Glisson james brown marshall (13 resultados)
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Hardback. Condición: New. Despite its consistent presence in architectural practice throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of co…llage as an architectural medium. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality.Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art's curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown's intriguing exploration of an intersection of architecture and art.
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Hardcover. Condición: new. Hardcover. Collage in architecture is more easily addressed as a conceptual approach or an aesthetic condition. Despite its consistent presence throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketc…hing. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium as well as an architectural practice. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality that are common in the field of architecture. This book, published in conjunction with an exhibition at the Santa Barbara Museum of Art in summer 2022, features some 40 collages by Marshall Brown. The selection comprises images from his recent series titled Je est un autre and Chimera, as well as photographs of Ziggurat, a temporary pavilion designed for the Arts Clubs of Chicago and based on the Chimera series. Moreover, it presents pictures originating from visionary architectural and urban design proposals for Chicago, Detroit, and New York. The full colour plates are supplemented by essays that outline the conceptual foundations of Brown's intriguing oeuvre at the intersection of architecture and art. AUTHORS: The Santa Barbara Museum of Art, opened to the public in 1941, is home to a permanent collection of some 250,000 works of art that represent five millennia of human creativity, including outstanding classical antiquities, the largest holdings of French Impressionism on the United States' west coast, and one of the most distinguished collections of Latin American art. James Glisson is an art historian and the Santa Barbara Museum of Art's curator of contemporary art. Marshall Brown is an architect and artist. He runs his own design practice Marshall Brown Projects and teaches as an Associate Professor of Architecture at Princeton University. He has represented the United States at the 2016 international architecture exhibition of the Venice Biennale. His work is represented in the collections of major museums, such as the Art Institute of Chicago, San Francisco Museum of Modern Art, and Crystal Bridges Museum of American Art. SELLING POINTS: . First book on American architect Marshall Brown and his oeuvre at the intersection of architecture and art . Features some 40 of Brown's architectural collages from the past decade alongside images originating from visionary architectural and urban design proposals for Chicago, Detroit, and New York . Essays by distinguished scholars outline the conceptual foundations of Brown's intriguing work 63 colour illustrations The first book on American architect Marshall Brown and his collages, which sit at the intersection of architecture and art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 124 pages. 12.25x10.25x0.71 inches. In Stock.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 48,00
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Buch. Condición: Neu. Neuware - Despite its consistent presence in architectural practice throughout the twentieth and twenty-first centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstra…tes the power of collage as an architectural medium. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality. Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the beautifully designed book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art's curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown's intriguing exploration of an intersection of architecture and art.; Trotz ihrer anhaltenden Präsenz in der Architekturpraxis des 20. und 21. Jahrhunderts wird die Collage nach wie vor nicht als Standardform architektonischer Darstellung neben der Zeichnung und dem Plan, dem Modellbau oder der Skizze angesehen. Die Arbeiten des amerikanischen Architekten und Künstlers Marshall Brown verdeutlichen die Kraft der Collage als architektonisches Medium eindrücklich. Brown vertritt die Ansicht, dass die Collage den Begriff der architektonischen Autorschaft verändert. Er hinterfragt die überholten Definitionen von Originalität, die in der Architektur bis heute üblich sind. Dieses englischsprachige Buch, das anlässlich einer Ausstellung von Marshall Browns Werken im Santa Barbara Museum of Art im Herbst 2022 erscheint, enthält etwa 40 seiner Architekturcollagen. Die Auswahl umfasst Bilder aus seinen Serien Chimera und Je est un autre sowie den bislang noch nie veröffentlichten Prisons of Invention und Piranesian Maps of Berlin. Gezeigt werden zudem Fotografien von Ziggurat, einer Skulptur im öffentlichen Raum, die Brown für den Arts Clubs of Chicago entworfen hat und auf der Chimera-Serie basiert. Die durchgehend farbigen Abbildungen werden begleitet von Essays des Kritikers und Kurators Aaron Betsky, der Kunsthistorikerin und Archäologin Anna Arabindan-Kesson, des Kurators James Glisson und von Marshall Brown selbst. Sie legen die konzeptionellen Grundlagen von Browns faszinierendem Werk an der Schnittstelle von Architektur und Kunst aus unterschiedlichen Perspektiven dar.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Hardcover. Condición: new. Hardcover. Collage in architecture is more easily addressed as a conceptual approach or an aesthetic condition. Despite its consistent presence throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketc…hing. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium as well as an architectural practice. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality that are common in the field of architecture. This book, published in conjunction with an exhibition at the Santa Barbara Museum of Art in summer 2022, features some 40 collages by Marshall Brown. The selection comprises images from his recent series titled Je est un autre and Chimera, as well as photographs of Ziggurat, a temporary pavilion designed for the Arts Clubs of Chicago and based on the Chimera series. Moreover, it presents pictures originating from visionary architectural and urban design proposals for Chicago, Detroit, and New York. The full colour plates are supplemented by essays that outline the conceptual foundations of Brown's intriguing oeuvre at the intersection of architecture and art. AUTHORS: The Santa Barbara Museum of Art, opened to the public in 1941, is home to a permanent collection of some 250,000 works of art that represent five millennia of human creativity, including outstanding classical antiquities, the largest holdings of French Impressionism on the United States' west coast, and one of the most distinguished collections of Latin American art. James Glisson is an art historian and the Santa Barbara Museum of Art's curator of contemporary art. Marshall Brown is an architect and artist. He runs his own design practice Marshall Brown Projects and teaches as an Associate Professor of Architecture at Princeton University. He has represented the United States at the 2016 international architecture exhibition of the Venice Biennale. His work is represented in the collections of major museums, such as the Art Institute of Chicago, San Francisco Museum of Modern Art, and Crystal Bridges Museum of American Art. SELLING POINTS: . First book on American architect Marshall Brown and his oeuvre at the intersection of architecture and art . Features some 40 of Brown's architectural collages from the past decade alongside images originating from visionary architectural and urban design proposals for Chicago, Detroit, and New York . Essays by distinguished scholars outline the conceptual foundations of Brown's intriguing work 63 colour illustrations The first book on American architect Marshall Brown and his collages, which sit at the intersection of architecture and art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 48,00
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Buch. Condición: Neu. The Architecture of Collage | Marshall Brown | James Glisson | Buch | 124 S. | Englisch | 2022 | Park Books | EAN 9783038602910 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Carsten Schlieker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | An…bieter: preigu.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 45,37
Envío por EUR 76,22Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New. Despite its consistent presence in architectural practice throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of co…llage as an architectural medium. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality.Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art's curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown's intriguing exploration of an intersection of architecture and art.
