goodall robinson (9 resultados)

Hardcover. Condición: Brand New. 224 pages. 9.25x6.25x1.00 inches. In Stock.

Softcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. The Civil Service Student's Examination Series. Red card covers. 40 pages. Crisp clean covers, sound stapled binding, clean pages and inside covers. No dust jacket, as published. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 05115060156. All our books are sent by tracked mail.

Hardcover. Condición: Good+. No Jacket. Red Cloth, Gilt Title, 303 Pages. No Date No Printing History Stated But C. 1900 (The Sample Letters In The Text Are Dated Up To 1896). A Bright And Soundly Bound Book, No Inscriptions. Not Ex Library. Overall Near "Vg".

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. The Civil Service Student's Series. Dark red covers with gilt lettering, lightly bumped corners, plain spine, clean darkened end-papers with paper beginning to crack over front inner hinge, binding otherwise sound, clean pages. No dust-jacket. Undated by publisher. Dated from content/images. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 05115060142. All our books are sent by tracked mail.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. [1st edition, 1st printing] ; 156 pp. ; color photographs by R. H. M. Robinson, Grace Woodbridge, Harry Smith, Sheila Orme, Anthony Huxley, Nancy Mary Goodall, Angelo Hornak, Kenneth Scowen; drawings by Davina Wynne-Jones, Laurie Clark and Cecilia Humphrys; end paper illustrations are from A Book of Botanical Drawings by Daniel Frankon ; 29 cm. ; ISBN: 0701123958 :; 9780701123956 LCCN: 80-484408 ; LC: SB466.G75; Dewey: 712/.6/0942 ; OCLC: 6149282 ; green cloth with gold lettering, in full-color photographic dustjacket inmylar protector ; previous owner's name on front ep ; showcases the celebrated personal gardens of several important British women, with their commentaries ; included are: Balbithan House, Kintore, Inverurie, Aberdeensh ire / Mary McMurtrie -- The Dower House, Badminton, Avon / Lady Caroline Somerset -- Lygrove, Badminton, Avon / The Dowager Countess of Westmorland -- The Old Rectory, Burghfield, Berkshire / Mrs. Ralph Merton -- Arley Hall, Northwich, Cheshire / Th e Vicountess Ashbrook -- Ince Castle, Saltash, Cornwall / The Vicountess Boyd of Merton -- Moyclare, Lodge Hill, Liskeard, Cornwall / Mrs/ Louis Reid -- Ednaston Manor, Brailsford, Derbyshire / Mrs. Stephen Player -- Knightshayes House, Tiverton, De vonshire / Lady Heathcoat Amory -- Rosemoor, Torrington, Devonshire / The Lady Anne Palmer -- Manor House, Cranborne, Dorset / The Marchioness of Salisbury -- Shute House, Donhead St. Mary, Nr. Shaftsbury, Dorset / The Lady Anne Tree -- Tyninghame, Dunbar, East Lothian / The Countess of Haddington -- White Barn House, Elmstead Market, Colchester, Essex / Mrs. Andrew Chatto -- Barnsley House, near Cirencester, Gloucestershire / Mrs. David Verey -- Hill House, Wickwar, Gloucestershire / Sally, D uchess of Westminster -- Kiftsgate Court, Campden, Gloucestershire / Mrs. D. H. Binny -- Orchard Cottage, Gretton, Cheltenham, Gloucestershire / Mrs. Patrick Saunders -- Rodmarton Manor, Cirencester, Gloucestershire / Mrs. Anthony Biddulph -- Bramde an House, Alresfors, Hampshire / Mrs. Hady Wakefield -- Westwick Cottage, Leverstock Green, Hertfordshire / Mrs. Donald Macqueen -- 11 Cavendish Avenue, London NW8, Middlesex / The Hon. Mrs. Mark Lennox-Boyd -- 12A Selwood Place, London SW7, Middles ex / Mrs. Anthony Crossley -- Deene Park, Corby, Horthamptonshire / The Hon. Mrs. Brudenell -- Howick, Alnwick, Northumberland / The Lady Mary Howick -- Coach House, Little Haseley, Oxfordshire / Mrs. C. G. Lancaster -- The Monro House, Bampton, Oxf ordshire / Countess Munster -- Pusey House, Faringdon, Oxfordshire / Mrs. Michael Hornby -- Hadspen House, Castle Cary, Somerset / Mrs. Paul Hobhouse -- The Chequers, Boxford, Suffolk / Miss Jenny Robinson -- West Wood, Walberswick, Southwold, Suffo lk / Miss Mea Allan -- Chilworth Manor, Guildford, Sussex / Mrs. Gilbert Thorp -- Broadleas, Devizes, Wiltshire / The Lady Anne Cowdray -- Ling Beeches, Ling Lane, Scarcroft, Thorner, Leeds, Yorkshire / Mrs. Arnold Rakusen -- St. Nicholas, Richmond, Yorkshire / The Lady Serena James. ; ".[T]here are few contributors whose hands are not constantly deep in the soil or wielding the pruning shears. The result is gardens which have the intimacy of a diary or memoir, indeed the accounts by the contributors often read like leaves torn from a jounral, full of passion and idiosyncrasy as their pride and prejudice are revealed. These are private arcadias into which we, the public, are now allowed to pry. How generous they are to unfold the pag es for our contemplation. How much one understands the contributor who unashamedly states that the essence of her garden is that it is a closed world." ; FINE/FINE. Book.

