Giovanni bartolozzi (61 resultados)

Paperback. Condición: New.

Condición: New.

Condición: New. pp. 42.

Condición: New. pp. 42.

Condición: New. pp. 42.

Condición: New. In English.

Condición: New.

Condición: New.

Condición: New. In English.

Brossura. Condición: new. A cura di Tempesta G.Firenze, 2010; br., pp. 136, cm 24x16,5.(Architetture di Città). Questo libro riassume il percorso didattico svolto con un ristretto numero di studenti del Laboratorio di Orientamento del Prof. Alberto Breschi per il recupero e la trasformazione dell'ex inceneritore di San Donnino in museo della trasformazione energetica. Un'esperienza didattica innovativa nella messa a fuoco dell'idea progettuale che si è conclusa con la discussione di cinque tesi di laurea. Come conseguenza diretta del lavoro didattico svolto, questo volume esplicita tutti i passaggi dell'iter progettuale e soprattutto individua nella restituzione e nella chiarezza del concept il momento più alto e problematico della progettazione. Libro.…

Condición: NEW.

Condición: NEW.

Bild-Maße: ca. 15,5 x 9 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original engraving. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10. …

Paperback. Condición: New.

brossura. Condición: nuovo. Nuovo. Brossura con alette., Ill. bn: --, Ill. colori: Fully Illustrated in colour, Peso: 255 gr.

Condición: New. Print on Demand.

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Condición: New. PRINT ON DEMAND.

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Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Holandesa del XIX. Esta es la edición francesa del famoso manual de dibujo de Piazzetta "Studii di Pintura, giá disegnati da Giambattista Piazzeta, ed ora con l'intaglio di Marco Pitteri, publicati a spese di Giambattista Albrizzi." (Apresso Teodoro Viero), 1760. La primera edición contenía 48 planchas de un tamaño de 30 x 44 cm. de 24 temas (24 de las cuales eran de Bartolozzi.y 24 de Marco Pitteri.) Esta obra ha estado y aún hoy está considerada como una de las más atractivas.Pertenece al gran periodo de libros ilustrados venecianos. El único grabado que nos queda de Piazetta es su autorretrato, que data de 1738. La primera edición fue pronto seguida de la edición francesa de 1764. La obra que nosotros ofrecemos está falta de la portada francesa original, pero contiene frontispicio grabado: "Naturam Refern Patet ars sed Utrinque Magistra, appreso Theodoro viero Venezia", firmado por Marco Pitteri. Contiene un pequeño autorretrato grabado por Piazetta e impreso como fin de página con figuras alegóricas grabadas alrededor, sobre las artes de la pintura, escultura y dibujo. Hay dos series de 24 grabados en cada serie, numeradas en romanos consecutivamente, grabados y firmados por Bartolozzi (números impares) y Pitteri (números pares), respectivamente. Cada uno de los 24 grabados, parecen ser de dos tipos de medidas: 220 x 310 mm. (aprox.) el tamaño del grabado y 290 x 430 mm. el tamaño de papel. Con pequeñas manchas de humedad en la esquina inferior derecha de la mayoría de los grabados Berlin Katalog 4773.…

Condición: Good. Oblong folio. 38.4 x 30cm. [33pp.], Some pages with creases and foxing.Engraved frontispiece and title page; 22 of a maximum of 48 plates present. New half goatskin and marbled boards by the artisan binder Sasha Mosalov.The Venetian painter Piazzetta (1682-1754) executed commissions for various Venetian and foreign nobles, many of whom are named in the list of subscribers. He produced drawings for more than sixty books, the most famous of which is Albrizzi's 1745 Gerusalemme Liberata. The plates here were produced after Piazzetta's death by his pupils Marco Pitteri and Francesco Bartolozzi, who provided a copy of each of his drawings in their own distinctive style.OCLC Number / Unique Identifier:1184193209:Physical Description:14 unnumbered pages, 11 leaves, 48 plates : frontispiece ; 30 x 44 cm ; folio.Notes:24 of the plates engraved by F. BartolozziIncludes "Alcuni avvertimenti per lo incamminamento di un giovane alla pittura" by G.P. Cavazzoni Zannotti (12ff.) and a life of Piazzetta by AlbrizziFirst plate has imprint "Appresso Leonardo Bassaglia".Roya Academy, London: ReferencesS. Boorsch, Venetian Prints And Books In The Age Of Tiepolo [exhibition catalogue] (1997), p.20-1, 42; The Glory of Venice, ed. J. Martineau [Royal Academy exhibition catalogue] (1994-5), no.89; Da Carlevarijs ai Tiepolo: incisori veneti e friulani del settecento, ed. D. Succi [exhibition catalogue] (1983); Il libro illustrato nel settecento a Venezia, ed. T. Gasparrini Leporace [exhibition catalogue] (1955); A. Ravà, Marco Pitteri incisore veneziano [1922].Summary NoteThe text consists of fifteen chapters on the art of painting: Delle qualità convenienti ad un Giovanetto voglioso di apprendere la Pittura; Della elezione del Maestro; Come lo Scolare s'abbia a contenere col Maestro; Della utilità del Copiare de opere de' gran Maestri; Del Colorito; Di quanto sia necessario il valersi del vero; Della Teorica, e della Pratica; Della Simmetria; Della Notomia; Della Prospettiva; Della Invenzione; Della Disposizione; Degli Affetti; Del Costume; Della Grazia.The first forty-eight plates form pairs, each pair showing one composition in two manners of representation. In Pitteri Piazzetta had one of the most able etchers of his chalk drawings. Pitteri adopts Faldoni's method of etching long parallel lines and by selectively exaggerating their raggedness imbues them with great subtlety.The book is a tribute from Albrizzi to Piazzetta, who had provided illustrations for more than sixty of Albrizzi's publications, most famously the Gerusalemme Liberata of 1745.…

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Condición: New. PRINT ON DEMAND.

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Condición: Good. Oblong folio. 50 x 39cm. 83 numbered plates.New half parchment and marbled board binding by the artisan binder, Sasha Mosalov.Title and dedication included in numbering of plates. Single letterpress leaf bears bibliographical information by Domenco de' Rossi. Dedicatory leaf incorporates port. of Cardinal Flavio Chigi, to whom first ed. was dedicated, engraved by V. Guigou. Plate 30 signed with initials by Robert van Audenaerd, who was responsible for other plates as well. Thirty-one of the plates by Bartoli are copies in reverse of plates from François Perrier's Icones et segmenta (Rome, 1645). Perrier's monogram appears on plates 53 & 54. See Indice.First ed. appeared probably in 1666 and comprised 81 plates. Plates 60 & 61 of the present ed., devoted to the Roman fresco known as the Aldobrandini Wedding, were etched by Bartoli in 1677 and added to the work. In 1690 a group of 31 plates was transferred to another de Rossi publication (Veteres arcus Augustorum), and replaced with 31 others in part by Bartoli. .References; OCLC Number874380230;RIBA, Early printed, 1 (1994), no. 206, p.116-7 [describes mainly a pre-1693 edition].Summary Note:The sculptures shown are accompanied by a short explanatory caption, and statement of location. Several are from the collections of the Barberini, Medici, Borghese, Mattei, Giustiniani and Pamphili; a smaller number from the collections of the Mazarins, Montalto, Della Valle, the Queen of Sweden, Farnese, Massimi, Sacchetti and Vitelleschi; one is from the collection of Cardinal Flavio Chigi, to whom the work is dedicated. Others are from the Vatican and Capitoline collections, from churches and from the Forum of Nerva. Only one is shown from outside Rome, from the royal collection in Madrid.…