend. 302 Seiten, Einband mit kleineren Gebrauchsspuren, obere Buchecke angestossen und etwas gestaucht, Zustand zufriedenstellend bis gut Sprache: Deutsch Gewicht in Gramm: 1830 Städelsches Kunstinstitut, Fankfurt am Main.

hardcover. Condición: New. 1st.

FIRST EDITION 4to. hardback with illustrated covers in matching unclipped dust jacket. 64pp., profusely illustrated in colour. A clean copy with no markings or inscripitons. Slight soiling to ffep. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 25) ISBN: 9780955348969 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

Condición: new.

Hardcover. Condición: Brand New. 01 edition. 350 pages. 9.75x7.50x1.00 inches. In Stock.

Condición: New.

Hardcover. Condición: new. Hardcover. Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy. He used costume to forge a complex and memorable image of his English patrons, the Caroline courtiers, one that captured their ideals and yet had resonance for many years after his death. Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century. Later generations of English, Dutch, and French painters, used Van Dyck's innovations as a touchstone for a new manner of dressing sitters, one that was partially fictional, and much more casual and unbuttoned than had ever been represented before. This book shows that an understanding of dress can offer a new way of revealing the associations and ideals that a portait mayhave projected, and that the history of costume provides a unique set of tools with which to analyze the creativity and contributions of Van Dyck. Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy. He used costume to forge a complex and memorable image of his English patrons, the Caroline courtiers, one that captured their ideals and yet had resonance for many years after his death. Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century. Later generations of English, Dutch, and French painters, used Van Dyck's innovations as a touchstone for a new manner of dressing sitters, one that was partially fictional, and much more casual and unbuttoned than had ever been represented before. This book shows that an understanding of dress can offer a new way of revealing the associations and ideals that a portrait may have projected, and that the history of costume provides a unique set of tools with which to analyze the creativity and contributions of Van Dyck. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New.

mit Schutzumschlag. Erste Ausgabe. 19 x 25,5 cm. Pictura Nova 8. Erste Auflage, 297 S. Goldgeprägte OLwd, OU. Sprache: Englisch, Reich bebildert. Minimale Lagerspuren, innen sauber und gut. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

Condición: Bueno. First. Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design.…

Condición: New.

Condición: New.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: COME NUOVO. Conegliano, Linea d'Ombra Libri cm.24,5x30, pp.224, legatura editoriale copertina figurata a colori. Il catalogo, a cura di Quentin Buvelot, Marco Goldin, Emilie E.S. Gordenker, Lea van der Vinde e Ariane van Suchtelen, descrive e illustra uno dei periodi più affascinanti della pittura olandese: la cosiddetta "Golden Age", lo splendido Seicento in Olanda da Vermeer a Rembrandt. I saggi di carattere storico e artistico, nonché le accurate schede che accompagnano le 37 opere, ripercorrono e approfondiscono, tracciando la complessa storia politica dei territori dei Paesi Bassi, l'arte del periodo e l'evoluzione dei generi pittorici più importanti il ritratto, il paesaggio, la natura morta, le scene d'interno con figure ai quali si dedicheranno con risultati eccelsi alcuni tra i più grandi artisti olandesi. E dunque, accanto a Vermeer e alla sua Ragazza con l'orecchino di perla, famosa in tutto il mondo, si incontrano, ad esempio, alcuni tra i ritratti più toccanti di Rembrandt e Frans Hals; i paesaggi famosi di van Goyen e van Ruisdael; le scene rappresentate da Jan Steen e le nature morte di Pieter Claesz. Cornice sontuosa di queste opere sono le sale del museo Mauritshuis dell'Aia, al quale sono dedicati i primi due saggi del catalogo. Tra le collezioni più famose sulla pittura del XVII secolo, realizzata nel nord e nel sud del paese, quella del Mauritshuis vanta infatti quadri di molti tra gli artisti che hanno reso celebre nel mondo la pittura olandese della Golden Age.…

Condición: New.

Gebunden. Condición: New.

Condición: New.