Revised Final Draft script for the 1996 film. Three copied annotations on two pages, consisting of one dialogue change and two revision date changes. Based on the 1962 book "The Last Voyage of the Albatross" by Charles Gieg Jr. and Felix Sutton about the sinking of the brigantine Albatross on May 2, 1961. All American boy Chuck Gieg (Scott Wolf) narrates this coming-of-age story, set in 1960, about a group of teenage boys setting out for a year-long voyage aboard the brigantine school ship Albatross, commanded by Dr. Christopher B. Shelton (Jeff Bridges), only to face the ultimate challenge of surviving a deadly white squall storm. Shot on location in South Carolina, Georgia, Bermuda, Grenada, London, Malta, South Africa, St Lucia, and St Vincent and the Grenadines. White generic Lasher McManus & Robinson production company wrappers. Title page present, dated March 18, 1995, noted as Revised Final Draft, with credits for screenwriter Todd Robinson. 123 leaves, with last page of text numbered 107. Xerographic duplication, rectos only, with white revision pages (labeled "Blue") throughout, dated variously between 3/27/95 and 5/15/95. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Condición: Good. Large folio. 3/4 red morocco and red roan boards, repaired. 59 x 45 cm.[62] p., [29] pl.; 606 mm. Some foxing. Tissue guards.OCLC Number: 1105189Each plate gives the name of the source-artist and is signed by its engraver. The engravers were H. Le Keux, George T. Doo, W. Bromley, J.H. Watt, E. Goodall, John Pye, William Miller, W. Humphrys, John Burnet, J. Stewart, W. Greatbatch, John H. Robinson, R. Golding, W. Finden and J. Le Keux. Each plate carries the publisher's imprint of John Pye, and the name of the printer, McQueen. The work is dedicated to King William IV by John Burnet, George Cooke, George T. Doo, William Finden, Edward Goodall, John Le Keux, Henry Le Keux, John Pye and John H. Robinson.The title page and plate [10] carry the date of 1840, but all other plates carry an earlier date - 1830 March 1 (nos. 5, 17, 24, 26, 28); 1832 March (1, 9, 11); 1837 March (1) (2, 14, 19, 20, 22, 29); 1834 Sep. 1 (6, 15, 16); 1836 July (1) (12, 13, 21, 25); 1837 July (3, 8, 18, 27); 1839 Aug. (4, 23); 1839 Nov. (7). The idea of publishing a series of engravings after paintings in the National Gallery (which had opened to the public in 1824) originated with John Pye, and was subsidised by John Sheepshanks. Seven instalments appeared by 1840. Pye was a leading advocate of the Royal Academy's opening full Membership to engravers. He had petitioned the Prince Regent for this in 1812; in 1826 he and other leading engravers vowed never to apply for Associateship; in 1836 and 1859 he published pamphlets attacking the Academy. Each plate is accompanied by one leaf of printed explanatory text (in English on the recto, in French on the verso); and each is captioned. They show: [1]'A view of Venice' by Canaletto; [2]'Christ appearing to St. Peter' by Ann. Carracci; [3] 'Silenus' by Ann. Carracci; [4] 'Susanna and the elders' by Lud. Carracci; [5] 'An Italian sea-port' by Claude; [6] 'The marriage-festival of Isaac and Rebecca' by Claude; [7] 'The embarkation of St. Ursula' by Claude; [8] 'A pastoral landscape' by Claude; [9] 'The Annunciation' (in text, ' . appearance of the angel to Hagar') by Claude; [10] 'The Holy Family' by Correggio; [11] 'Evening' by A. Cuyp; [12] 'The market cart' by Gainsborough; [13] 'The watering place' by Gainsborough; [14] 'Spanish peasant boy' by Murillo; [15] 'A landscape with figures representing Abraham preparing for the sacrifice' by Gaspar Poussin; [16] 'A Bacchanalian scene' by N. Poussin; [17] 'The adoration of the shepherds' by Rembrandt; [18] 'The Crucifixion' (in text 'Christ taken down from the Cross') by Rembrandt; [19] 'Portrait of a Jew' by Rembrandt; [20] 'The banished lord' by Reynolds; [21] 'Lord Heathfield' by Reynolds; [22] 'The rape of the Sabines' by Rubens; [23] 'Peace and War' by Rubens; [24] 'Gevartius' by A. Van Dyck; [25] 'The Emperor Theodosius refused admission into the church' by Van Dyck; [26] 'Portrait of Rubens' by Van Dyck; [27] 'The consecration of St Nicolas' by Veronese; [28] 'The village festival' by D. Wilkie; [29] 'Maecenas' villa at Tivoli' by R. Wilson.Ref: A. Dyson, Picture to print: the nineteenth-century engraving trade (1984); C. Fox, 'The engraver's battle for professional recognition in early nineteenth-century London', in London journal, 2 (1976), p.3-31.

Leather Bound. Condición: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1831. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 48, Pages:- 5, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 48 5.

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1830. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 313, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 313 313.